Джек Лондон
Moon-Face, and Other Stories
“No – wait!” she cried, before he had touched the two lower bars.
She urged the mare forward a couple of strides, and then the animal lifted over the bars in a clean little jump. The man’s eyes sparkled, and he clapped his hands.
“You beauty! you beauty!” the girl cried, leaning forward impulsively in the saddle and pressing her cheek to the mare’s neck where it burned flame-color in the sun.
“Let’s trade horses for the ride in,” she suggested, when he had led his horse through and finished putting up the bars. “You’ve never sufficiently appreciated Dolly.”
“No, no,” he protested.
“You think she is too old, too sedate,” Lute insisted. “She’s only sixteen, and she can outrun nine colts out of ten. Only she never cuts up. She’s too steady, and you don’t approve of her – no, don’t deny it, sir. I know. And I know also that she can outrun your vaunted Washoe Ban. There! I challenge you! And furthermore, you may ride her yourself. You know what Ban can do; so you must ride Dolly and see for yourself what she can do.”
They proceeded to exchange the saddles on the horses, glad of the diversion and making the most of it.
“I’m glad I was born in California,” Lute remarked, as she swung astride of Ban. “It’s an outrage both to horse and woman to ride in a sidesaddle.”
“You look like a young Amazon,” the man said approvingly, his eyes passing tenderly over the girl as she swung the horse around.
“Are you ready?” she asked.
“All ready!”
“To the old mill,” she called, as the horses sprang forward. “That’s less than a mile.”
“To a finish?” he demanded.
She nodded, and the horses, feeling the urge of the reins, caught the spirit of the race. The dust rose in clouds behind as they tore along the level road. They swung around the bend, horses and riders tilted at sharp angles to the ground, and more than once the riders ducked low to escape the branches of outreaching and overhanging trees. They clattered over the small plank bridges, and thundered over the larger iron ones to an ominous clanking of loose rods.
They rode side by side, saving the animals for the rush at the finish, yet putting them at a pace that drew upon vitality and staying power. Curving around a clump of white oaks, the road straightened out before them for several hundred yards, at the end of which they could see the ruined mill.
“Now for it!” the girl cried.
She urged the horse by suddenly leaning forward with her body, at the same time, for an instant, letting the rein slack and touching the neck with her bridle hand. She began to draw away from the man.
“Touch her on the neck!” she cried to him.
With this, the mare pulled alongside and began gradually to pass the girl. Chris and Lute looked at each other for a moment, the mare still drawing ahead, so that Chris was compelled slowly to turn his head. The mill was a hundred yards away.
“Shall I give him the spurs?” Lute shouted.
The man nodded, and the girl drove the spurs in sharply and quickly, calling upon the horse for its utmost, but watched her own horse forge slowly ahead of her.
“Beaten by three lengths!” Lute beamed triumphantly, as they pulled into a walk. “Confess, sir, confess! You didn’t think the old mare had it in her.”
Lute leaned to the side and rested her hand for a moment on Dolly’s wet neck.
“Ban’s a sluggard alongside of her,” Chris affirmed. “Dolly’s all right, if she is in her Indian Summer.”
Lute nodded approval. “That’s a sweet way of putting it – Indian Summer. It just describes her. But she’s not lazy. She has all the fire and none of the folly. She is very wise, what of her years.”
“That accounts for it,” Chris demurred. “Her folly passed with her youth. Many’s the lively time she’s given you.”
“No,” Lute answered. “I never knew her really to cut up. I think the only trouble she ever gave me was when I was training her to open gates. She was afraid when they swung back upon her – the animal’s fear of the trap, perhaps. But she bravely got over it. And she never was vicious. She never bolted, nor bucked, nor cut up in all her life – never, not once.”
The horses went on at a walk, still breathing heavily from their run. The road wound along the bottom of the valley, now and again crossing the stream. From either side rose the drowsy purr of mowing-machines, punctuated by occasional sharp cries of the men who were gathering the hay-crop. On the western side of the valley the hills rose green and dark, but the eastern side was already burned brown and tan by the sun.
“There is summer, here is spring,” Lute said. “Oh, beautiful Sonoma Valley!”
Her eyes were glistening and her face was radiant with love of the land. Her gaze wandered on across orchard patches and sweeping vineyard stretches, seeking out the purple which seemed to hang like a dim smoke in the wrinkles of the hills and in the more distant canyon gorges. Far up, among the more rugged crests, where the steep slopes were covered with manzanita, she caught a glimpse of a clear space where the wild grass had not yet lost its green.
“Have you ever heard of the secret pasture?” she asked, her eyes still fixed on the remote green.
A snort of fear brought her eyes back to the man beside her. Dolly, upreared, with distended nostrils and wild eyes, was pawing the air madly with her fore legs. Chris threw himself forward against her neck to keep her from falling backward, and at the same time touched her with the spurs to compel her to drop her fore feet to the ground in order to obey the go-ahead impulse of the spurs.
“Why, Dolly, this is most remarkable,” Lute began reprovingly.
But, to her surprise, the mare threw her head down, arched her back as she went up in the air, and, returning, struck the ground stiff-legged and bunched.
“A genuine buck!” Chris called out, and the next moment the mare was rising under him in a second buck.
Lute looked on, astounded at the unprecedented conduct of her mare, and admiring her lover’s horsemanship. He was quite cool, and was himself evidently enjoying the performance. Again and again, half a dozen times, Dolly arched herself into the air and struck, stiffly bunched. Then she threw her head straight up and rose on her hind legs, pivoting about and striking with her fore feet. Lute whirled into safety the horse she was riding, and as she did so caught a glimpse of Dolly’s eyes, with the look in them of blind brute madness, bulging until it seemed they must burst from her head. The faint pink in the white of the eyes was gone, replaced by a white that was like dull marble and that yet flashed as from some inner fire.
A faint cry of fear, suppressed in the instant of utterance, slipped past Lute’s lips. One hind leg of the mare seemed to collapse, and for a moment the whole quivering body, upreared and perpendicular, swayed back and forth, and there was uncertainty as to whether it would fall forward or backward. The man, half-slipping sidewise from the saddle, so as to fall clear if the mare toppled backward, threw his weight to the front and alongside her neck. This overcame the dangerous teetering balance, and the mare struck the ground on her feet again.
But there was no let-up. Dolly straightened out so that the line of the face was almost a continuation of the line of the stretched neck; this position enabled her to master the bit, which she did by bolting straight ahead down the road.
For the first time Lute became really frightened. She spurred Washoe Ban in pursuit, but he could not hold his own with the mad mare, and dropped gradually behind. Lute saw Dolly check and rear in the air again, and caught up just as the mare made a second bolt. As Dolly dashed around a bend, she stopped suddenly, stiff-legged. Lute saw her lover torn out of the saddle, his thigh-grip broken by the sudden jerk. Though he had lost his seat, he had not been thrown, and as the mare dashed on Lute saw him clinging to the side of the horse, a hand in the mane and a leg across the saddle. With a quick cavort he regained his seat and proceeded to fight with the mare for control.
But Dolly swerved from the road and dashed down a grassy slope yellowed with innumerable mariposa lilies. An ancient fence at the bottom was no obstacle. She burst through as though it were filmy spider-web and disappeared in the underbrush. Lute followed unhesitatingly, putting Ban through the gap in the fence and plunging on into the thicket. She lay along his neck, closely, to escape the ripping and tearing of the trees and vines. She felt the horse drop down through leafy branches and into the cool gravel of a stream’s bottom. From ahead came a splashing of water, and she caught a glimpse of Dolly, dashing up the small bank and into a clump of scrub-oaks, against the trunks of which she was trying to scrape off her rider.
Lute almost caught up amongst the trees, but was hopelessly outdistanced on the fallow field adjoining, across which the mare tore with a fine disregard for heavy ground and gopher-holes. When she turned at a sharp angle into the thicket-land beyond, Lute took the long diagonal, skirted the ticket, and reined in Ban at the other side. She had arrived first. From within the thicket she could hear a tremendous crashing of brush and branches. Then the mare burst through and into the open, falling to her knees, exhausted, on the soft earth. She arose and staggered forward, then came limply to a halt. She was in lather-sweat of fear, and stood trembling pitiably.
Chris was still on her back. His shirt was in ribbons. The backs of his hands were bruised and lacerated, while his face was streaming blood from a gash near the temple. Lute had controlled herself well, but now she was aware of a quick nausea and a trembling of weakness.
“Chris!” she said, so softly that it was almost a whisper. Then she sighed, “Thank God.”
“Oh, I’m all right,” he cried to her, putting into his voice all the heartiness he could command, which was not much, for he had himself been under no mean nervous strain.
He showed the reaction he was undergoing, when he swung down out of the saddle. He began with a brave muscular display as he lifted his leg over, but ended, on his feet, leaning against the limp Dolly for support. Lute flashed out of her saddle, and her arms were about him in an embrace of thankfulness.
“I know where there is a spring,” she said, a moment later.
They left the horses standing untethered, and she led her lover into the cool recesses of the thicket to where crystal water bubbled from out the base of the mountain.
“What was that you said about Dolly’s never cutting up?” he asked, when the blood had been stanched and his nerves and pulse-beats were normal again.
“I am stunned,” Lute answered. “I cannot understand it. She never did anything like it in all her life. And all animals like you so – it’s not because of that. Why, she is a child’s horse. I was only a little girl when I first rode her, and to this day – ”
“Well, this day she was everything but a child’s horse,” Chris broke in. “She was a devil. She tried to scrape me off against the trees, and to batter my brains out against the limbs. She tried all the lowest and narrowest places she could find. You should have seen her squeeze through. And did you see those bucks?”
Lute nodded.
“Regular bucking-bronco proposition.”
“But what should she know about bucking?” Lute demanded. “She was never known to buck – never.”
He shrugged his shoulders. “Some forgotten instinct, perhaps, long-lapsed and come to life again.”
The girl rose to her feet determinedly. “I’m going to find out,” she said.
They went back to the horses, where they subjected Dolly to a rigid examination that disclosed nothing. Hoofs, legs, bit, mouth, body – everything was as it should be. The saddle and saddle-cloth were innocent of bur or sticker; the back was smooth and unbroken. They searched for sign of snake-bite and sting of fly or insect, but found nothing.
“Whatever it was, it was subjective, that much is certain,” Chris said.
“Obsession,” Lute suggested.
They laughed together at the idea, for both were twentieth-century products, healthy-minded and normal, with souls that delighted in the butterfly-chase of ideals but that halted before the brink where superstition begins.
“An evil spirit,” Chris laughed; “but what evil have I done that I should be so punished?”
“You think too much of yourself, sir,” she rejoined. “It is more likely some evil, I don’t know what, that Dolly has done. You were a mere accident. I might have been on her back at the time, or Aunt Mildred, or anybody.”
As she talked, she took hold of the stirrup-strap and started to shorten it.
“What are you doing?” Chris demanded.
“I’m going to ride Dolly in.”
“No, you’re not,” he announced. “It would be bad discipline. After what has happened I am simply compelled to ride her in myself.”
But it was a very weak and very sick mare he rode, stumbling and halting, afflicted with nervous jerks and recurring muscular spasms – the aftermath of the tremendous orgasm through which she had passed.
“I feel like a book of verse and a hammock, after all that has happened,” Lute said, as they rode into camp.
It was a summer camp of city-tired people, pitched in a grove of towering redwoods through whose lofty boughs the sunshine trickled down, broken and subdued to soft light and cool shadow. Apart from the main camp were the kitchen and the servants’ tents; and midway between was the great dining hall, walled by the living redwood columns, where fresh whispers of air were always to be found, and where no canopy was needed to keep the sun away.
“Poor Dolly, she is really sick,” Lute said that evening, when they had returned from a last look at the mare. “But you weren’t hurt, Chris, and that’s enough for one small woman to be thankful for. I thought I knew, but I really did not know till to-day, how much you meant to me. I could hear only the plunging and struggle in the thicket. I could not see you, nor know how it went with you.”
“My thoughts were of you,” Chris answered, and felt the responsive pressure of the hand that rested on his arm.
She turned her face up to his and met his lips.
“Good night,” she said.
“Dear Lute, dear Lute,” he caressed her with his voice as she moved away among the shadows.
* * *
“Who’s going for the mail?” called a woman’s voice through the trees.
Lute closed the book from which they had been reading, and sighed.
“We weren’t going to ride to-day,” she said.
“Let me go,” Chris proposed. “You stay here. I’ll be down and back in no time.”
She shook her head.
“Who’s going for the mail?” the voice insisted.
“Where’s Martin?” Lute called, lifting her voice in answer.
“I don’t know,” came the voice. “I think Robert took him along somewhere – horse-buying, or fishing, or I don’t know what. There’s really nobody left but Chris and you. Besides, it will give you an appetite for dinner. You’ve been lounging in the hammock all day. And Uncle Robert must have his newspaper.”
“All right, Aunty, we’re starting,” Lute called back, getting out of the hammock.
A few minutes later, in riding-clothes, they were saddling the horses. They rode out on to the county road, where blazed the afternoon sun, and turned toward Glen Ellen. The little town slept in the sun, and the somnolent storekeeper and postmaster scarcely kept his eyes open long enough to make up the packet of letters and newspapers.
An hour later Lute and Chris turned aside from the road and dipped along a cow-path down the high bank to water the horses, before going into camp.
“Dolly looks as though she’d forgotten all about yesterday,” Chris said, as they sat their horses knee-deep in the rushing water. “Look at her.”
The mare had raised her head and cocked her ears at the rustling of a quail in the thicket. Chris leaned over and rubbed around her ears. Dolly’s enjoyment was evident, and she drooped her head over against the shoulder of his own horse.
“Like a kitten,” was Lute’s comment.
“Yet I shall never be able wholly to trust her again,” Chris said. “Not after yesterday’s mad freak.”
“I have a feeling myself that you are safer on Ban,” Lute laughed. “It is strange. My trust in Dolly is as implicit as ever. I feel confident so far as I am concerned, but I should never care to see you on her back again. Now with Ban, my faith is still unshaken. Look at that neck! Isn’t he handsome! He’ll be as wise as Dolly when he is as old as she.”
“I feel the same way,” Chris laughed back. “Ban could never possibly betray me.”
They turned their horses out of the stream. Dolly stopped to brush a fly from her knee with her nose, and Ban urged past into the narrow way of the path. The space was too restricted to make him return, save with much trouble, and Chris allowed him to go on. Lute, riding behind, dwelt with her eyes upon her lover’s back, pleasuring in the lines of the bare neck and the sweep out to the muscular shoulders.
Suddenly she reined in her horse. She could do nothing but look, so brief was the duration of the happening. Beneath and above was the almost perpendicular bank. The path itself was barely wide enough for footing. Yet Washoe Ban, whirling and rearing at the same time, toppled for a moment in the air and fell backward off the path.
So unexpected and so quick was it, that the man was involved in the fall. There had been no time for him to throw himself to the path. He was falling ere he knew it, and he did the only thing possible – slipped the stirrups and threw his body into the air, to the side, and at the same time down. It was twelve feet to the rocks below. He maintained an upright position, his head up and his eyes fixed on the horse above him and falling upon him.
Chris struck like a cat, on his feet, on the instant making a leap to the side. The next instant Ban crashed down beside him. The animal struggled little, but sounded the terrible cry that horses sometimes sound when they have received mortal hurt. He had struck almost squarely on his back, and in that position he remained, his head twisted partly under, his hind legs relaxed and motionless, his fore legs futilely striking the air.
Chris looked up reassuringly.
“I am getting used to it,” Lute smiled down to him. “Of course I need not ask if you are hurt. Can I do anything?”
He smiled back and went over to the fallen beast, letting go the girths of the saddle and getting the head straightened out.
“I thought so,” he said, after a cursory examination. “I thought so at the time. Did you hear that sort of crunching snap?”
She shuddered.
“Well, that was the punctuation of life, the final period dropped at the end of Ban’s usefulness.” He started around to come up by the path. “I’ve been astride of Ban for the last time. Let us go home.”
At the top of the bank Chris turned and looked down.
“Good-by, Washoe Ban!” he called out. “Good-by, old fellow.”
The animal was struggling to lift its head. There were tears in Chris’s eyes as he turned abruptly away, and tears in Lute’s eyes as they met his. She was silent in her sympathy, though the pressure of her hand was firm in his as he walked beside her horse down the dusty road.
“It was done deliberately,” Chris burst forth suddenly. “There was no warning. He deliberately flung himself over backward.”
“There was no warning,” Lute concurred. “I was looking. I saw him. He whirled and threw himself at the same time, just as if you had done it yourself, with a tremendous jerk and backward pull on the bit.”
“It was not my hand, I swear it. I was not even thinking of him. He was going up with a fairly loose rein, as a matter of course.”
“I should have seen it, had you done it,” Lute said. “But it was all done before you had a chance to do anything. It was not your hand, not even your unconscious hand.”
“Then it was some invisible hand, reaching out from I don’t know where.”
He looked up whimsically at the sky and smiled at the conceit.
Martin stepped forward to receive Dolly, when they came into the stable end of the grove, but his face expressed no surprise at sight of Chris coming in on foot. Chris lingered behind Lute for moment.
“Can you shoot a horse?” he asked.
The groom nodded, then added, “Yes, sir,” with a second and deeper nod.
“How do you do it?”
“Draw a line from the eyes to the ears – I mean the opposite ears, sir. And where the lines cross – ”
“That will do,” Chris interrupted. “You know the watering place at the second bend. You’ll find Ban there with a broken back.”
* * *
“Oh, here you are, sir. I have been looking for you everywhere since dinner. You are wanted immediately.”
Chris tossed his cigar away, then went over and pressed his foot on its glowing fire.
“You haven’t told anybody about it? – Ban?” he queried.
Lute shook her head. “They’ll learn soon enough. Martin will mention it to Uncle Robert tomorrow.”
“But don’t feel too bad about it,” she said, after a moment’s pause, slipping her hand into his.
“He was my colt,” he said. “Nobody has ridden him but you. I broke him myself. I knew him from the time he was born. I knew every bit of him, every trick, every caper, and I would have staked my life that it was impossible for him to do a thing like this. There was no warning, no fighting for the bit, no previous unruliness. I have been thinking it over. He didn’t fight for the bit, for that matter. He wasn’t unruly, nor disobedient. There wasn’t time. It was an impulse, and he acted upon it like lightning. I am astounded now at the swiftness with which it took place. Inside the first second we were over the edge and falling.
“It was deliberate – deliberate suicide. And attempted murder. It was a trap. I was the victim. He had me, and he threw himself over with me. Yet he did not hate me. He loved me… as much as it is possible for a horse to love. I am confounded. I cannot understand it any more than you can understand Dolly’s behavior yesterday.”
“But horses go insane, Chris,” Lute said. “You know that. It’s merely coincidence that two horses in two days should have spells under you.”
“That’s the only explanation,” he answered, starting off with her. “But why am I wanted urgently?”
“Planchette.”
“Oh, I remember. It will be a new experience to me. Somehow I missed it when it was all the rage long ago.”
“So did all of us,” Lute replied, “except Mrs. Grantly. It is her favorite phantom, it seems.”
“A weird little thing,” he remarked. “Bundle of nerves and black eyes. I’ll wager she doesn’t weigh ninety pounds, and most of that’s magnetism.”
“Positively uncanny… at times.” Lute shivered involuntarily. “She gives me the creeps.”
“Contact of the healthy with the morbid,” he explained dryly. “You will notice it is the healthy that always has the creeps. The morbid never has the creeps. It gives the creeps. That’s its function. Where did you people pick her up, anyway?”
“I don’t know – yes, I do, too. Aunt Mildred met her in Boston, I think – oh, I don’t know. At any rate, Mrs. Grantly came to California, and of course had to visit Aunt Mildred. You know the open house we keep.”
They halted where a passageway between two great redwood trunks gave entrance to the dining room. Above, through lacing boughs, could be seen the stars. Candles lighted the tree-columned space. About the table, examining the Planchette contrivance, were four persons. Chris’s gaze roved over them, and he was aware of a guilty sorrow-pang as he paused for a moment on Lute’s Aunt Mildred and Uncle Robert, mellow with ripe middle age and genial with the gentle buffets life had dealt them. He passed amusedly over the black-eyed, frail-bodied Mrs. Grantly, and halted on the fourth person, a portly, massive-headed man, whose gray temples belied the youthful solidity of his face.
“Who’s that?” Chris whispered.
“A Mr. Barton. The train was late. That’s why you didn’t see him at dinner. He’s only a capitalist – water-power-long-distance-electricity transmitter, or something like that.”
“Doesn’t look as though he could give an ox points on imagination.”
“He can’t. He inherited his money. But he knows enough to hold on to it and hire other men’s brains. He is very conservative.”
“That is to be expected,” was Chris’s comment. His gaze went back to the man and woman who had been father and mother to the girl beside him. “Do you know,” he said, “it came to me with a shock yesterday when you told me that they had turned against me and that I was scarcely tolerated. I met them afterwards, last evening, guiltily, in fear and trembling – and to-day, too. And yet I could see no difference from of old.”
“Dear man,” Lute sighed. “Hospitality is as natural to them as the act of breathing. But it isn’t that, after all. It is all genuine in their dear hearts. No matter how severe the censure they put upon you when you are absent, the moment they are with you they soften and are all kindness and warmth. As soon as their eyes rest on you, affection and love come bubbling up. You are so made. Every animal likes you. All people like you. They can’t help it. You can’t help it. You are universally lovable, and the best of it is that you don’t know it. You don’t know it now. Even as I tell it to you, you don’t realize it, you won’t realize it – and that very incapacity to realize it is one of the reasons why you are so loved. You are incredulous now, and you shake your head; but I know, who am your slave, as all people know, for they likewise are your slaves.
“Why, in a minute we shall go in and join them. Mark the affection, almost maternal, that will well up in Aunt Mildred’s eyes. Listen to the tones of Uncle Robert’s voice when he says, ‘Well, Chris, my boy?’ Watch Mrs. Grantly melt, literally melt, like a dewdrop in the sun.
“Take Mr. Barton, there. You have never seen him before. Why, you will invite him out to smoke a cigar with you when the rest of us have gone to bed – you, a mere nobody, and he a man of many millions, a man of power, a man obtuse and stupid like the ox; and he will follow you about, smoking; the cigar, like a little dog, your little dog, trotting at your back. He will not know he is doing it, but he will be doing it just the same. Don’t I know, Chris? Oh, I have watched you, watched you, so often, and loved you for it, and loved you again for it, because you were so delightfully and blindly unaware of what you were doing.”
“I’m almost bursting with vanity from listening to you,” he laughed, passing his arm around her and drawing her against him.
“Yes,” she whispered, “and in this very moment, when you are laughing at all that I have said, you, the feel of you, your soul, – call it what you will, it is you, – is calling for all the love that is in me.”
She leaned more closely against him, and sighed as with fatigue. He breathed a kiss into her hair and held her with firm tenderness.
Aunt Mildred stirred briskly and looked up from the Planchette board.
“Come, let us begin,” she said. “It will soon grow chilly. Robert, where are those children?”
“Here we are,” Lute called out, disengaging herself.
“Now for a bundle of creeps,” Chris whispered, as they started in.
Lute’s prophecy of the manner in which her lover would be received was realized. Mrs. Grantly, unreal, unhealthy, scintillant with frigid magnetism, warmed and melted as though of truth she were dew and he sun. Mr. Barton beamed broadly upon him, and was colossally gracious. Aunt Mildred greeted him with a glow of fondness and motherly kindness, while Uncle Robert genially and heartily demanded, “Well, Chris, my boy, and what of the riding?”
But Aunt Mildred drew her shawl more closely around her and hastened them to the business in hand. On the table was a sheet of paper. On the paper, rifling on three supports, was a small triangular board. Two of the supports were easily moving casters. The third support, placed at the apex of the triangle, was a lead pencil.
“Who’s first?” Uncle Robert demanded.
There was a moment’s hesitancy, then Aunt Mildred placed her hand on the board, and said: “Some one has always to be the fool for the delectation of the rest.”
“Brave woman,” applauded her husband. “Now, Mrs. Grantly, do your worst.”
“I?” that lady queried. “I do nothing. The power, or whatever you care to think it, is outside of me, as it is outside of all of you. As to what that power is, I will not dare to say. There is such a power. I have had evidences of it. And you will undoubtedly have evidences of it. Now please be quiet, everybody. Touch the board very lightly, but firmly, Mrs. Story; but do nothing of your own volition.”
Aunt Mildred nodded, and stood with her hand on Planchette; while the rest formed about her in a silent and expectant circle. But nothing happened. The minutes ticked away, and Planchette remained motionless.
“Be patient,” Mrs. Grantly counselled. “Do not struggle against any influences you may feel working on you. But do not do anything yourself. The influence will take care of that. You will feel impelled to do things, and such impulses will be practically irresistible.”
“I wish the influence would hurry up,” Aunt Mildred protested at the end of five motionless minutes.
“Just a little longer, Mrs. Story, just a little longer,” Mrs. Grantly said soothingly.
Suddenly Aunt Mildred’s hand began to twitch into movement. A mild concern showed in her face as she observed the movement of her hand and heard the scratching of the pencil-point at the apex of Planchette.
For another five minutes this continued, when Aunt Mildred withdrew her hand with an effort, and said, with a nervous laugh:
“I don’t know whether I did it myself or not. I do know that I was growing nervous, standing there like a psychic fool with all your solemn faces turned upon me.”
“Hen-scratches,” was Uncle Robert’s judgement, when he looked over the paper upon which she had scrawled.
“Quite illegible,” was Mrs. Grantly’s dictum. “It does not resemble writing at all. The influences have not got to working yet. Do you try it, Mr. Barton.”
That gentleman stepped forward, ponderously willing to please, and placed his hand on the board. And for ten solid, stolid minutes he stood there, motionless, like a statue, the frozen personification of the commercial age. Uncle Robert’s face began to work. He blinked, stiffened his mouth, uttered suppressed, throaty sounds, deep down; finally he snorted, lost his self-control, and broke out in a roar of laughter. All joined in this merriment, including Mrs. Grantly. Mr. Barton laughed with them, but he was vaguely nettled.
