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полная версияLucretia — Volume 06

Эдвард Бульвер-Литтон
Lucretia — Volume 06

Полная версия

In the earlier time of her dread captivity, perhaps when it was believed at the asylum that she was a patient of condition, with friends who cared for her state, and would liberally reward her cure, they in those moments relaxed her confinement, and sought the gentler remedies their art employs; but then invariably, and, it was said, with a cunning that surpassed all the proverbial astuteness of the mad, she turned this indulgence to the most deadly uses,—she crept to the pallet of some adjacent sufferer weaker than herself, and the shrieks that brought the attendants into the cell scarcely saved the intended victim from her hands. It seemed, in those imperfectly lucid intervals, as if the reason only returned to guide her to destroy,—only to animate the broken mechanism into the beast of prey.

Years have now passed since her entrance within those walls. He who placed her there never had returned. He had given a false name,—no clew to him was obtained; the gold he had left was but the quarter's pay. When Varney had been first apprehended, Percival requested the younger Ardworth to seek the forger in prison, and to question him as to Madame Dalibard; but Varney was then so apprehensive that, even if still insane, her very ravings might betray his share in her crimes, or still more, if she recovered, that the remembrance of her son's murder would awaken the repentance and the confession of crushed despair, that the wretch had judged it wiser to say that his accomplice was no more,—that her insanity had already terminated in death. The place of her confinement thus continued a secret locked in his own breast. Egotist to the last, she was henceforth dead to him,—why not to the world? Thus the partner of her crimes had cut off her sole resource, in the compassion of her unconscious kindred; thus the gates of the living world were shut to her evermore. Still, in a kind of compassion, or as an object of experiment,—as a subject to be dealt with unscrupulously in that living dissection-hall,—her grim jailers did not grudge her an asylum. But, year after year, the attendance was more slovenly, the treatment more harsh; and strange to say, while the features were scarcely recognizable, while the form underwent all the change which the shape suffers when mind deserts it, that prodigious vitality which belonged to the temperament still survived. No signs of decay are yet visible. Death, as if spurning the carcass, stands inexorably afar off. Baffler of man's law, thou, too, hast escaped with life! Not for thee is the sentence, "Blood for blood!" Thou livest, thou mayst pass the extremest boundaries of age. Live on, to wipe the blood from thy robe,—LIVE ON!

Not for the coarse object of creating an idle terror, not for the shock upon the nerves and the thrill of the grosser interest which the narrative of crime creates, has this book been compiled from the facts and materials afforded to the author. When the great German poet describes, in not the least noble of his lyrics, the sudden apparition of some "Monster Fate" in the circles of careless Joy, he assigns to him who teaches the world, through parable or song, the right to invoke the spectre. It is well to be awakened at times from the easy commonplace that surrounds our habitual life; to cast broad and steady and patient light on the darker secrets of the heart,—on the vaults and caverns of the social state over which we build the market-place and the palace. We recover from the dread and the awe and the half-incredulous wonder, to set closer watch upon our inner and hidden selves. In him who cultivates only the reason, and suffers the heart and the spirit to lie waste and dead, who schemes and constructs, and revolves round the axle of self, unwarmed by the affections, unpoised by the attraction of right, lies the germ Fate might ripen into the guilt of Olivier Dalibard. Let him who but lives through the senses, spreads the wings of the fancy in the gaudy glare of enjoyment corrupted, avid to seize, and impatient to toil, whose faculties are curbed but to the range of physical perception, whose very courage is but the strength of the nerves, who develops but the animal as he stifles the man,—let him gaze on the villany of Varney, and startle to see some magnified shadow of himself thrown dimly on the glass! Let those who, with powers to command and passions to wing the powers, would sweep without scruple from the aim to the end, who, trampling beneath their footprint of iron the humanities that bloom up in their path, would march to success with the proud stride of the destroyer, hear, in the laugh of yon maniac murderess, the glee of the fiend they have wooed to their own souls! Guard well, O Heir of Eternity, the portal of sin,—the thought! From the thought to the deed, the subtler thy brain and the bolder thy courage, the briefer and straighter is the way. Read these pages in disdain of self-commune,—they shall revolt thee, not instruct; read them, looking steadfastly within,—and how humble soever the art of the narrator, the facts he narrates, like all history, shall teach by example. Every human act, good or ill, is an angel to guide or to warn; and the deeds of the worst have messages from Heaven to the listening hearts of the best. Amidst the glens in the Apennine, in the lone wastes of Calabria, the sign of the cross marks the spot where a deed of violence has been done; on all that pass by the road, the symbol has varying effect: sometimes it startles the conscience, sometimes it invokes the devotion; the robber drops the blade, the priest counts the rosary. So is it with the record of crime; and in the witness of Guilt, Man is thrilled with the whisper of Religion.

 
           Our acts our angels are, or good or ill,
           The fatal shadows that walk by us still.
 
                            FLETCHER.
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