Майн Рид
The Finger of Fate: A Romance
Chapter Sixteen
Empty Pockets
If he who had surprised the painter at his task did not present the exact classic type of the stage bandit, there was one upon the ground who did. This man stood a little in advance of the others with that easy air that betokened authority. There was no mistaking his position. He was the chief. His dress did not differ, in cut or fashion, so materially from that of his followers; it was only more costly in the material. Where their breeches were velveteen, his was of the finest silk velvet. Besides, there was a glitter about his arms and a sparkle on the clasp which held the plume in his Calabrian hat that bespoke real jewellery. His face, moreover, was not of the common cast; it was of the true Roman type, the nose and chin of exceeding prominence, with a broad oval jaw-bone indicative of determination. He might have been deemed handsome but for an expression of ferocity – animal, almost brutal – that gleamed and sparkled in his coal-black eyes. If not handsome, he was sufficiently striking, and Henry Harding might have fancied himself confronted by the renowned Fra Diavolo. Had he stepped from behind the proscenium of the scenic stage, or come bounding from a “back flat,” the Transpontine spectators would have hailed him as the hero they had come to the theatre to see.
For some seconds there was silence. The first spokesman had slunk into the rear of the band; and all stood waiting for the chief to commence speech or action. The latter stood looking at the young artist, scanning him from head to foot. The scrutiny seemed to give him no great pleasure. There was not much booty to be expected in the pockets of such a threadbare coat; and a grin passed over his dark features as he pronounced, in a contemptuous tone, the word —
“Artista?”
“Si, Signore,” replied the artist, with as much sang froid as if he had been answering an ordinary question. “At your service, if you wish to sit or stand for your portrait.”
“Portrait? Bah! What care I for your chalks and ochres, signor painter? Better if you’d been a pedlar with a good fat pack. That’s the sort of toys for such as we. You’re from the cittada? What’s brought you up here?”
“My legs,” replied the young Englishman, thinking that a bold front might be best under the circumstances.
“Cospetto! I can tell that without asking. Such boots as yours don’t look much like the stirrup. But come, declare yourself. What have you got in your pockets; a scudi or two, I suppose. How much, signore?”
“Three scudi.”
“Hand them over.”
“Here they are – you are welcome to them.”
The brigand took the three coins, with as much nonchalance as if he had been receiving them in liquidation for some service rendered.
“This all?” he asked, again surveying the artist from head to foot.
“All I have got upon me.”
“But you have more in the cittada?”
“A little more.”
“How much?”
“About four score scudi.”
“Corpo di Bacco! a good sum; where is it lying?”
“At my lodgings.”
“Your landlord can lay hands upon it?”
“He can by breaking open my box.”
“Good! now write out an order giving him authority to break open the box and send you the money. Some paper, Giovanni. Your ink-horn, Giacomo. Here, signor artista, write.”
Seeing that it would be useless to make objection, the artist consented.
“Stay!” cried the brigand, arresting his pen; “you have something besides money at your lodgings? You Ingleses always carry about a stock of loose property. I include them in the requisition.”
“There is not much to include. Another suit of clothes, but a trifle better than these you see on my back. A score or two of sketches – half-finished paintings – which you wouldn’t value even if the last touch had been given them.”
“Ha, ha!” laughed the brigand, his comrades joining in the laugh. “You’re a good judge of character, signor artista. You can keep your sketches and your spare suit too, neither of which commodities would be likely to suit our market. Write, then, for the scudi.”
Again the artist was about to use the pen.
“Hold!” once more exclaimed the bandit. “You have friends in the cittada. What a mistake I was making not to think of them! They can give something towards your ransom.”
“I have not a friend in Rome; at least not one who would pay five scudi to rescue me from a rope.”
“Bah! you are jesting, signore.”
“I am speaking the simple truth.”
“If that be so,” said the brigand, who seemed to melt a little at mention of the rope, “If that be so,” he added reflectingly, “then – ah, we shall see. Hark you, signor painter, if what you say be true, you may sleep in your own lodgings to-night. If false, you will spend your night here in the hills, and perhaps minus your ears, you understand me!”
“I should be dull not to do so.”
“Buono – buono! And now one word of warning. Let there be no trickery in what you write – no deception in what you say. The messenger who carries your letter to the cittada will learn all about you – even to the quality of your spare suit and the value of your pictures. If you have friends he will find them out. If not, he will know it. And, by the Virgin, if it turn out that you are playing with us, your ears shall answer for it!”
“So be it. I accept the conditions.”
“Enough! Write on.”
As dictated, the requisition was written. The sheet of paper was folded, sealed with a piece of pitch, and directed to the landlord of the lodgings in which the English artist had set up his studio.
A man, in the garb of a peasant of the Campagna, was selected from the band; and, charged with the strange missive, at once despatched along the road that led towards the Eternal City.
After kicking down the temporary easel which our artist had erected, and pitching his slight sketch into the torrent below, the brigands commenced their march up the mountain – their captive keeping them company, with no very pleasant anticipation in regard to the treatment that might be in store for him.
Chapter Seventeen
An Unlucky Recognition
You are astonished at the young Englishman taking things so coolly? To be captured by Italian bandits, famed for their ferocity, is not a trifling affair. And yet so Henry Harding seemed to consider it.
The explanation is simple, and easily intelligible. At any other period he might not only have chafed at his captivity, but felt fear for the consequences. Just then he was suffering from two other sorrows, that made this seem light – to be scarcely considered at all. His disinheritance by his father was still fresh in his mind – still bitter; but far more bitter the rejection by his sweetheart.
Tortured by these cruel memories of the past, he recked less of what befell him either in the present or the future. There was even a time when he would have courted such a distraction – during the first few weeks after his departure from home. Twelve months had since elapsed, and close application to his art had to some extent consoled him. Perhaps absence had done more than art – of which he was by no means passionately fond; for he was not one of the thorough enthusiasts who prate about the divine inspiration of painters. Chance alone had guided him to this profession, as the only means he could devise for earning his daily bread – chance, partly directed by taste, and partly by some previous study of his school-days. So far it had served his purpose, and, enabling him to visit Rome, he had there imbibed a certain ambition to excel in it – enough to soften, though not obliterate, the memory of his misfortunes. This was still keen enough to make him reckless of what might turn up; hence his cool demeanour in the presence of the bandits, at which you may have felt surprise.
Up the mountains they marched him, by one of those execrable roads common in the Papal States, kept, no doubt, in better condition in the time of the Caesars than at the present day.
He speculated but little on whither he was being taken. Of course to some forest lair, some mountain cavern, used as a bandits’ den. He was not without curiosity to see such a place; and perhaps it was passing through his thoughts, that at some future day he might avail himself of his present experience to paint a bivouac of brigands from real life.
He was very much surprised when a good-sized village came in sight; still more so on seeing the bandits march boldly into it; but his surprise became astonishment when he saw them unsling their carbines, rest them against the walls of the houses, and make other preparations denoting their intention to pass the night in the place!
The villagers appeared to have little dread of them. On the contrary, many of the men joined them in their wine-drinking, while some of the women rather encouraged than resented their rude sallies. Even the long-robed priest of the village passed to and fro amongst them, distributing crosses and benedictions; for all of which the brigands paid him in coin, that had no doubt been taken from the pockets of some unfortunate traveller – perhaps one of his own sacred cloth!
It certainly was a scene of sufficient originality to interest the eyes of a stranger, that stranger an artist; and the young Englishman, as he gazed upon it, for a time forgot that he was a captive. Of this he was reminded as night drew near. Hitherto his captors had not even taken the precaution to tie him. His frank acceptance of the situation, with his apparent indifference to it, had led the chief to think lightly about his making an attempt to escape. Besides, it could not much matter. Before he could reach Rome the sham peasant would have been to his lodgings and rifled the chest of its contents. The scudi would, at all events, be safe; and beyond these the brigand had formed no very sanguine expectations. It was not likely there were rich friends, or any chance of a ransom. The well-worn wardrobe of the painter spoke against such an hypothesis.
Rather in obedience to habit and usage, than for any other reason, did his captors determine to tie him up for the night; and just as the sun was sinking into the Tyrrhenian sea, two men were seen approaching the place where he had been left, provided with a rope for this purpose. In one of these he recognised the man who had first saluted him on the platform. He had not forgotten the conversation that had passed between them, nor the tongue in which it had been carried on. That being English, the bandit himself must be an Englishman, as was also evident from his bright skin, hay-coloured hair, and broad blank face, so unlike the sharp-featured, dark-visaged gentry who surrounded him.
Though at first not a little astonished at encountering a countryman in such a place, and especially in such showy guise, so different from the dull smock-frock the man had once evidently worn, he had ceased for a time to think of him. Since their first meeting he had not come in contact with him. The fellow appeared to be amongst the least considered of the band, only permitted prominence when called up by his chief, and since the capture his services had not been required. He was just such a man as one could hardly see without thinking of rope; and armed with a coil of this, he now approached to execute the order of the “captin.” So said he as he stopped in front of the prisoner, and commenced uncoiling the cord.
It was the first time Henry Harding had been threatened with the degradation of being bound. To an Englishman, these is something disagreeable in the very idea of it; but to a young gentleman lately the presumed heir to 50,000 pounds, and who had never known a more irksome restriction than the statutes of Eton and Oxford, there was something repulsive in the prospect. At first he indignantly refused to submit to his wrists being corded, protesting that there was no need for it. He had no intention of attempting to escape. He would stay with the brigands till morning, or the morning after that – any time till the messenger returned. Besides, they had promised him liberty, on conditions that would be kept on his side, and he hoped on theirs.
His remonstrances were in vain.
“Damn conditions,” roughly replied the man occupied in getting ready the rope; “we know nothin’ ’bout them. Our business is to bind ye; them’s the orders of the captin.”
And so saying, he proceeded to carry them out.
It looked hopeless enough; but still there might be a chance in an appeal to the feelings of a countryman. The captive determined on making trial of it.
“You are an Englishman?” he said in his most conciliatory tone.
“I’ve beed one,” gruffly answered the bandit.
“I hope you still are.”
“I’deed, do ye? What matters that to you?”
“I am one myself.”
“Who the devil says you ain’t? D’ye take me for a fool not to see it in yer face, and hear it in the cursed lingo that I’d hope never to lissen to again?”
“Come, my good fellow; it’s not often that an Englishman – ”
“Stash yer palaver, dang yer! an’ don’t ‘good fellow’ me! Spread yer wrists now, an’ get ’em ready for the rope. Just because you’re English I’ll tie ’em all the tighter – daang me if I don’t!”
Perceiving that remonstrance was thrown away upon the renegade ruffian, and that resistance would only lead to ill-treatment, the young Englishman extended his hands to be tied. The bandit seized hold of him by both wrists, and commenced twisting them so as to turn them back to back. The moment his eyes rested on the left hand – upon the little finger showing a red longitudinal scar – he dropped both as if they had been bars of hot iron, at the same time starting backwards with a cry. It was a cry that betokened recognition, mingled with malignant joy!
The surprise which this occasioned to the captive was followed by another springing from a different cause. He, too, had effected a recognition. In the brutal brigand before him, he identified the ex-gamekeeper, poacher, and murderer – Doggy Dick!
“Ho! ho!” cried the latter, dancing over the ground like one who had gone frantic from receiving news of some unexpected fortune. “Ho! ho! You it be, Muster Henry Hardin’! Who would ’a expected to find you here among the mountains o’ Italy i’stead o’ the Chiltern Hills, where ye were so snug an’ comfortable! An’ wi’ such a poor coat upon yer back! Why, what ha’ become o’ the old General, an’ his big property – the park, the farms, the woods, the covers, and the pheasants? Ah! the pheasants! You remember them, don’t ye? And so do I too. So do Doggy Dick – daangd well!”
As the renegade said this, a grin of diabolical significance made itself perceptible on his otherwise inexpressive features. Henry Harding perceived it, but made no remark. He knew that words would be of no use.
“I dar’ say Nigel, that sweet half-brother o’ yours, has got ’em all – the park, and the farms, and the woods, and the covers, and the pheasants. Ah! and I’d take my affedavy o’ ’t he’s got that showy gal – she you were so sweet upon, Muster Henry. She warn’t likely to cotton to a man wi’ such a coat on his back as you have on yourn. Why, it look like it had come out o’ a pawn-shop!”
By this time the blood of the Hardings had got up to boiling point. Despite his stupidity, Doggy Dick perceived it. He saw that he had gone too far in his provocation, and regretted having done so, before making fast the hands of him he had provoked. He would have retreated, but it was too late. Before he could turn, Henry Harding’s left hand was upon his throat, the scarred finger pressing upon his larynx, and with the right he received a blow on his skull that felled him to the ground, like an ox under the stroke of a pole-axe.
In an instant the young Englishman was surrounded by the bandits and their wine-bibbing associates. Half-a-score flung themselves simultaneously upon him. He was soon overpowered, bound hand and foot, and then beaten in his bonds – some of the village damsels clapping their hands, and by their cries applauding the conquest of brute strength over injured innocence.
Chapter Eighteen
A Sympathiser
There was one who witnessed the scene with a sympathising heart. It is almost superfluous to say that it was a woman; for no man in that community would have dared to take side against the brigands. While in it, these ruffians were complete masters of the place, and out of it their authority was little less. Their den was not distant, and on any day they could descend upon the unprotected town, and vent it with the torch of destruction.
The woman who sympathised with the young Englishman was still only a girl; and although a daughter of the sindico, or chief magistrate, of the place, she could do nothing to rescue him from his persecutors. Even the intermittent authority exercised by her father would have been unavailing; and her sympathy for the stranger only existed in the secret recesses of her heart.
Standing in a balcony of what appeared the best house in the village, she presented a picture that may be seen only in a town of the Roman Campagna – a combination of those antique classic graces which we associate with the days of Lucretia. Beauty of the most striking type, innocence of aspect that betokened the most perfect purity, and below, a street crowded with striding Tarquins!
She looked like a solitary lamb in the midst of a conglomeration of wolves, feebly shepherded by her father and the village priest – by the Law and the Church, both on the last legs of a decadent authority.
It was a singular picture to contemplate; nor had it escaped the notice of the young Englishman.
The girl had been observed in the balcony ever since his arrival; and as her position was not very far from the place where the brigands had permitted him to take a seat, he had a fair view of her, and could note her every action. He could see that she was not accosted like the commoner maidens of the village; but, for all this, bold glances were occasionally given to her, and brutal jests uttered within her hearing. She had looked towards the captive, and he at her, until more than once their eyes had met; and he fancied that in hers he could read signs of a sympathetic nature. It may have been but pity for his forlorn situation, but it was pity that expressed itself in a most pleasing way.
While gazing on that dark Italian girl, he thought of Belle Mainwaring; but never, during the whole period of his self-exile, had he thought of her with less pain. As he continued to gaze he felt a strange solace stealing over his thoughts, and which he could only account for by the humiliation caused by his captivity – by a sorrow of the present expelling a sorrow of the past. Something whispered him that the relief might be more than temporary, he could not tell why. He only knew, or thought, that if he could be permitted to look long enough into the eyes of that Roman maiden he might think of Belle Mainwaring with a calmer spirit – perhaps forget her altogether. In that hour of imprisonment he was happier than he had been for the past twelve months of free, unfettered life. From the contemplation of that fair form, posed in the balcony above him, he had, in one hour, drawn more inspiration than from all the statues seen in the Eternal City.
One thing interfered with his newly-sprung happiness. He observed that the girl only looked upon him with glances of stealth; that the moment their eyes met, hers were quickly withdrawn. This might have gratified him all the more, but that he had discovered the cause. He saw that she was under surveillance. Had it been her father who was watching her there would have been nothing to cause him pain. But it was not. The eyes that seemed so vigilantly bent upon, her were those of the bandit chief; who, wine-cup in hand, sat outside the little inn, with his face constantly turned towards the house of the sindico.
The young girl seemed uneasy under his glances, and at length retired from the balcony. She came out again at the noise caused by the binding of the captive.
In the midst of the mêlée Henry Harding had his eyes upon her even after he was bound and beaten. He bore all this the better from the glances she gave him. They seemed to say —
“I would spring down into the street and rush to your rescue, but my doing so might be the sealing of your doom.”
So construed he the expression upon her face – a construction that imparted pleasure, but was also accompanied by a painful reflection.
The shadows of night descended over the town. There were no street lamps, and the graceful shape in the balcony, gradually blending with the gloom, became lost to Henry Harding’s eyes. The bandits had entered the inn, where they were joined by the more bizarre of the village belles. Soon came forth the sound of stringed instruments, the violin and the mandolin, mingled with the treading and shuffling of feet. Occasionally loud talking could be heard, along with the clinking of cups; then came cursing and quarrels, one of which terminated in a street-fight and the shedding of blood.
All this the young Englishman heard or saw from the place where he had been left bound – outside the open window of the inn. He was not there alone. Two bandits stood sentry over him, watching him with a vigilance in strange contrast with the negligence before displayed. The captive took note of this change in the behaviour of the brigands towards him. Still more when the chief, staggering past at a late hour, addressed some words to the two men who had him in charge. He could hear what was said. It was in the form of an injunction, terminating in a threat to the effect, that if he, the prisoner, should not be forthcoming the next day, they, the sentries, might expect punishment of the severest kind – in short, they would be shot. So hiccuped out their intoxicated chief, as he went reeling away in company of one of the flaunting belles who had taken part in the bandits’ ball.
That it was no empty threat made under the influence of drink became evident to the captive, in the increased vigilance with which he was tended. As soon as their chief was out of sight, the two sentries made a fresh examination of his fastenings, re-tightened the cords wherever they had become loose, and added others for greater security. Skilled in this peculiar craft by long practice, their prisoner was left but little chance of releasing himself, had he been ever so much inclined towards making the attempt.
And now he was, if he had not been before, not only inclined, but eagerly desirous, of making his escape. The stringent orders of the chief, with the elaborate precautions taken by the two sentries, had naturally awakened within him a degree of apprehension. Such pains would scarce have been taken for the sake of merely keeping him all night and letting him free in the morning. Moreover, the messenger who had been sent to the city had already returned. He had seen the man go into the inn while the dance was in progress, and no doubt he had delivered his fourscore scudi to the chief. It could not be this that was waited for to obtain his delivery.
There was to be another chapter added to his imprisonment – perhaps some cruel torture in store for him. He could easily imagine this after the incident that had occurred while he was being bound. The knock-down blow given to Doggy Dick would be looked upon as an insult to the whole band, and little as that English renegade might be esteemed by his Italian comrades, he would still have sufficient influence to instigate them to hostility against their captive. This was the cause to which Henry Harding ascribed the altered treatment he was receiving, and he now regretted having given it.
Could he have guessed the true reason he might have spared himself all self-recrimination. The prolonged imprisonment before him – and such in reality there was – had for motive a scheme far deeper than the hostility of Doggy Dick – either on account of the conflict that had occurred between them, or that of older and earlier date. It was a scheme likely for a long time not only to keep the captive from being restored to liberty, but that might deprive him of his life.
Though apprehensive of receiving some severe castigation at the hands of the brigands, he still did not believe himself to be in any great danger; and he was hindered from sleeping less by the prospect of punishment, than the pain caused by the cords too tightly drawn around his limbs. Despite this, despite his hard couch, which was the stone pavement of the street, he at length fell asleep; and slept on till the crowing of the village cocks, aided by a kick from one of the brigand sentries, aroused him once more to a consciousness of his uncomfortable situation.
