Герберт Джордж Уэллс
Certain Personal Matters
FOR FREEDOM OF SPELLING
THE DISCOVERY OF AN ART
It is curious that people do not grumble more at having to spell correctly. Yet one may ask, Do we not a little over-estimate the value of orthography? This is a natural reflection enough when the maker of artless happy phrases has been ransacking the dictionary for some elusive wretch of a word which in the end proves to be not yet naturalised, or technical, or a mere local vulgarity; yet one does not often hear the idea canvassed in polite conversation. Dealers in small talk, of the less prolific kind, are continually falling back upon the silk hat or dress suit, or some rule of etiquette or other convention as a theme, but spelling seems to escape them. The suspicion seems quaint, but one may almost fancy that an allusion to spelling savoured a little of indelicacy. It must be admitted, though where the scruples come from would be hard to say, that there is a certain diffidence even here in broaching my doubts in the matter. For some inexplicable reason spelling has become mixed up with moral feeling. One cannot pretend to explain things in a little paper of this kind; the fact is so. Spelling is not appropriate or inappropriate, elegant or inelegant; it is right or wrong. We do not greatly blame a man for turn-down collars when the vogue is erect; nor, in these liberal days, for theological eccentricity; but we esteem him "Nithing" and an outcast if he but drop a "p" from opportunity. It is not an anecdote, but a scandal, if we say a man cannot spell his own name. There is only one thing esteemed worse before we come to the deadly crimes, and that is the softening of language by dropping the aspirate.
After all, it is an unorthodox age. We are all horribly afraid of being bourgeois, and unconventionality is the ideal of every respectable person. It is strange that we should cling so steadfastly to correct spelling. Yet again, one can partly understand the business, if one thinks of the little ways of your schoolmaster and schoolmistress. This sanctity of spelling is stamped upon us in our earliest years. The writer recalls a period of youth wherein six hours a week were given to the study of spelling, and four hours to all other religious instruction. So important is it, that a writer who cannot spell is almost driven to abandon his calling, however urgent the thing he may have to say, or his need of the incidentals of fame. Yet in the crisis of such a struggle rebellious thoughts may arise. Even this: Why, after all, should correct spelling be the one absolutely essential literary merit? For it is less fatal for an ambitious scribe to be as dull as Hoxton than to spell in diverse ways.
Yet correct spelling of English has not been traced to revelation; there was no grammatical Sinai, with a dictionary instead of tables of stone. Indeed, we do not even know certainly when correct spelling began, which word in the language was first spelt the right way, and by whom. Correct spelling may have been evolved, or it may be the creation of some master mind. Its inventor, if it had an inventor, is absolutely forgotten. Thomas Cobbett would have invented it, but that he was born more than two centuries too late, poor man. All that we certainly know is that, contemporaneously with the rise of extreme Puritanism, the belief in orthography first spread among Elizabethan printers, and with the Hanoverian succession the new doctrine possessed the whole length and breadth of the land. At that time the world passed through what extension lecturers call, for no particular reason, the classical epoch. Nature – as, indeed, all the literature manuals testify – was in the remotest background then of human thought. The human mind, in a mood of the severest logic, brought everything to the touchstone of an orderly reason; the conception of "correctness" dominated all mortal affairs. For instance, one's natural hair with its vagaries of rat's tails, duck's tails, errant curls, and baldness, gave place to an orderly wig, or was at least decently powdered. The hoop remedied the deficiencies of the feminine form, and the gardener clipped his yews into respectability. All poetry was written to one measure in those days, and a Royal Academy with a lady member was inaugurated that art might become at least decent. Dictionaries began. The crowning glory of Hanoverian literature was a Great Lexicographer.
In those days it was believed that the spelling of every English word had been settled for all time. Thence to the present day, though the severities then inaugurated, so far as metre and artistic composition are concerned, been generously relaxed – though we have had a Whistler, a Walt Whitman, and a Wagner – the rigours of spelling have continued unabated. There is just one right way of spelling, and all others are held to be not simply inelegant or undesirable, but wrong; and unorthodox spelling, like original morality, goes hand in hand with shame.
Yet even at the risk of shocking the religious convictions of some, may not one ask whether spelling is in truth a matter of right and wrong at all? Might it not rather be an art? It is too much to advocate the indiscriminate sacking of the alphabet, but yet it seems plausible that there is a happy medium between a reckless debauch of errant letters and our present dead rigidity. For some words at anyrate may there not be sometimes one way of spelling a little happier, sometimes another? We do something of this sort even now with our "phantasy" and "fantasie," and we might do more. How one would spell this word or that would become, if this latitude were conceded, a subtle anxiety of the literary exquisite. People are scarcely prepared to realise what shades of meaning may be got by such a simple device. Let us take a simple instance. You write, let us say, to all your cousins, many of your friends, and even, it may be, to this indifferent intimate and that familiar enemy, "My dear So-and-so." But at times you feel even as you write, sometimes, that there is something too much and sometimes something lacking. You may even get so far in the right way occasionally as to write, "My dr. So-and-so," when your heart is chill. And people versed in the arts of social intercourse know the subtle insult of misspelling a person's name, or flicking it off flippantly with a mere waggling wipe of the pen. But these are mere beginnings.
Let the reader take a pen in hand and sit down and write, "My very dear wife." Clean, cold, and correct this is, speaking of orderly affection, settled and stereotyped long ago. In such letters is butcher's meat also "very dear." Try now, "Migh verrie deare Wyfe." Is it not immediately infinitely more soft and tender? Is there not something exquisitely pleasant in lingering over those redundant letters, leaving each word, as it were, with a reluctant caress? Such spelling is a soft, domestic, lovingly wasteful use of material. Or, again, if you have no wife, or object to an old-fashioned conjugal tenderness, try "Mye owne sweete dearrest Marrie." There is the tremble of a tenderness no mere arrangement of trim everyday letters can express in those double r's. "Sweete" my ladie must be; sweet! why pump-water and inferior champagne, spirits of nitrous ether and pancreatic juice are "sweet." For my own part I always spell so, with lots of f's and g's and such like tailey, twirley, loopey things, when my heart is in the tender vein. And I hold that a man who will not do so, now he has been shown how to do it, is, in plain English, neither more nor less than a prig. The advantages of a varied spelling of names are very great. Industrious, rather than intelligent, people have given not a little time, and such minds as they have, to the discussion of the right spelling of our great poet's name. But he himself never dreamt of tying himself down to one presentation of himself, and was – we have his hand for it – Shakespeare, Shakspear, Shakespear, Shakspeare, and so forth, as the mood might be. It would be almost as reasonable to debate whether Shakespeare smiled or frowned. My dear friend Simmongues is the same. He is "Sims," a mere slash of the pen, to those he scorns, Simmonds or Simmongs to his familiars, and Simmons, A.T. Simmons, Esq., to all Europe.
From such mere introductory departures from precision, such petty escapades as these, we would we might seduce the reader into an utter debauch of spelling. But a sudden Mænad dance of the letters on the page, gleeful and iridescent spelling, a wild rush and procession of howling vowels and clattering consonants, might startle the half-won reader back into orthodoxy. Besides, there is another reader – the printer's reader – to consider. For if an author let his wit run to these matters, he must write elaborate marginal exhortations to this authority, begging his mercy, to let the little flowers of spelling alone. Else the plough of that Philistine's uniformity will utterly root them out.
Such high art of spelling as is thus hinted at is an art that has still to gather confidence and brave the light of publicity. A few, indeed, practise it secretly for love – in letters and on spare bits of paper. But, for the most part, people do not know that there is so much as an art of spelling possible; the tyranny of orthography lies so heavily on the land. Your common editors and their printers are a mere orthodox spelling police, and at the least they rigorously blot out all the delightful frolics of your artist in spelling before his writings reach the public eye. But commonly, as I have proved again and again, the slightest lapse into rococo spelling is sufficient to secure the rejection of a manuscript without further ado.
And to end, – a word about Phonographers. It may be that my title has led the reader to anticipate some mention of these before. They are a kind of religious sect, a heresy from the orthodox spelling. They bind one another by their mysteries and a five-shilling subscription in a "soseiti to introduis an impruvd method of spelinj." They come across the artistic vision, they and their Soseiti, with an altogether indefinable offence. Perhaps the essence of it is the indescribable meanness of their motive. For this phonography really amounts to a study of the cheapest way of spelling words. These phonographers are sweaters of the Queen's English, living meanly on the selvage of honest mental commerce by clipping the coin of thought. But enough of them. They are mentioned here only to be disavowed. They would substitute one narrow orthodoxy for another, and I would unfold the banner of freedom. Spell, my brethren, as you will! Awake, arise, O language living in chains; let Butter's spelling be our Bastille! So with a prophetic vision of liberated words pouring out of the dungeons of a spelling-book, this plea for freedom concludes. What trivial arguments there are for a uniform spelling I must leave the reader to discover. This is no place to carp against the liberation I foresee, with the glow of the dawn in my eyes.
INCIDENTAL THOUGHTS ON A BALD HEAD
I was asked to go, quite suddenly, and found myself there before I had time to think of what it might be. I understood her to say it was a meeting of some "Sunday society," some society that tried to turn the Sabbath from a day of woe to a day of rejoicing. "St. George's Hall, Langham Place," a cab, and there we were. I thought they would be picturesque Pagans. But the entertainment was the oddest it has ever been my lot to see, a kind of mystery. The place was dark, except for a big circle of light on a screen, and a dismal man with a long stick was talking about the effects of alcohol on your muscles. He talked and talked, and people went to sleep all about us. Euphemia's face looked so very pretty in the dim light that I tried to talk to her and hold her hand, but she only said "Ssh!" And then they began showing pictures on the screen – the most shocking things! – stomachs, and all that kind of thing. They went on like that for an hour, and then there was a lot of thumping with umbrellas, and they turned the lights up and we went home. Curious way of spending Sunday afternoon, is it not?
But you may imagine I had a dismal time all that hour. I understood the people about me were Sceptics, the kind of people who don't believe things – a singular class, and, I am told, a growing one. These excellent people, it seems, have conscientious objections to going to chapel or church, but at the same time the devotional habit of countless generations of pious forerunners is strong in them. Consequently they have invented things like these lectures to go to, with a professor instead of a priest, and a lantern slide of a stomach by way of altar-piece; and alcohol they make their Devil, and their god is Hygiene – a curious and instructive case of mental inertia. I understand, too, there are several other temples of this Cult in London – South Place Chapel and Essex Hall, for instance, where they worship the Spirit of the Innermost. But the thing that struck me so oddly was the number of bald heads glimmering faintly in the reflected light from the lantern circle. And that set me thinking upon a difficulty I have never been able to surmount.
You see these people, and lots of other people, too, believe in a thing they call Natural Selection. They think, as part of that belief, that men are descended from hairy simian ancestors; assert that even a hundred thousand years ago the ancestor was hairy – hairy, heavy, and almost as much a brute as if he lived in Mr. Arthur Morrison's Whitechapel. For my own part I think it a pretty theory, and would certainly accept it were it not for one objection. The thing I cannot understand is how our ancestor lost that hair. I see no reason why he should not have kept his hair on. According to the theory of natural selection, materially favourable variations survive, unfavourable disappear; the only way in which the loss is to be accounted for is by explaining it as advantageous; but where is the advantage of losing your hair? The disadvantages appear to me to be innumerable. A thick covering of hair, like that of a Capuchin monkey, would be an invaluable protection against sudden changes of temperature, far better than any clothing can be. Had I that, for instance, I should be rid of the perpetual cold in the head that so disfigures my life; and the multitudes who die annually of chills, bronchitis, and consumption, and most of those who suffer from rheumatic pains, neuralgia, and so forth, would not so die and suffer. And in the past, when clothing was less perfect and firing a casual commodity, the disadvantages of losing hair were all the greater. In very hot countries hair is perhaps even more important in saving the possessor from the excessive glare of the sun. Before the invention of the hat, thick hair on the head at least was absolutely essential to save the owner of the skull from sunstroke. That, perhaps, explains why the hair has been retained there, and why it is going now that we have hats, but it certainly does not explain why it has gone from the rest of the body.
One – remarkably weak – explanation has been propounded: an appeal to our belief in human vanity. He picked it out by the roots, because he thought he was prettier without. But that is no reason at all. Suppose he did, it would not affect his children. Professor Weismann has at least convinced scientific people of this: that the characters acquired by a parent are rarely, if ever, transmitted to its offspring. An individual given to such wanton denudation would simply be at a disadvantage with his decently covered fellows, would fall behind in the race of life, and perish with his kind. Besides, if man has been at such pains to uncover his skin, why have quite a large number of the most respected among us such a passionate desire to have it covered up again?
Yet that is the only attempted explanation I have ever come upon, and the thing has often worried me. I think it is just as probably a change in dietary. I have noticed that most of your vegetarians are shock-headed, ample-bearded men, and I have heard the Ancestor was vegetarian. Or it may be, I sometimes fancy, a kind of inherent disposition on the part of your human animal to dwindle. That came back in my memory vividly as I looked at the long rows of Sceptics, typical Advanced people, and marked their glistening crania. I recalled other losses. Here is Humanity, thought I, growing hairless, growing bald, growing toothless, unemotional, irreligious, losing the end joint of the little toe, dwindling in its osseous structures, its jawbone and brow ridges, losing all the full, rich curvatures of its primordial beauty.
It seems almost like what the scientific people call a Law. And by strenuous efforts the creature just keeps pace with his losses – devises clothes, wigs, artificial teeth, paddings, shoes – what civilised being could use his bare feet for his ordinary locomotion? Imagine him on a furze-sprinkled golf links. Then stays, an efficient substitute for the effete feminine backbone. So the thing goes on. Long ago his superficies became artificial, and now the human being shrinks like a burning cigar, and the figure he has abandoned remains distended with artificial ashes, dead dry protections against the exposures he so unaccountably fears. Will he go on shrinking, I wonder? – become at last a mere lurking atomy in his own recesses, a kind of hermit crab, the bulk of him a complex mechanism, a thing of rags and tatters and papier-maché, stolen from the earth and the plant-world and his fellow beasts? And at last may he not disappear altogether, none missing him, and a democracy of honest machinery, neatly clad and loaded up with sound principles of action, walk to and fro in a regenerate world? Thus it was my mind went dreaming in St. George's Hall. But presently, as I say, came the last word about stomachs, and the bald men woke up, rattled their umbrellas, said it was vastly interesting, and went toddling off home in an ecstasy of advanced Liberalism. And we two returned to the place whence we came.
OF A BOOK UNWRITTEN
Accomplished literature is all very well in its way, no doubt, but much more fascinating to the contemplative man are the books that have not been written. These latter are no trouble to hold; there are no pages to turn over. One can read them in bed on sleepless nights without a candle. Turning to another topic, primitive man in the works of the descriptive anthropologist is certainly a very entertaining and quaint person, but the man of the future, if we only had the facts, would appeal to us more strongly. Yet where are the books? As Ruskin has said somewhere, à propos of Darwin, it is not what man has been, but what he will be, that should interest us.
The contemplative man in his easy-chair, pondering this saying, suddenly beholds in the fire, through the blue haze of his pipe, one of these great unwritten volumes. It is large in size, heavy in lettering, seemingly by one Professor Holzkopf, presumably Professor at Weissnichtwo. "The Necessary Characters of the Man of the Remote Future deduced from the Existing Stream of Tendency" is the title. The worthy Professor is severely scientific in his method, and deliberate and cautious in his deductions, the contemplative man discovers as he pursues his theme, and yet the conclusions are, to say the least, remarkable. We must figure the excellent Professor expanding the matter at great length, voluminously technical, but the contemplative man – since he has access to the only copy – is clearly at liberty to make such extracts and abstracts as he chooses for the unscientific reader. Here, for instance, is something of practicable lucidity that he considers admits of quotation. "The theory of evolution," writes the Professor, "is now universally accepted by zoologists and botanists, and it is applied unreservedly to man. Some question, indeed, whether it fits his soul, but all agree it accounts for his body. Man, we are assured, is descended from ape-like ancestors, moulded by circumstances into men, and these apes again were derived from ancestral forms of a lower order, and so up from the primordial protoplasmic jelly. Clearly then, man, unless the order of the universe has come to an end, will undergo further modification in the future, and at last cease to be man, giving rise to some other type of animated being. At once the fascinating question arises, What will this being be? Let us consider for a little the plastic influences at work upon our species.
"Just as the bird is the creature of the wing, and is all moulded and modified to flying, and just as the fish is the creature that swims, and has had to meet the inflexible conditions of a problem in hydrodynamics, so man is the creature of the brain; he will live by intelligence, and not by physical strength, if he live at all. So that much that is purely 'animal' about him is being, and must be, beyond all question, suppressed in his ultimate development. Evolution is no mechanical tendency making for perfection, according to the ideas current in the year of grace 1897; it is simply the continual adaptation of plastic life, for good or evil, to the circumstances that surround it… We notice this decay of the animal part around us now, in the loss of teeth and hair, in the dwindling hands and feet of men, in their smaller jaws, and slighter mouths and ears. Man now does by wit and machinery and verbal agreement what he once did by bodily toil; for once he had to catch his dinner, capture his wife, run away from his enemies, and continually exercise himself, for love of himself, to perform these duties well. But now all this is changed. Cabs, trains, trams, render speed unnecessary, the pursuit of food becomes easier; his wife is no longer hunted, but rather, in view of the crowded matrimonial market, seeks him out. One needs wits now to live, and physical activity is a drug, a snare even; it seeks artificial outlets, and overflows in games. Athleticism takes up time and cripples a man in his competitive examinations, and in business. So is your fleshly man handicapped against his subtler brother. He is unsuccessful in life, does not marry. The better adapted survive."
The coming man, then, will clearly have a larger brain, and a slighter body than the present. But the Professor makes one exception to this. "The human hand, since it is the teacher and interpreter of the brain, will become constantly more powerful and subtle as the rest of the musculature dwindles."
Then in the physiology of these children of men, with their expanding brains, their great sensitive hands and diminishing bodies, great changes were necessarily worked. "We see now," says the Professor, "in the more intellectual sections of humanity an increasing sensitiveness to stimulants, a growing inability to grapple with such a matter as alcohol, for instance. No longer can men drink a bottleful of port; some cannot drink tea; it is too exciting for their highly-wrought nervous systems. The process will go on, and the Sir Wilfrid Lawson of some near generation may find it his duty and pleasure to make the silvery spray of his wisdom tintinnabulate against the tea-tray. These facts lead naturally to the comprehension of others. Fresh raw meat was once a dish for a king. Now refined persons scarcely touch meat unless it is cunningly disguised. Again, consider the case of turnips; the raw root is now a thing almost uneatable, but once upon a time a turnip must have been a rare and fortunate find, to be torn up with delirious eagerness and devoured in ecstasy. The time will come when the change will affect all the other fruits of the earth. Even now, only the young of mankind eat apples raw – the young always preserving ancestral characteristics after their disappearance in the adult. Some day even boys will regard apples without emotion. The boy of the future, one must believe, will gaze on an apple with the same unspeculative languor with which he now regards a flint" – in the absence of a cat.
"Furthermore, fresh chemical discoveries came into action as modifying influences upon men. In the prehistoric period even, man's mouth had ceased to be an instrument for grasping food; it is still growing continually less prehensile, his front teeth are smaller, his lips thinner and less muscular; he has a new organ, a mandible not of irreparable tissue, but of bone and steel – a knife and fork. There is no reason why things should stop at partial artificial division thus afforded; there is every reason, on the contrary, to believe my statement that some cunning exterior mechanism will presently masticate and insalivate his dinner, relieve his diminishing salivary glands and teeth, and at last altogether abolish them."
Then what is not needed disappears. What use is there for external ears, nose, and brow ridges now? The two latter once protected the eye from injury in conflict and in falls, but in these days we keep on our legs, and at peace. Directing his thoughts in this way, the reader may presently conjure up a dim, strange vision of the latter-day face: "Eyes large, lustrous, beautiful, soulful; above them, no longer separated by rugged brow ridges, is the top of the head, a glistening, hairless dome, terete and beautiful; no craggy nose rises to disturb by its unmeaning shadows the symmetry of that calm face, no vestigial ears project; the mouth is a small, perfectly round aperture, toothless and gumless, jawless, unanimal, no futile emotions disturbing its roundness as it lies, like the harvest moon or the evening star, in the wide firmament of face." Such is the face the Professor beholds in the future.
Of course parallel modifications will also affect the body and limbs. "Every day so many hours and so much energy are required for digestion; a gross torpidity, a carnal lethargy, seizes on mortal men after dinner. This may and can be avoided. Man's knowledge of organic chemistry widens daily. Already he can supplement the gastric glands by artificial devices. Every doctor who administers physic implies that the bodily functions may be artificially superseded. We have pepsine, pancreatine, artificial gastric acid – I know not what like mixtures. Why, then, should not the stomach be ultimately superannuated altogether? A man who could not only leave his dinner to be cooked, but also leave it to be masticated and digested, would have vast social advantages over his food-digesting fellow. This is, let me remind you here, the calmest, most passionless, and scientific working out of the future forms of things from the data of the present. At this stage the following facts may perhaps stimulate your imagination. There can be no doubt that many of the Arthropods, a division of animals more ancient and even now more prevalent than the Vertebrata, have undergone more phylogenetic modification" – a beautiful phrase – "than even the most modified of vertebrated animals. Simple forms like the lobsters display a primitive structure parallel with that of the fishes. However, in such a form as the degraded 'Chondracanthus,' the structure has diverged far more widely from its original type than in man. Among some of these most highly modified crustaceans the whole of the alimentary canal – that is, all the food-digesting and food-absorbing parts – form a useless solid cord: the animal is nourished – it is a parasite – by absorption of the nutritive fluid in which it swims. Is there any absolute impossibility in supposing man to be destined for a similar change; to imagine him no longer dining, with unwieldy paraphernalia of servants and plates, upon food queerly dyed and distorted, but nourishing himself in elegant simplicity by immersion in a tub of nutritive fluid?
"There grows upon the impatient imagination a building, a dome of crystal, across the translucent surface of which flushes of the most glorious and pure prismatic colours pass and fade and change. In the centre of this transparent chameleon-tinted dome is a circular white marble basin filled with some clear, mobile, amber liquid, and in this plunge and float strange beings. Are they birds?
"They are the descendants of man – at dinner. Watch them as they hop on their hands – a method of progression advocated already by Bjornsen – about the pure white marble floor. Great hands they have, enormous brains, soft, liquid, soulful eyes. Their whole muscular system, their legs, their abdomens, are shrivelled to nothing, a dangling, degraded pendant to their minds."
The further visions of the Professor are less alluring.
"The animals and plants die away before men, except such as he preserves for his food or delight, or such as maintain a precarious footing about him as commensals and parasites. These vermin and pests must succumb sooner or later to his untiring inventiveness and incessantly growing discipline. When he learns (the chemists are doubtless getting towards the secret now) to do the work of chlorophyll without the plant, then his necessity for other animals and plants upon the earth will disappear. Sooner or later, where there is no power of resistance and no necessity, there comes extinction. In the last days man will be alone on the earth, and his food will be won by the chemist from the dead rocks and the sunlight.
"And – one may learn the full reason in that explicit and painfully right book, the Data of Ethics– the irrational fellowship of man will give place to an intellectual co-operation, and emotion fall within the scheme of reason. Undoubtedly it is a long time yet, but a long time is nothing in the face of eternity, and every man who dares think of these things must look eternity in the face."
Then the earth is ever radiating away heat into space, the Professor reminds us. And so at last comes a vision of earthly cherubim, hopping heads, great unemotional intelligences, and little hearts, fighting together perforce and fiercely against the cold that grips them tighter and tighter. For the world is cooling – slowly and inevitably it grows colder as the years roll by. "We must imagine these creatures," says the Professor, "in galleries and laboratories deep down in the bowels of the earth. The whole world will be snow-covered and piled with ice; all animals, all vegetation vanished, except this last branch of the tree of life. The last men have gone even deeper, following the diminishing heat of the planet, and vast metallic shafts and ventilators make way for the air they need."
