Nearer it came, growing rapidly larger and larger, until it had swept over the further edge of the ruins and into view of the dense multitudes below. It drooped across the space and rose and passed overhead, rising to clear the mass of the Council House, a filmy translucent shape with the solitary aeronaut peering down through its ribs. It vanished beyond the skyline of the ruins.
Graham transferred his attention to Ostrog. He was signalling with his hands, and his attendants were busy breaking down the wall beside him. In another moment the monoplane came into view again, a little thing far away, coming round in a wide curve and going slower.
Then suddenly the man in yellow shouted: "What are they doing? What are the people doing? Why is Ostrog left there? Why is he not captured? They will lift him – the monoplane will lift him! Ah!"
The exclamation was echoed by a shout from the ruins. The rattling sound of the green weapons drifted across the intervening gulf to Graham, and, looking down, he saw a number of black and yellow uniforms running along one of the galleries that lay open to the air below the promontory upon which Ostrog stood. They fired as they ran at men unseen, and then emerged a number of pale blue figures in pursuit. These minute fighting figures had the oddest effect; they seemed as they ran like little model soldiers in a toy. This queer appearance of a house cut open gave that struggle amidst furniture and passages a quality of unreality. It was perhaps two hundred yards away from him, and very nearly fifty above the heads in the ruins below. The black and yellow men ran into an open archway, and turned and fired a volley. One of the blue pursuers striding forward close to the edge, flung up his arms, staggered sideways, seemed to Graham's sense to hang over the edge for several seconds, and fell headlong down. Graham saw him strike a projecting corner, fly out, head over heels, head over heels, and vanish behind the red arm of the building machine.
And then a shadow came between Graham and the sun. He looked up and the sky was clear, but he knew the little monoplane had passed. Ostrog had vanished. The man in yellow thrust before him, zealous and perspiring, pointing and blatant.
"They are grounding!" cried the man in yellow. "They are grounding. Tell the people to fire at him. Tell them to fire at him!"
Graham could not understand. He heard loud voices repeating these enigmatical orders.
Suddenly he saw the prow of the monoplane come gliding over the edge of the ruins and stop with a jerk. In a moment Graham understood that the thing had grounded in order that Ostrog might escape by it. He saw a blue haze climbing out of the gulf, perceived that the people below him were now firing up at the projecting stem.
A man beside him cheered hoarsely, and he saw that the blue rebels had gained the archway that had been contested by the men in black and yellow a moment before, and were running in a continual stream along the open passage.
And suddenly the monoplane slipped over the edge of the Council House and fell like a diving swallow. It dropped, tilting at an angle of forty-five degrees, so steeply that it seemed to Graham, it seemed perhaps to most of those below, that it could not possibly rise again.
It fell so closely past him that he could see Ostrog clutching the guides of the seat, with his grey hair streaming; see the white-faced aeronaut wrenching over the lever that turned the machine upward. He heard the apprehensive vague cry of innumerable men below.
Graham clutched the railing before him and gasped. The second seemed an age. The lower vane of the monoplane passed within an ace of touching the people, who yelled and screamed and trampled one another below.
And then it rose.
For a moment it looked as if it could not possibly clear the opposite cliff, and then that it could not possibly clear the wind-wheel that rotated beyond.
And behold! it was clear and soaring, still heeling sideways, upward, upward into the wind-swept sky.
The suspense of the moment gave place to a fury of exasperation as the swarming people realised that Ostrog had escaped them. With belated activity they renewed their fire, until the rattling wove into a roar, until the whole area became dim and blue and the air pungent with the thin smoke of their weapons.
Too late! The flying machine dwindled smaller and smaller, and curved about and swept gracefully downward to the flying stage from which it had so lately risen. Ostrog had escaped.
For a while a confused babblement arose from the ruins, and then the universal attention came back to Graham, perched high among the scaffolding. He saw the faces of the people turned towards him, heard their shouts at his rescue. From the throat of the ways came the song of the revolt spreading like a breeze across that swaying sea of men.
The little group of men about him shouted congratulations on his escape. The man in yellow was close to him, with a set face and shining eyes. And the song was rising, louder and louder; tramp, tramp, tramp, tramp.
Slowly the realisation came of the full meaning of these things to him, the perception of the swift change in his position. Ostrog, who had stood beside him whenever he had faced that shouting multitude before, was beyond there – the antagonist. There was no one to rule for him any longer. Even the people about him, the leaders and organisers of the multitude, looked to see what he would do, looked to him to act, awaited his orders. He was king indeed. His puppet reign was at an end.
He was very intent to do the thing that was expected of him. His nerves and muscles were quivering, his mind was perhaps a little confused, but he felt neither fear nor anger. His hand that had been trodden upon throbbed and was hot. He was a little nervous about his bearing. He knew he was not afraid, but he was anxious not to seem afraid. In his former life he had often been more excited in playing games of skill. He was desirous of immediate action, he knew he must not think too much in detail of the huge complexity of the struggle about him lest be should be paralysed by the sense of its intricacy.
Over there those square blue shapes, the flying stages, meant Ostrog; against Ostrog, who was so clear and definite and decisive, he who was so vague and undecided, was fighting for the whole future of the world.
For a time the Master of the Earth was not even master of his own mind. Even his will seemed a will not his own, his own acts surprised him and were but a part of the confusion of strange experiences that poured across his being. These things were definite, the negroes were coming, Helen Wotton had warned the people of their coming, and he was Master of the Earth. Each of these facts seemed struggling for complete possession of his thoughts. They protruded from a background of swarming halls, elevated passages, rooms jammed with ward leaders in council, kinematograph and telephone rooms, and windows looking out on a seething sea of marching men. The men in yellow, and men whom he fancied were called Ward Leaders, were either propelling him forward or following him obediently; it was hard to tell. Perhaps they were doing a little of both. Perhaps some power unseen and unsuspected propelled them all. He was aware that he was going to make a proclamation to the People of the Earth, aware of certain grandiose phrases floating in his mind as the thing he meant to say. Many little things happened, and then he found himself with the man in yellow entering a little room where this proclamation of his was to be made.
This room was grotesquely latter-day in its appointments. In the centre was a bright oval lit by shaded electric lights from above. The rest was in shadow, and the double finely fitting doors through which he came from the swarming Hall of the Atlas made the place very still. The dead thud of these as they closed behind him, the sudden cessation of the tumult in which he had been living for hours, the quivering circle of light, the whispers and quick noiseless movements of vaguely visible attendants in the shadows, had a strange effect upon Graham. The huge ears of a phonographic mechanism gaped in a battery for his words, the black eyes of great photographic cameras awaited his beginning, beyond metal rods and coils glittered dimly, and something whirled about with a droning hum. He walked into the centre of the light, and his shadow drew together black and sharp to a little blot at his feet.
The vague shape of the thing he meant to say was already in his mind. But this silence, this isolation, the withdrawal from that contagious crowd, this audience of gaping, glaring machines, had not been in his anticipation. All his supports seemed withdrawn together; he seemed to have dropped into this suddenly, suddenly to have discovered himself. In a moment he was changed. He found that he now feared to be inadequate, he feared to be theatrical, he feared the quality of his voice, the quality of his wit; astonished, he turned to the man in yellow with a propitiatory gesture. "For a moment," he said, "I must wait. I did not think it would be like this. I must think of the thing I have to say."
While he was still hesitating there came an agitated messenger with news that the foremost aeroplanes were passing over Madrid.
"What news of the flying stages?" he asked.
"The people of the south-west wards are ready."
"Ready!"
He turned impatiently to the blank circles of the lenses again.
"I suppose it must be a sort of speech. Would to God I knew certainly the thing that should be said! Aeroplanes at Madrid! They must have started before the main fleet.
"Oh! what can it matter whether I speak well or ill?" he said, and felt the light grow brighter.
He had framed some vague sentence of democratic sentiment when suddenly doubts overwhelmed him. His belief in his heroic quality and calling he found had altogether lost its assured conviction. The picture of a little strutting futility in a windy waste of incomprehensible destinies replaced it. Abruptly it was perfectly clear to him that this revolt against Ostrog was premature, foredoomed to failure, the impulse of passionate inadequacy against inevitable things. He thought of that swift flight of aeroplanes like the swoop of Fate towards him. He was astonished that he could have seen things in any other light. In that final emergency he debated, thrust debate resolutely aside, determined at all costs to go through with the thing he had undertaken. And he could find no word to begin. Even as he stood, awkward, hesitating, with an indiscreet apology for his inability trembling on his lips, came the noise of many people crying out, the running to and fro of feet. "Wait," cried someone, and a door opened. Graham turned, and the watching lights waned.
Through the open doorway he saw a slight girlish figure approaching. His heart leapt. It was Helen Wotton. The man in yellow came out of the nearer shadows into the circle of light.
"This is the girl who told us what Ostrog had done," he said.
She came in very quietly, and stood still, as if she did not want to interrupt Graham's eloquence… But his doubts and questionings fled before her presence. He remembered the things that he had meant to say. He faced the cameras again and the light about him grew brighter. He turned back to her.
"You have helped me," he said lamely – "helped me very much… This is very difficult."
He paused. He addressed himself to the unseen multitudes who stared upon him through those grotesque black eyes. At first he spoke slowly.
"Men and women of the new age," he said; "you have arisen to do battle for the race!.. There is no easy victory before us."
He stopped to gather words. He wished passionately for the gift of moving speech.
"This night is a beginning," he said. "This battle that is coming, this battle that rushes upon us to-night, is only a beginning. All your lives, it may be, you must fight. Take no thought though I am beaten, though I am utterly overthrown. I think I may be overthrown."
He found the thing in his mind too vague for words. He paused momentarily, and broke into vague exhortations, and then a rush of speech came upon him. Much that he said was but the humanitarian commonplace of a vanished age, but the conviction of his voice touched it to vitality. He stated the case of the old days to the people of the new age, to the girl at his side.
"I come out of the past to you," he said, "with the memory of an age that hoped. My age was an age of dreams – of beginnings, an age of noble hopes; throughout the world we had made an end of slavery; throughout the world we had spread the desire and anticipation that wars might cease, that all men and women might live nobly, in freedom and peace… So we hoped in the days that are past. And what of those hopes? How is it with man after two hundred years?
"Great cities, vast powers, a collective greatness beyond our dreams. For that we did not work, and that has come. But how is it with the little lives that make up this greater life? How is it with the common lives? As it has ever been – sorrow and labour, lives cramped and unfulfilled, lives tempted by power, tempted by wealth, and gone to waste and folly. The old faiths have faded and changed, the new faith – . Is there a new faith?
"Charity and mercy," he floundered; "beauty and the love of beautiful things – effort and devotion! Give yourselves as I would give myself – as Christ gave Himself upon the Cross. It does not matter if you understand. It does not matter if you seem to fail. You know– in the core of your hearts you know. There is no promise, there is no security – nothing to go upon but Faith. There is no faith but faith – faith which is courage…"
Things that he had long wished to believe, he found that he believed. He spoke gustily, in broken incomplete sentences, but with all his heart and strength, of this new faith within him. He spoke of the greatness of self-abnegation, of his belief in an immortal life of Humanity in which we live and move and have our being. His voice rose and fell, and the recording appliances hummed as he spoke, dim attendants watched him out of the shadow…
His sense of that silent spectator beside him sustained his sincerity. For a few glorious moments he was carried away; he felt no doubt of his heroic quality, no doubt of his heroic words, he had it all straight and plain. His eloquence limped no longer. And at last he made an end to speaking. "Here and now," he cried, "I make my will. All that is mine in the world I give to the people of the world. All that is mine in the world I give to the people of the world. To all of you. I give it to you, and myself I give to you. And as God wills to-night, I will live for you, or I will die."
He ended. He found the light of his present exaltation reflected in the face of the girl. Their eyes met; her eyes were swimming with tears of enthusiasm.
"I knew," she whispered. "Oh! Father of the World —Sire! I knew you would say these things…"
"I have said what I could," he answered lamely and grasped and clung to her outstretched hands.
The man in yellow was beside them. Neither had noted his coming. He was saying that the south-west wards were marching. "I never expected it so soon," he cried. "They have done wonders. You must send them a word to help them on their way."
Graham stared at him absent-mindedly. Then with a start he returned to his previous preoccupation about the flying stages.
"Yes," he said. "That is good, that is good." He weighed a message. "Tell them; – well done South West."
He turned his eyes to Helen Wotton again. His face expressed his struggle between conflicting ideas. "We must capture the flying stages," he explained. "Unless we can do that they will land negroes. At all costs we must prevent that."
He felt even as he spoke that this was not what had been in his mind before the interruption. He saw a touch of surprise in her eyes. She seemed about to speak and a shrill bell drowned her voice.
It occurred to Graham that she expected him to lead these marching people, that that was the thing he had to do. He made the offer abruptly. He addressed the man in yellow, but he spoke to her. He saw her face respond. "Here I am doing nothing," he said.
"It is impossible," protested the man in yellow. "It is a fight in a warren. Your place is here."
He explained elaborately. He motioned towards the room where Graham must wait, he insisted no other course was possible. "We must know where you are," he said. "At any moment a crisis may arise needing your presence and decision."
A picture had drifted through his mind of such a vast dramatic struggle as the masses in the ruins had suggested. But here was no spectacular battle-field such as he imagined. Instead was seclusion – and suspense. It was only as the afternoon wore on that he pieced together a truer picture of the fight that was raging, inaudibly and invisibly, within four miles of him, beneath the Roehampton stage. A strange and unprecedented contest it was, a battle that was a hundred thousand little battles, a battle in a sponge of ways and channels, fought out of sight of sky or sun under the electric glare, fought out in a vast confusion by multitudes untrained in arms, led chiefly by acclamation, multitudes dulled by mindless labour and enervated by the tradition of two hundred years of servile security against multitudes demoralised by lives of venial privilege and sensual indulgence. They had no artillery, no differentiation into this force or that; the only weapon on either side was the little green metal carbine, whose secret manufacture and sudden distribution in enormous quantities had been one of Ostrog's culminating moves against the Council. Few had had any experience with this weapon, many had never discharged one, many who carried it came unprovided with ammunition; never was wilder firing in the history of warfare. It was a battle of amateurs, a hideous experimental warfare, armed rioters fighting armed rioters, armed rioters swept forward by the words and fury of a song, by the tramping sympathy of their numbers, pouring in countless myriads towards the smaller ways, the disabled lifts, the galleries slippery with blood, the halls and passages choked with smoke, beneath the flying stages, to learn there when retreat was hopeless the ancient mysteries of warfare. And overhead save for a few sharpshooters upon the roof spaces and for a few bands and threads of vapour that multiplied and darkened towards the evening, the day was a clear serenity. Ostrog it seems had no bombs at command and in all the earlier phases of the battle the flying machines played no part. Not the smallest cloud was there to break the empty brilliance of the sky. It seemed as though it held itself vacant until the aeroplanes should come.
Ever and again there was news of these, drawing nearer, from this Spanish town and then that, and presently from France. But of the new guns that Ostrog had made and which were known to be in the city came no news in spite of Graham's urgency, nor any report of successes from the dense felt of fighting strands about the flying stages. Section after section of the Labour-Societies reported itself assembled, reported itself marching, and vanished from knowledge into the labyrinth of that warfare. What was happening there? Even the busy ward leaders did not know. In spite of the opening and closing of doors, the hasty messengers, the ringing of bells and the perpetual clitter-clack of recording implements, Graham felt isolated, strangely inactive, inoperative.
His isolation seemed at times the strangest, the most unexpected of all the things that had happened since his awakening. It had something of the quality of that inactivity that comes in dreams. A tumult, the stupendous realisation of a world struggle between Ostrog and himself, and then this confined quiet little room with its mouthpieces and bells and broken mirror!
Now the door would be closed and Graham and Helen were alone together; they seemed sharply marked off then from all the unprecedented world storm that rushed together without, vividly aware of one another, only concerned with one another. Then the door would open again, messengers would enter, or a sharp bell would stab their quiet privacy, and it was like a window in a well built brightly lit house flung open suddenly to a hurricane. The dark hurry and tumult, the stress and vehemence of the battle rushed in and overwhelmed them. They were no longer persons but mere spectators, mere impressions of a tremendous convulsion. They became unreal even to themselves, miniatures of personality, indescribably small, and the two antagonistic realities, the only realities in being were first the city, that throbbed and roared yonder in a belated frenzy of defence and secondly the aeroplanes hurling inexorably towards them over the round shoulder of the world.
There came a sudden stir outside, a running to and fro, and cries. The girl stood up, speechless, incredulous.
Metallic voices were shouting "Victory!" Yes it was "Victory!"
Bursting through the curtains appeared the man in yellow, startled and dishevelled with excitement, "Victory," he cried, "victory! The people are winning. Ostrog's people have collapsed."
She rose. "Victory?"
"What do you mean?" asked Graham. "Tell me! What?"
"We have driven them out of the under galleries at Norwood, Streatham is afire and burning wildly, and Roehampton is ours. Ours! – and we have taken the monoplane that lay thereon."
A shrill bell rang. An agitated grey-headed man appeared from the room of the Ward Leaders. "It is all over," he cried.
"What matters it now that we have Roehampton? The aeroplanes have been sighted at Boulogne!"
"The Channel!" said the man in yellow. He calculated swiftly.
"Half an hour."
"They still have three of the flying stages," said the old man.
"Those guns?" cried Graham.
"We cannot mount them – in half an hour."
"Do you mean they are found?"
"Too late," said the old man.
"If we could stop them another hour!" cried the man in yellow.
"Nothing can stop them now," said the old man. "They have near a hundred aeroplanes in the first fleet."
"Another hour?" asked Graham.
"To be so near!" said the Ward Leader. "Now that we have found those guns. To be so near – . If once we could get them out upon the roof spaces."
"How long would that take?" asked Graham suddenly.
"An hour – certainly."
"Too late," cried the Ward Leader, "too late."
"Is it too late?" said Graham. "Even now – . An hour!"
He had suddenly perceived a possibility. He tried to speak calmly, but his face was white. "There is are chance. You said there was a monoplane – ?"
"On the Roehampton stage, Sire."
"Smashed?"
"No. It is lying crossways to the carrier. It might be got upon the guides – easily. But there is no aeronaut – ."
Graham glanced at the two men and then at Helen. He spoke after a long pause. "We have no aeronauts?"
"None."
He turned suddenly to Helen. His decision was made. "I must do it."
"Do what?"
"Go to this flying stage – to this machine."
"What do you mean?"
"I am an aeronaut. After all – . Those days for which you reproached me were not altogether wasted."
He turned to the old man in yellow. "Tell them to put it upon the guides."
The man in yellow hesitated.
"What do you mean to do?" cried Helen.
"This monoplane – it is a chance – ."
"You don't mean – ?"
"To fight – yes. To fight in the air. I have thought before – . A big aeroplane is a clumsy thing. A resolute man – !"
"But – never since flying began – " cried the man in yellow.
"There has been no need. But now the time has come. Tell them now – send them my message – to put it upon the guides. I see now something to do. I see now why I am here!"
The old man dumbly interrogated the man in yellow nodded, and hurried out.
Helen made a step towards Graham. Her face was white. "But, Sire! – How can one fight? You will be killed."
"Perhaps. Yet, not to do it – or to let some one else attempt it – ."
"You will be killed," she repeated.
"I've said my word. Do you not see? It may save – London!"
He stopped, he could speak no more, he swept the alternative aside by a gesture, and they stood looking at one another.
They were both clear that he must go. There was no step back from these towering heroisms.
Her eyes brimmed with tears. She came towards him with a curious movement of her hands, as though she felt her way and could not see; she seized his hand and kissed it.
"To wake," she cried, "for this!"
He held her clumsily for a moment, and kissed the hair of her bowed head, and then thrust her away, and turned towards the man in yellow.
He could not speak. The gesture of his arm said "Onward."