Эдвард Бульвер-Литтон
Devereux — Volume 02
BOOK II
CHAPTER I
THE HERO IN LONDON.—PLEASURE IS OFTEN THE SHORTEST, AS IT IS THE EARLIEST ROAD TO WISDOM, AND WE MAY SAY OF THE WORLD WHAT ZEAL-OF-THE-LAND-BUSY SAYS OF THE PIG-BOOTH, "WE ESCAPE SO MUCH OF THE OTHER VANITIES BY OUR EARLY ENTERING."
IT had, when I first went to town, just become the fashion for young men of fortune to keep house, and to give their bachelor establishments the importance hitherto reserved for the household of a Benedict.
Let the reader figure to himself a suite of apartments, magnificently furnished, in the vicinity of the court. An anteroom is crowded with divers persons, all messengers in the various negotiations of pleasure. There, a French valet,—that inestimable valet, Jean Desmarais,—sitting over a small fire, was watching the operations of a coffee-pot, and conversing, in a mutilated attempt at the language of our nation, though with the enviable fluency of his own, with the various loiterers who were beguiling the hours they were obliged to wait for an audience of the master himself, by laughing at the master's Gallic representative. There stood a tailor with his books of patterns just imported from Paris,—that modern Prometheus, who makes a man what he is! Next to him a tall, gaunt fellow, in a coat covered with tarnished lace, a night-cap wig, and a large whip in his hands, comes to vouch for the pedigree and excellence of the three horses he intends to dispose of, out of pure love and amity for the buyer. By the window stood a thin starveling poet, who, like the grammarian of Cos, might have put lead in his pockets to prevent being blown away, had he not, with a more paternal precaution, put so much in his works that he had left none to spare. Excellent trick of the times, when ten guineas can purchase every virtue under the sun, and when an author thinks to vindicate the sins of his book by proving the admirable qualities of the paragon to whom it is dedicated.1 There with an air of supercilious contempt upon his smooth cheeks, a page, in purple and silver, sat upon the table, swinging his legs to and fro, and big with all the reflected importance of a /billet-doux/. There stood the pert haberdasher, with his box of silver-fringed gloves, and lace which Diana might have worn. At that time there was indeed no enemy to female chastity like the former article of man-millinery: the delicate whiteness of the glove, the starry splendour of the fringe, were irresistible, and the fair Adorna, in poor Lee's tragedy of "Caesar Borgia," is far from the only lady who has been killed by a pair of gloves.
Next to the haberdasher, dingy and dull of aspect, a book-hunter bent beneath the load of old works gathered from stall and shed, and about to be re-sold according to the price exacted from all literary gallants who affect to unite the fine gentleman with the profound scholar. A little girl, whose brazen face and voluble tongue betrayed the growth of her intellectual faculties, leaned against the wainscot, and repeated, in the anteroom, the tart repartees which her mistress (the most celebrated actress of the day) uttered on the stage; while a stout, sturdy, bull-headed gentleman, in a gray surtout and a black wig, mingled with the various voices of the motley group the gentle phrases of Hockley-in-the-Hole, from which place of polite merriment he came charged with a message of invitation. While such were the inmates of the anteroom, what picture shall we draw of the /salon/ and its occupant?
A table was covered with books, a couple of fencing foils, a woman's mask, and a profusion of letters; a scarlet cloak, richly laced, hung over, trailing on the ground. Upon a slab of marble lay a hat, looped with diamonds, a sword, and a lady's lute. Extended upon a sofa, loosely robed in a dressing-gown of black velvet, his shirt collar unbuttoned, his stockings ungartered, his own hair (undressed and released for a brief interval from the false locks universally worn) waving from his forehead in short yet dishevelled curls, his whole appearance stamped with the morning negligence which usually follows midnight dissipation, lay a young man of about nineteen years. His features were neither handsome nor ill-favoured, and his stature was small, slight, and somewhat insignificant, but not, perhaps, ill-formed either for active enterprise or for muscular effort. Such, reader, is the picture of the young prodigal who occupied the apartments I have described, and such (though somewhat flattered by partiality) is a portrait of Morton Devereux, six months after his arrival in town.
The door was suddenly thrown open with that unhesitating rudeness by which our friends think it necessary to signify the extent of their familiarity; and a young man of about eight-and-twenty, richly dressed, and of a countenance in which a dissipated /nonchalance/ and an aristocratic /hauteur/ seemed to struggle for mastery, abruptly entered.
"What! ho, my noble royster," cried he, flinging himself upon a chair, "still suffering from St. John's Burgundy! Fie, fie, upon your apprenticeship!—why, before I had served half your time, I could take my three bottles as easily as the sea took the good ship 'Revolution,' swallow them down with a gulp, and never show the least sign of them the next morning!"
"I really believe you, most magnanimous Tarleton. Providence gives to each of its creatures different favours,—to one wit, to the other a capacity for drinking. A thousand pities that they are never united!"
"So bitter, Count!—ah, what will ever cure you of sarcasm?"
"A wise man by conversation, or fools by satiety."
"Well, I dare say that is witty enough, but I never admire fine things of a morning. I like letting my faculties live till night in a deshabille; let us talk easily and sillily of the affairs of the day. /Imprimis/, will you stroll to the New Exchange? There is a black eye there that measures out ribbons, and my green ones long to flirt with it."
"With all my heart—and in return you shall accompany me to Master
Powell's puppet-show."
"You speak as wisely as Solomon himself in the puppet-show. I own that I love that sight: 'tis a pleasure to the littleness of human nature to see great things abased by mimicry; kings moved by bobbins, and the pomps of the earth personated by Punch."
"But how do you like sharing the mirth of the groundlings, the filthy plebeians, and letting them see how petty are those distinctions which you value so highly, by showing them how heartily you can laugh at such distinctions yourself? Allow, my superb Coriolanus, that one purchases pride by the loss of consistency."
"Ah, Devereux, you poison my enjoyment by the mere word 'plebeian'! Oh, what a beastly thing is a common person!—a shape of the trodden clay without any alloy; a compound of dirty clothes, bacon breaths, villanous smells, beggarly cowardice, and cattish ferocity. Pah, Devereux! rub civet on the very thought!"
"Yet they will laugh to-day at the same things you will, and consequently there would be a most flattering congeniality between you. Emotion, whether of ridicule, anger, or sorrow; whether raised at a puppet-show, a funeral, or a battle,—is your grandest of levellers. The man who would be always superior should be always apathetic."
"Oracular, as usual, Count,—but, hark, the clock gives tongue. One, by the Lord!—will you not dress?"
And I rose and dressed. We passed through the anteroom; my attendant assistants in the art of wasting money drew up in a row.
"Pardon me, gentlemen," said I ("gentlemen, indeed!" cried Tarleton), "for keeping you so long. Mr. Snivelship, your waistcoats are exquisite: favour me by conversing with my valet on the width of the lace for my liveries; he has my instructions. Mr. Jockelton, your horses shall be tried to-morrow at one. Ay, Mr. Rymer, I beg you a thousand pardons; I beseech you to forgive the ignorance of my rascals in suffering a gentleman of your merit to remain for a moment unattended to. I have read your ode; it is splendid,—the ease of Horace with the fire of Pindar; your Pegasus never touches the earth, and yet in his wildest excesses you curb him with equal grace and facility: I object, sir, only to your dedication; it is too flattering."
"By no means, my Lord Count, it fits you to a hair."
"Pardon me," interrupted I, "and allow me to transfer the honour to Lord Halifax; he loves men of merit; he loves also their dedications. I will mention it to him to-morrow: everything you say of me will suit him exactly. You will oblige me with a copy of your poem directly it is printed, and suffer me to pay your bookseller for it now, and through your friendly mediation; adieu!"
"Oh, Count, this is too generous."
"A letter for me, my pretty page? Ah! tell her ladyship I shall wait upon her commands at Powell's: time will move with a tortoise speed till I kiss her hands. Mr. Fribbleden, your gloves would fit the giants at Guildhall: my valet will furnish you with my exact size; you will see to the legitimate breadth of the fringe. My little beauty, you are from Mrs. Bracegirdle: the play /shall/ succeed; I have taken seven boxes; Mr. St. John promised his influence. Say, therefore, my Hebe, that the thing is certain, and let me kiss thee: thou hast dew on thy lip already. Mr. Thumpen, you are a fine fellow, and deserve to be encouraged; I will see that the next time your head is broken it shall be broken fairly: but I will not patronize the bear; consider that peremptory. What, Mr. Bookworm, again! I hope you have succeeded better this time: the old songs had an autumn fit upon them, and had lost the best part of their /leaves/; and Plato had mortgaged one half his "Republic," to pay, I suppose, the exorbitant sum you thought proper to set upon the other. As for Diogenes Laertius, and his philosophers—"
"Pish!" interrupted Tarleton; "are you going, by your theoretical treatises on philosophy, to make me learn the practical part of it, and prate upon learning while I am supporting myself with patience?"
"Pardon me! Mr. Bookworm; you will deposit your load, and visit me to-morrow at an earlier hour. And now, Tarleton, I am at your service."
CHAPTER II
GAY SCENES AND CONVERSATIONS.—THE NEW EXCHANGE AND THE PUPPET-SHOW.—THE ACTOR, THE SEXTON, AND THE BEAUTY
"WELL, Tarleton," said I, looking round that mart of millinery and love-making, which, so celebrated in the reign of Charles II., still preserved the shadow of its old renown in that of Anne,—"well, here we are upon the classical ground so often commemorated in the comedies which our chaste grandmothers thronged to see. Here we can make appointments, while we profess to buy gloves, and should our mistress tarry too long, beguile our impatience by a flirtation with her milliner. Is there not a breathing air of gayety about the place?—does it not still smack of the Ethereges and Sedleys?"
"Right," said Tarleton, leaning over a counter and amorously eying the pretty coquette to whom it belonged; while, with the coxcombry then in fashion, he sprinkled the long curls that touched his shoulders with a fragrant shower from a bottle of jessamine water upon the counter,—"right; saw you ever such an eye? Have you snuff of the true scent, my beauty—foh! this is for the nostril of a Welsh parson—choleric and hot, my beauty,—pulverized horse-radish,—why, it would make a nose of the coldest constitution imaginable sneeze like a washed school-boy on a Saturday night.—Ah, this is better, my princess: there is some courtesy in this snuff; it flatters the brain like a poet's dedication. Right, Devereux, right, there is something infectious in the atmosphere; one catches good humour as easily as if it were cold. Shall we stroll on?—/my/ Clelia is on the other side of the Exchange.—You were speaking of the play-writers: what a pity that our Ethereges and Wycherleys should be so frank in their gallantry that the prudish public already begins to look shy on them. They have a world of wit!"
"Ay," said I; "and, as my good uncle would say, a world of knowledge of human nature, namely, of the worst part of it. But they are worse than merely licentious: they are positively villanous; pregnant with the most redemptionless /scoundrelism/,—cheating, lying, thieving, and fraud; their humour debauches the whole moral system; they are like the Sardinian herb,—they make you laugh, it is true, but they poison you in the act. But who comes here?"
"Oh, honest Coll!—Ah, Cibber, how goes it with you?"
The person thus addressed was a man of about the middle age, very grotesquely attired, and with a periwig preposterously long. His countenance (which, in its features, was rather comely) was stamped with an odd mixture of liveliness, impudence, and a coarse yet not unjoyous spirit of reckless debauchery. He approached us with a saunter, and saluted Tarleton with an air servile enough, in spite of an affected familiarity.
"What think you," resumed my companion, "we were conversing upon?"
"Why, indeed, Mr. Tarleton," answered Cibber, bowing very low, "unless it were the exquisite fashion of your waistcoat, or your success with my Lady Duchess, I know not what to guess."
"Pooh, man," said Tarleton, haughtily, "none of your compliments;" and then added in a milder tone, "No, Colley, we were abusing the immoralities that existed on the stage until thou, by the light of thy virtuous example, didst undertake to reform it."
"Why," rejoined Cibber, with an air of mock sanctity, "Heaven be praised, I have pulled out some of the weeds from our theatrical /parterre/—"
"Hear you that, Count? Does he not look a pretty fellow for a censor?"
"Surely," said Cibber, "ever since Dicky Steele has set up for a saint, and assumed the methodistical twang, some hopes of conversion may be left even for such reprobates as myself. Where, may I ask, will Mr. Tarleton drink to-night?"
"Not with thee, Coll. The Saturnalia don't happen every day. Rid us now of thy company: but stop, I will do thee a pleasure; know you this gentleman?"
"I have not that extreme honour."
"Know a Count, then! Count Devereux, demean yourself by sometimes acknowledging Colley Cibber, a rare fellow at a song, a bottle, and a message to an actress; a lively rascal enough, but without the goodness to be loved, or the independence to be respected."
"Mr. Cibber," said I, rather hurt at Tarleton's speech, though the object of it seemed to hear this description with the most unruffled composure—"Mr. Cibber, I am happy and proud of an introduction to the author of the 'Careless Husband.' Here is my address; oblige me with a visit at your leisure."
"How could you be so galling to the poor devil?" said I, when Cibber, with a profusion of bows and compliments, had left us to ourselves.
"Ah, hang him,—a low fellow, who pins all his happiness to the skirts of the quality, is proud of being despised, and that which would excruciate the vanity of others only flatters his. And now for my Clelia."
After my companion had amused himself with a brief flirtation with a young lady who affected a most edifying demureness, we left the Exchange, and repaired to the puppet-show.
On entering the Piazza, in which, as I am writing for the next century, it may be necessary to say that Punch held his court, we saw a tall, thin fellow, loitering under the columns, and exhibiting a countenance of the most ludicrous discontent. There was an insolent arrogance about Tarleton's good-nature, which always led him to consult the whim of the moment at the expense of every other consideration, especially if the whim referred to a member of the /canaille/ whom my aristocratic friend esteemed as a base part of the exclusive and despotic property of gentlemen.
"Egad, Devereux," said he, "do you see that fellow? he has the audacity to affect spleen. Faith, I thought melancholy was the distinguishing patent of nobility: we will smoke him." And advancing towards the man of gloom, Tarleton touched him with the end of his cane. The man started and turned round. "Pray, sirrah," said Tarleton, coldly, "pray who the devil are you that you presume to look discontented?"
"Why, Sir," said the man, good-humouredly enough, "I have some right to be angry."
"I doubt it, my friend," said Tarleton. "What is your complaint? a rise in the price of tripe, or a drinking wife? Those, I take it, are the sole misfortunes incidental to your condition."
"If that be the case," said I, observing a cloud on our new friend's brow, "shall we heal thy sufferings? Tell us thy complaints, and we will prescribe thee a silver specific; there is a sample of our skill."
"Thank you humbly, gentlemen," said the man, pocketing the money, and clearing his countenance; "and seriously, mine is an uncommonly hard case. I was, till within the last few weeks, the under-sexton of St. Paul's, Covent Garden, and my duty was that of ringing the bells for daily prayers but a man of Belial came hitherwards, set up a puppet-show, and, timing the hours of his exhibition with a wicked sagacity, made the bell I rang for church serve as a summons to Punch,—so, gentlemen, that whenever your humble servant began to pull for the Lord, his perverted congregation began to flock to the devil; and, instead of being an instrument for saving souls, I was made the innocent means of destroying them. Oh, gentlemen, it was a shocking thing to tug away at the rope till the sweat ran down one, for four shillings a week; and to see all the time that one was thinning one's own congregation and emptying one's own pockets!"
"It was indeed a lamentable dilemma; and what did you, Mr. Sexton?"
"Do, Sir? why, I could not stifle my conscience, and I left my place. Ever since then, Sir, I have stationed myself in the Piazza, to warn my poor, deluded fellow-creatures of their error, and to assure them that when the bell of St. Paul's rings, it rings for prayers, and not for puppet-shows, and—Lord help us, there it goes at this very moment; and look, look, gentlemen, how the wigs and hoods are crowding to the motion2 instead of the minister."
"Ha! ha! ha!" cried Tarleton, "Mr. Powell is not the first man who has wrested things holy to serve a carnal purpose, and made use of church bells in order to ring money to the wide pouch of the church's enemies. Hark ye, my friend, follow my advice, and turn preacher yourself; mount a cart opposite to the motion, and I'll wager a trifle that the crowd forsake the theatrical mountebank in favour of the religious one; for the more sacred the thing played upon, the more certain is the game."
"Body of me, gentlemen," cried the ex-sexton, "I'll follow your advice."
"Do so, man, and never presume to look doleful again; leave dulness to your superiors."3
And with this advice, and an additional compensation for his confidence, we left the innocent assistant of Mr. Powell, and marched into the puppet-show, by the sound of the very bells the perversion of which the good sexton had so pathetically lamented.
The first person I saw at the show, and indeed the express person I came to see, was the Lady Hasselton. Tarleton and myself separated for the present, and I repaired to the coquette. "Angels of grace!" said I, approaching; "and, by the by, before I proceed another word, observe, Lady Hasselton, how appropriate the exclamation is to /you/! Angels of /grace/! why, you have moved all your patches—one—two—three—six— eight—as I am a gentleman, from the left side of your cheek to the right! What is the reason of so sudden an emigration?"
"I have changed my politics, Count,4 that is all, and have resolved to lose no time in proclaiming the change. But is it true that you are going to be married?"
"Married! Heaven forbid! which of my enemies spread so cruel a report?"
"Oh, the report is universal!" and the Lady Hasselton flirted her fan with the most flattering violence.
"It is false, nevertheless; I cannot afford to buy a wife at present, for, thanks to jointures and pin-money, these things are all matters of commerce; and (see how closely civilized life resembles the savage!) the English, like the Tartar gentleman, obtains his wife only by purchase! But who is the bride?"
"The Duke of Newcastle's rich daughter, Lady Henrietta Pelham."
"What, Harley's object of ambition!5 Faith, Madam, the report is not so cruel as I thought for!"
"Oh, you fop!—but is it not true?"
"By my honour, I fear not; my rivals are too numerous and too powerful. Look now, yonder! how they already flock around the illustrious heiress; note those smiles and simpers. Is it not pretty to see those very fine gentlemen imitating bumpkins at a fair, and grinning their best /for a gold ring/! But you need not fear me, Lady Hasselton, my love cannot wander if it would. In the quaint thought of Sidney,6 love having once flown to my heart, burned its wings there, and cannot fly away."
"La, you now!" said the Beauty; "I do not comprehend you exactly: your master of the graces does not teach you your compliments properly."
"Yes, he does, but in your presence I forget them; and now," I added, lowering my voice into the lowest of whispers, "now that you are assured of my fidelity, will you not learn at last to discredit rumours and trust to me?"
"I love you too well!" answered the Lady Hasselton in the same tone, and that answer gives an admirable idea of the affection of every coquette! love and confidence with them are qualities that have a natural antipathy, and can never be united. Our /tete-a-tete/ was at an end; the people round us became social, and conversation general.
"Betterton acts to-morrow night," cried the Lady Pratterly: "we must go!"
"We must go," cried the Lady Hasselton.
"We must go!" cried all.
And so passed the time till the puppet-show was over, and my attendance dispensed with.
It is a charming thing to be the lover of a lady of the mode! One so honoured does with his hours as a miser with his guineas; namely, nothing but count them!
