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полная версияThe \"Genius\"

Теодор Драйзер
The "Genius"

Полная версия

CHAPTER XXVII

Angela was quick to act upon her thought. No sooner had Eugene entered the bath than she gathered up the pieces, threw other bits of paper like them in their place and tried quickly to piece them together on the ironing board where she was. It was not difficult; the scraps were not small. On one triangular bit were the words, "Oh, Genie!" with a colon after it; on another the words, "The bridge," and on another "Roses." There was no doubt in her mind from this preliminary survey that this was a love note, and every nerve in her body tingled to the terrible import of it. Could it really be true? Could Eugene have found someone else? Was this the cause of his coolness and his hypocritical pretence of affection? and of his not wanting her to come to him? Oh, God! Would her sufferings never cease! She hurried into the front room, her face white, her hand clenching the tell-tale bits, and there set to work to complete her task. It did not take her long. In four minutes it was all together, and then she saw it all. A love note! From some demon of a woman. No doubt of it! Some mysterious woman in the background. "Ashes of Roses!" Now God curse her for a siren, a love thief, a hypnotizing snake, fascinating men with her evil eyes. And Eugene! The dog! The scoundrel! The vile coward! The traitor! Was there no decency, no morality, no kindness, no gratitude in his soul? After all her patience, all her suffering, all her loneliness, her poverty. To treat her like this! Writing that he was sick and lonely and unable to have her with him, and at the same time running around with a strange woman. "Ashes of Roses!" Oh, curses, curses, curses on her harlot's heart and brain! Might God strike her dead for her cynical, brutal seizing upon that sacred possession which belonged to another. She wrung her hands desperately.

Angela was fairly beside herself. Through her dainty little head ran a foaming torrent of rage, hate, envy, sorrow, self-commiseration, brutal desire for revenge. If she could only get at this woman! If she could only denounce Eugene now to his face! If she could only find them together and kill them! How she would like to strike her on the mouth! How tear her hair and her eyes out! Something of the forest cat's cruel rage shone in her gleaming eyes as she thought of her, for if she could have had Carlotta there alone she would have tortured her with hot irons, torn her tongue and teeth from their roots, beaten her into insensibility and an unrecognizable mass. She was a real tigress now, her eyes gleaming, her red lips wet. She would kill her! kill her!! kill her!!! As God was judge, she would kill her if she could find her, and Eugene and herself. Yes, yes, she would. Better death than this agony of suffering. Better a thousand times to be dead with this beast of a woman dead beside her and Eugene than to suffer this way. She didn't deserve it. Why did God torture her so? Why was she made to bleed at every step by this her sacrificial love? Had she not been a good wife? Had she not laid every tribute of tenderness, patience, self-abnegation, self-sacrifice and virtue on the altar of love? What more could God ask? What more could man want? Had she not waited on Eugene in sickness and health? She had gone without clothes, gone without friends, hidden herself away in Blackwood the seven months while he was here frittering away his health and time in love and immorality, and what was her reward? In Chicago, in Tennessee, in Mississippi, had she not waited on him, sat up with him of nights, walked the floor with him when he was nervous, consoled him in his fear of poverty and failure, and here she was now, after seven long months of patient waiting and watching – eating her lonely heart out – forsaken. Oh, the inconceivable inhumanity of the human heart! To think anybody could be so vile, so low, so unkind, so cruel! To think that Eugene with his black eyes, his soft hair, his smiling face, could be so treacherous, so subtle, so dastardly! Could he really be as mean as this note proved him to be? Could he be as brutal, as selfish? Was she awake or asleep? Was this a dream? Ah, God! no, no it was not a dream. It was a cold, bitter, agonizing reality. And the cause of all her suffering was there in the bathroom now shaving himself.

For one moment she thought she would go in and strike him where he stood. She thought she could tear his heart out, cut him up, but then suddenly the picture of him bleeding and dead came to her and she recoiled. No, no, she could not do that! Oh, no, not Eugene – and yet and yet —

"Oh, God, let me get my hands on that woman!" she said to herself. "Let me get my hands on her. I'll kill her, I'll kill her! I'll kill her!"

This torrent of fury and self-pity was still raging in her heart when the bathroom knob clicked and Eugene came out. He was in his undershirt, trousers and shoes, looking for a clean white shirt. He was very nervous over the note which had been thrown in scraps into the box, but looking in the kitchen and seeing the pieces still there he was slightly reassured. Angela was not there; he could come back and get them when he found out where she was. He went on into the bedroom, looking into the front room as he did so. She appeared to be at the window waiting for him. After all, she was probably not as suspicious as he thought. It was his own imagination. He was too nervous and sensitive. Well, he would get those pieces now if he could and throw them out of the window. Angela should not have a chance to examine them if she wanted to. He slipped out into the kitchen, made a quick grab for the little heap, and sent the pieces flying. Then he felt much better. He would never bring another letter home from anybody, that was a certainty. Fate was too much against him.

Angela came out after a bit, for the click of the bathroom knob had sobered her a little. Her rage was high, her pulse abnormal, her whole being shaken to its roots, but still she realized that she must have time to think. She must see who this woman was first. She must have time to find her. Eugene mustn't know. Where was she now? Where was this bridge? Where did they meet? Where did she live? She wondered for the moment why she couldn't think it all out, why it didn't come to her in a flash, a revelation. If she could only know!

In a few minutes Eugene came in, clean-shaven, smiling, his equanimity and peace of mind fairly well restored. The letter was gone. Angela could never know. She might suspect, but this possible burst of jealousy had been nipped in the bud. He came over toward her to put his arm round her, but she slipped away from him, pretending to need the sugar. He let this effort at love making go – the will for the deed, and sat down at the snow-white little table, set with tempting dishes and waited to be served. The day had been very pleasant, being early in October, and he was pleased to see a last lingering ray of light falling on some red and yellow leaves. This yard was very beautiful. This little flat, for all their poverty, very charming. Angela was neat and trim in a dainty house dress of mingled brown and green. A dark blue studio apron shielded her bosom and skirt. She was very pale and distraught-looking, but Eugene for the time was almost unconscious of it – he was so relieved.

"Are you very tired, Angela?" he finally asked sympathetically.

"Yes, I'm not feeling so well today," she replied.

"What have you been doing, ironing?"

"Oh, yes, and cleaning. I worked on the cupboard."

"You oughtn't to try to do so much," he said cheerfully. "You're not strong enough. You think you're a little horse, but you are only a colt. Better go slow, hadn't you?"

"I will after I get everything straightened out to suit me," she replied.

She was having the struggle of her life to conceal her real feelings. Never at any time had she undergone such an ordeal as this. Once in the studio, when she discovered those two letters, she thought she was suffering – but that, what was that to this? What were her suspicions concerning Frieda? What were the lonely longings at home, her grieving and worrying over his illness? Nothing, nothing! Now he was actually faithless to her. Now she had the evidence. This woman was here. She was somewhere in the immediate background. After these years of marriage and close companionship he was deceiving her. It was possible that he had been with this woman today, yesterday, the day before. The letter was not dated. Could it be that she was related to Mrs. Hibberdell? Eugene had said that there was a married daughter, but never that she was there. If she was there, why should he have moved? He wouldn't have. Was it the wife of the man he was last living with? No; she was too homely. Angela had seen her. Eugene would never associate with her. If she could only know! "Ashes of Roses!" The world went red before her eyes. There was no use bursting into a storm now, though. If she could only be calm it would be better. If she only had someone to talk to – if there were a minister or a bosom friend! She might go to a detective agency. They might help her. A detective could trace this woman and Eugene. Did she want to do this? It cost money. They were very poor now. Paugh! Why should she worry about their poverty, mending her dresses, going without hats, going without decent shoes, and he wasting his time and being upon some shameless strumpet! If he had money, he would spend it on her. Still, he had handed her almost all the money he had brought East with him intact. How was that?

All the time Eugene was sitting opposite her eating with fair heartiness. If the trouble about the letter had not come out so favorably he would have been without appetite, but now he felt at ease. Angela said she was not hungry and could not eat. She passed him the bread, the butter, the hashed brown potatoes, the tea, and he ate cheerfully.

 

"I think I am going to try and get out of that shop over there," he volunteered affably.

"Why?" asked Angela mechanically.

"I'm tired of it. The men are not so interesting to me now. I'm tired of them. I think Mr. Haverford will transfer me if I write to him. He said he would. I'd rather be outside with some section gang if I could. It's going to be very dreary in the shop when they close it up."

"Well, if you're tired you'd better," replied Angela. "Your mind needs diversion, I know that. Why don't you write to Mr. Haverford?"

"I will," he said, but he did not immediately. He went into the front room and lit the gas eventually, reading a paper, then a book, then yawning wearily. Angela came in after a time and sat down pale and tired. She went and secured a little workbasket in which were socks undarned and other odds and ends and began on those, but she revolted at the thought of doing anything for him and put them up. She got out a skirt of hers which she was making. Eugene watched her a little while lazily, his artistic eye measuring the various dimensions of her features. She had a well-balanced face, he finally concluded. He noted the effect of the light on her hair – the peculiar hue it gave it – and wondered if he could get that in oil. Night scenes were harder than those of full daylight. Shadows were so very treacherous. He got up finally.

"Well, I'm going to turn in," he said. "I'm tired. I have to get up at six. Oh, dear, this darn day labor business gives me a pain. I wish it were over."

Angela did not trust herself to speak. She was so full of pain and despair that she thought if she spoke she would cry. He went out, saying: "Coming soon?" She nodded her head. When he was gone the storm burst and she broke into a blinding flood of tears. They were not only tears of sorrow, but of rage and helplessness. She went out on a little balcony which was there and cried alone, the night lights shining wistfully about. After the first storm she began to harden and dry up again, for helpless tears were foreign to her in a rage. She dried her eyes and became white-faced and desperate as before.

The dog, the scoundrel, the brute, the hound! she thought. How could she ever have loved him? How could she love him now? Oh, the horror of life, its injustice, its cruelty, its shame! That she should be dragged through the mire with a man like this. The pity of it! The shame! If this was art, death take it! And yet hate him as she might – hate this hellish man-trap who signed herself "Ashes of Roses" – she loved him, too. She could not help it. She knew she loved him. Oh, to be crossed by two fevers like this! Why might she not die? Why not die, right now?

CHAPTER XXVIII

The hells of love are bitter and complete. There were days after that when she watched him, followed him down the pleasant lane from the house to the water's edge, slipping out unceremoniously after he had gone not more than eight hundred feet. She watched the bridge at Riverwood at one and six, expecting that Eugene and his paramour might meet there. It just happened that Carlotta was compelled to leave town for ten days with her husband, and so Eugene was safe. On two occasions he went downtown – into the heart of the great city, anxious to get a breath of the old life that so fascinated him, and Angela followed him only to lose track of him quickly. He did nothing evil, however, merely walked, wondering what Miriam Finch and Christina Channing and Norma Whitmore were doing these days and what they were thinking of him in his long absence. Of all the people he had known, he had only seen Norma Whitmore once and that was not long after he returned to New York. He had given her a garbled explanation of his illness, stated that he was going to work now and proposed to come and see her. He did his best to avoid observation, however, for he dreaded explaining the reason of his non-productive condition. Miriam Finch was almost glad that he had failed, since he had treated her so badly. Christina Channing was in opera, as he quickly discovered, for he saw her name blazoned one day the following November in the newspapers. She was a star of whose talent great hopes were entertained, and was interested almost exclusively in her career. She was to sing in "Bohème" and "Rigoletto."

Another thing, fortunate for Eugene at this time, was that he changed his work. There came to the shop one day an Irish foreman, Timothy Deegan, master of a score of "guineas," as he called the Italian day laborers who worked for him, who took Eugene's fancy greatly. He was of medium height, thick of body and neck, with a cheerful, healthy red face, a keen, twinkling gray eye, and stiff, closely cropped gray hair and mustache. He had come to lay the foundation for a small dynamo in the engine room at Speonk, which was to supply the plant with light in case of night work, and a car of his had been backed in, a tool car, full of boards, barrows, mortar boards, picks and shovels. Eugene was amused and astonished at his insistent, defiant attitude and the brisk manner in which he was handing out orders to his men.

"Come, Matt! Come, Jimmie! Get the shovels now! Get the picks!" he heard him shout. "Bring some sand here! Bring some stone! Where's the cement now? Where's the cement? Jasus Christ! I must have some cement. What arre ye all doing? Hurry now, hurry! Bring the cement."

"Well, he knows how to give orders," commented Eugene to Big John, who was standing near. "He certainly does," replied the latter.

To himself Eugene observed, hearing only the calls at first, "the Irish brute." Later he discovered a subtle twinkle in Deegan's eyes as he stood brazenly in the door, looking defiantly about. There was no brutality in it, only self-confidence and a hearty Irish insistence on the necessity of the hour.

"Well, you're a dandy!" commented Eugene boldly after a time, and laughed.

"Ha! ha! ha!" mocked Deegan in return. "If you had to work as harred as these men you wouldn't laugh."

"I'm not laughing at them. I'm laughing at you," explained Eugene.

"Laugh," said Deegan. "Shure you're as funny to me as I am to you."

Eugene laughed again. The Irishman agreed with himself that there was humor in it. He laughed too. Eugene patted his big rough shoulder with his hands and they were friends immediately. It did not take Deegan long to find out from Big John why he was there and what he was doing.

"An arrtist!" he commented. "Shewer he'd better be outside than in. The loikes of him packin' shavin's and him laughin' at me."

Big John smiled.

"I believe he wants to get outside," he said.

"Why don't he come with me, then? He'd have a foine time workin' with the guineas. Shewer 'twould make a man av him – a few months of that" – and he pointed to Angelo Esposito shoveling clay.

Big John thought this worth reporting to Eugene. He did not think that he wanted to work with the guineas, but he might like to be with Deegan. Eugene saw his opportunity. He liked Deegan.

"Would you like to have an artist who's looking for health come and work for you, Deegan?" Eugene asked genially. He thought Deegan might refuse, but it didn't matter. It was worth the trial.

"Shewer!" replied the latter.

"Will I have to work with the Italians?"

"There'll be plenty av work for ye to do without ever layin' yer hand to pick or shovel unless ye want to. Shewer that's no work fer a white man to do."

"And what do you call them, Deegan? Aren't they white?"

"Shewer they're naat."

"What are they, then? They're not black."

"Nagurs, of coorse."

"But they're not negroes."

"Will, begad, they're naat white. Any man kin tell that be lookin' at thim."

Eugene smiled. He understood at once the solid Irish temperament which could draw this hearty conclusion. There was no malice in it. Deegan did not underestimate these Italians. He liked his men, but they weren't white. He didn't know what they were exactly, but they weren't white. He was standing over them a moment later shouting, "Up with it! Up with it! Down with it! Down with it!" as though his whole soul were intent on driving the last scrap of strength out of these poor underlings, when as a matter of fact they were not working very hard at all. His glance was roving about in a general way as he yelled and they paid little attention to him. Once in a while he would interpolate a "Come, Matt!" in a softer key – a key so soft that it was entirely out of keeping with his other voice. Eugene saw it all clearly. He understood Deegan.

"I think I'll get Mr. Haverford to transfer me to you, if you'll let me come," he said at the close of the day when Deegan was taking off his overalls and the "Eyetalians," as he called them, were putting the things back in the car.

"Shewer!" said Deegan, impressed by the great name of Haverford. If Eugene could accomplish that through such a far-off, wondrous personality, he must be a remarkable man himself. "Come along. I'll be glad to have ye. Ye can just make out the O. K. blanks and the repoarts and watch over the min sich times as I'll naat be there and – well – all told, ye'll have enough to keep ye busy."

Eugene smiled. This was a pleasant prospect. Big John had told him during the morning that Deegan went up and down the road from Peekskill on the main line, Chatham on the Midland Division, and Mt. Kisco on a third branch to New York City. He built wells, culverts, coal bins, building piers – small brick buildings – anything and everything, in short, which a capable foreman-mason ought to be able to build, and in addition he was fairly content and happy in his task. Eugene could see it. The atmosphere of the man was wholesome. He was like a tonic – a revivifying dynamo to this sickly overwrought sentimentalist.

That night he went home to Angela full of the humor and romance of his new situation. He liked the idea of it. He wanted to tell her about Deegan – to make her laugh. He was destined unfortunately to another kind of reception.

For Angela, by this time, had endured the agony of her discovery to the breaking point. She had listened to his pretences, knowing them to be lies, until she could endure it no longer. In following him she had discovered nothing, and the change in his work would make the chase more difficult. It was scarcely possible for anyone to follow him, for he himself did not know where he would be from day to day. He would be here, there, and everywhere. His sense of security as well as of his unfairness made him sensitive about being nice in the unimportant things. When he thought at all he was ashamed of what he was doing – thoroughly ashamed. Like the drunkard he appeared to be mastered by his weakness, and the psychology of his attitude is so best interpreted. He caressed her sympathetically, for he thought from her drawn, weary look that she was verging on some illness. She appeared to him to be suffering from worry for him, overwork, or approaching malady.

But Eugene in spite of his unfaithfulness did sympathize with Angela greatly. He appreciated her good qualities – her truthfulness, economy, devotion and self-sacrifice in all things which related to him. He was sorry that his own yearning for freedom crossed with her desire for simple-minded devotion on his part. He could not love her as she wanted him to, that he knew, and yet he was at times sorry for it, very. He would look at her when she was not looking at him, admiring her industry, her patience, her pretty figure, her geniality in the face of many difficulties, and wish that she could have had a better fate than to have met and married him.

Because of these feelings on his part for her he could not bear to see her suffer. When she appeared to be ill he could not help drawing near to her, wanting to know how she was, endeavoring to make her feel better by those sympathetic, emotional demonstrations which he knew meant so much to her. On this particular evening, noting the still drawn agony of her face, he was moved to insist. "What's the matter with you, Angelface, these days? You look so tired. You're not right. What's troubling you?"

"Oh, nothing," replied Angela wearily.

"But I know there is," he replied. "You can't be feeling well. What's ailing you? You're not like yourself at all. Won't you tell me, sweet? What's the trouble?"

He was thinking because Angela said nothing that it must be a real physical illness. Any emotional complaint vented itself quickly.

"Why should you care?" she asked cautiously, breaking her self-imposed vow of silence. She was thinking that Eugene and this woman, whoever she was, were conspiring to defeat her and that they were succeeding. Her voice had changed from one of weary resignation to subtle semi-concealed complaint and offense, and Eugene noted it. Before she could add any more, he had observed, "Why shouldn't I? Why, how you talk! What's the matter now?"

 

Angela really did not intend to go on. Her query was dragged out of her by his obvious sympathy. He was sorry for her in some general way. It made her pain and wrath all the greater. And his additional inquiry irritated her the more.

"Why should you?" she asked weepingly. "You don't want me. You don't like me. You pretend sympathy when I look a little bad, but that's all. But you don't care for me. If you could get rid of me, you would. That is so plain."

"Why, what are you talking about?" he asked, astonished. Had she found out anything? Was the incident of the scraps of paper really closed? Had anybody been telling her anything about Carlotta? Instantly he was all at sea. Still he had to pretend.

"You know I care," he said. "How can you say that?"

"You don't. You know you don't!" she flared up suddenly. "Why do you lie? You don't care. Don't touch me. Don't come near me. I'm sick of your hypocritical pretences! Oh!" And she straightened up with her finger nails cutting into her palms.

Eugene at the first expression of disbelief on her part had laid his hand soothingly on her arm. That was why she had jumped away from him. Now he drew back, nonplussed, nervous, a little defiant. It was easier to combat rage than sorrow; but he did not want to do either.

"What's the matter with you?" he asked, assuming a look of bewildered innocence. "What have I done now?"

"What haven't you done, you'd better ask. You dog! You coward!" flared Angela. "Leaving me to stay out in Wisconsin while you go running around with a shameless woman. Don't deny it! Don't dare to deny it!" – this apropos of a protesting movement on the part of Eugene's head – "I know all! I know more than I want to know. I know how you've been acting. I know what you've been doing. I know how you've been lying to me. You've been running around with a low, vile wretch of a woman while I have been staying out in Blackwood eating my heart out, that's what you've been doing. Dear Angela! Dear Angelface! Dear Madonna Doloroso! Ha! What have you been calling her, you lying, hypocritical coward! What names have you for her, Hypocrite! Brute! Liar! I know what you've been doing. Oh, how well I know! Why was I ever born? – oh, why, why?"

Her voice trailed off in a wail of agony. Eugene stood there astonished to the point of inefficiency. He could not think of a single thing to do or say. He had no idea upon what evidence she based her complaint. He fancied that it must be much more than had been contained in that little note which he had torn up. She had not seen that – of that he was reasonably sure – or was he? Could she have taken it out of the box while he was in the bath and then put it back again? This sounded like it. She had looked very bad that night. How much did she know? Where had she secured this information? Mrs. Hibberdell? Carlotta? No! Had she seen her? Where? When?

"You're talking through your hat," he said aimlessly and largely in order to get time. "You're crazy! What's got into you, anyhow? I haven't been doing anything of the sort."

"Oh, haven't you!" she sneered. "You haven't been meeting her at bridges and road houses and street cars, have you? You liar! You haven't been calling her 'Ashes of Roses' and 'River Nymph' and 'Angel Girl.'" Angela was making up names and places out of her own mind. "I suppose you used some of the pet names on her that you gave to Christina Channing, didn't you? She'd like those, the vile strumpet! And you, you dog, pretending to me – pretending sympathy, pretending loneliness, pretending sorrow that I couldn't be here! A lot you cared what I was doing or thinking or suffering. Oh, I hate you, you horrible coward! I hate her! I hope something terrible happens to you. If I could get at her now I would kill her and you both – and myself. I would! I wish I could die! I wish I could die!"

Eugene was beginning to get the measure of his iniquity as Angela interpreted it. He could see now how cruelly he had hurt her. He could see now how vile what he was doing looked in her eyes. It was bad business – running with other women – no doubt of it. It always ended in something like this – a terrible storm in which he had to sit by and hear himself called brutal names to which there was no legitimate answer. He had heard of this in connection with other people, but he had never thought it would come to him. And the worst of it was that he was guilty and deserving of it. No doubt of that. It lowered him in his own estimation. It lowered her in his and her own because she had to fight this way. Why did he do it? Why did he drag her into such a situation? It was breaking down that sense of pride in himself which was the only sustaining power a man had before the gaze of the world. Why did he let himself into these situations? Did he really love Carlotta? Did he want pleasure enough to endure such abuse as this? This was a terrible scene. And where would it end? His nerves were tingling, his brain fairly aching. If he could only conquer this desire for another type and be faithful, and yet how dreadful that seemed! To confine himself in all his thoughts to just Angela! It was not possible. He thought of these things, standing there enduring the brunt of this storm. It was a terrible ordeal, but it was not wholly reformatory even at that.

"What's the use of your carrying on like that, Angela?" he said grimly, after he had listened to all this. "It isn't as bad as you think. I'm not a liar, and I'm not a dog! You must have pieced that note I threw in the paper box together and read it. When did you do it?"

He was curious about that and about how much she knew. What were her intentions in regard to him? What in regard to Carlotta? What would she do next?

"When did I do it?" she replied. "When did I do it? What has that to do with it? What right have you to ask? Where is this woman, that's what I want to know? I want to find her. I want to face her. I want to tell her what a wretched beast she is. I'll show her how to come and steal another woman's husband. I'll kill her. I'll kill her and I'll kill you, too. Do you hear? I'll kill you!" And she advanced on him defiantly, blazingly.

Eugene was astounded. He had never seen such rage in any woman. It was wonderful, fascinating, something like a great lightning-riven storm. Angela was capable of hurling thunderbolts of wrath. He had not known that. It raised her in his estimation – made her really more attractive than she would otherwise have been, for power, however displayed, is fascinating. She was so little, so grim, so determined! It was in its way a test of great capability. And he liked her for it even though he resented her abuse.

"No, no, Angela," he said sympathetically and with a keen wish to alleviate her sorrow. "You would not do anything like that. You couldn't!"

"I will! I will!" she declared. "I'll kill her and you, too!"

And then having reached this tremendous height she suddenly broke. Eugene's big, sympathetic understanding was after all too much for her. His brooding patience in the midst of her wrath, his innate sorrow for what he could not or would not help (it was written all over his face), his very obvious presentation of the fact by his attitude that he knew that she loved him in spite of this, was too much for her. It was like beating her hands against a stone. She might kill him and this woman, whoever she was, but she would not have changed his attitude toward her, and that was what she wanted. A great torrent of heart-breaking sobs broke from her, shaking her frame like a reed. She threw her arms and head upon the kitchen table, falling to her knees, and cried and cried. Eugene stood there contemplating the wreck he had made of her dreams. Certainly it was hell, he said to himself; certainly it was. He was a liar, as she said, a dog, a scoundrel. Poor little Angela! Well, the damage had been done. What could he do now? Anything? Certainly not. Not a thing. She was broken – heart-broken. There was no earthly remedy for that. Priests might shrive for broken laws, but for a broken heart what remedy was there?

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