Фрэнсис Скотт Фицджеральд
The Beautiful and Damned
She knew that in her breast she had never wanted children. The reality, the earthiness, the intolerable sentiment of child-bearing, the menace to her beauty – had appalled her. She wanted to exist only as a conscious flower, prolonging and preserving itself. Her sentimentality could cling fiercely to her own illusions, but her ironic soul whispered that motherhood was also the privilege of the female baboon. So her dreams were of ghostly children only – the early, the perfect symbols of her early and perfect love for Anthony.
In the end then, her beauty was all that never failed her. She had never seen beauty like her own. What it meant ethically or aesthetically faded before the gorgeous concreteness of her pink-and-white feet, the clean perfectness of her body, and the baby mouth that was like the material symbol of a kiss.
She would be twenty-nine in February. As the long night waned she grew supremely conscious that she and beauty were going to make use of these next three months. At first she was not sure for what, but the problem resolved itself gradually into the old lure of the screen. She was in earnest now. No material want could have moved her as this fear moved her. No matter for Anthony, Anthony the poor in spirit, the weak and broken man with bloodshot eyes, for whom she still had moments of tenderness. No matter. She would be twenty-nine in February – a hundred days, so many days; she would go to Bloeckman to-morrow.
With the decision came relief. It cheered her that in some manner the illusion of beauty could be sustained, or preserved perhaps in celluloid after the reality had vanished. Well – to-morrow.
The next day she felt weak and ill. She tried to go out, and saved herself from collapse only by clinging to a mail box near the front door. The Martinique elevator boy helped her up-stairs, and she waited on the bed for Anthony's return without energy to unhook her brassiere.
For five days she was down with influenza, which, just as the month turned the corner into winter, ripened into double pneumonia. In the feverish perambulations of her mind she prowled through a house of bleak unlighted rooms hunting for her mother. All she wanted was to be a little girl, to be efficiently taken care of by some yielding yet superior power, stupider and steadier than herself. It seemed that the only lover she had ever wanted was a lover in a dream.
"ODI PROFANUM VULGUS"
One day in the midst of Gloria's illness there occurred a curious incident that puzzled Miss McGovern, the trained nurse, for some time afterward. It was noon, but the room in which the patient lay was dark and quiet. Miss McGovern was standing near the bed mixing some medicine, when Mrs. Patch, who had apparently been sound asleep, sat up and began to speak vehemently:
"Millions of people," she said, "swarming like rats, chattering like apes, smelling like all hell … monkeys! Or lice, I suppose. For one really exquisite palace … on Long Island, say – or even in Greenwich … for one palace full of pictures from the Old World and exquisite things – with avenues of trees and green lawns and a view of the blue sea, and lovely people about in slick dresses … I'd sacrifice a hundred thousand of them, a million of them." She raised her hand feebly and snapped her fingers. "I care nothing for them – understand me?"
The look she bent upon Miss McGovern at the conclusion of this speech was curiously elfin, curiously intent. Then she gave a short little laugh polished with scorn, and tumbling backward fell off again to sleep.
Miss McGovern was bewildered. She wondered what were the hundred thousand things that Mrs. Patch would sacrifice for her palace. Dollars, she supposed – yet it had not sounded exactly like dollars.
THE MOVIES
It was February, seven days before her birthday, and the great snow that had filled up the cross-streets as dirt fills the cracks in a floor had turned to slush and was being escorted to the gutters by the hoses of the street-cleaning department. The wind, none the less bitter for being casual, whipped in through the open windows of the living room bearing with it the dismal secrets of the areaway and clearing the Patch apartment of stale smoke in its cheerless circulation.
Gloria, wrapped in a warm kimona, came into the chilly room and taking up the telephone receiver called Joseph Bloeckman.
"Do you mean Mr. Joseph Black?" demanded the telephone girl at "Films Par Excellence."
"Bloeckman, Joseph Bloeckman. B-l-o – "
"Mr. Joseph Bloeckman has changed his name to Black. Do you want him?"
"Why – yes." She remembered nervously that she had once called him "Blockhead" to his face.
His office was reached by courtesy of two additional female voices; the last was a secretary who took her name. Only with the flow through the transmitter of his own familiar but faintly impersonal tone did she realize that it had been three years since they had met. And he had changed his name to Black.
"Can you see me?" she suggested lightly. "It's on a business matter, really. I'm going into the movies at last – if I can."
"I'm awfully glad. I've always thought you'd like it."
"Do you think you can get me a trial?" she demanded with the arrogance peculiar to all beautiful women, to all women who have ever at any time considered themselves beautiful.
He assured her that it was merely a question of when she wanted the trial. Any time? Well, he'd phone later in the day and let her know a convenient hour. The conversation closed with conventional padding on both sides. Then from three o'clock to five she sat close to the telephone – with no result.
But next morning came a note that contented and excited her:
My dear Gloria:
Just by luck a matter came to my attention that I think will be just suited to you. I would like to see you start with something that would bring you notice. At the same time if a very beautiful girl of your sort is put directly into a picture next to one of the rather shop-worn stars with which every company is afflicted, tongues would very likely wag. But there is a "flapper" part in a Percy B. Debris production that I think would be just suited to you and would bring you notice. Willa Sable plays opposite Gaston Mears in a sort of character part and your part I believe would be her younger sister.
Anyway Percy B. Debris who is directing the picture says if you'll come to the studios day after to-morrow (Thursday) he will run off a test. If ten o'clock is suited to you I will meet you there at that time.
With all good wishes
Ever FaithfullyJOSEPH BLACK.
Gloria had decided that Anthony was to know nothing of this until she had obtained a definite position, and accordingly she was dressed and out of the apartment next morning before he awoke. Her mirror had given her, she thought, much the same account as ever. She wondered if there were any lingering traces of her sickness. She was still slightly under weight, and she had fancied, a few days before, that her cheeks were a trifle thinner – but she felt that those were merely transitory conditions and that on this particular day she looked as fresh as ever. She had bought and charged a new hat, and as the day was warm she had left the leopard skin coat at home.
At the "Films Par Excellence" studios she was announced over the telephone and told that Mr. Black would be down directly. She looked around her. Two girls were being shown about by a little fat man in a slash-pocket coat, and one of them had indicated a stack of thin parcels, piled breast-high against the wall, and extending along for twenty feet.
"That's studio mail," explained the fat man. "Pictures of the stars who are with 'Films Par Excellence.'"
"Oh."
"Each one's autographed by Florence Kelley or Gaston Mears or Mack Dodge – " He winked confidentially. "At least when Minnie McGlook out in Sauk Center gets the picture she wrote for, she thinks it's autographed."
"Just a stamp?"
"Sure. It'd take 'em a good eight-hour day to autograph half of 'em. They say Mary Pickford's studio mail costs her fifty thousand a year."
"Say!"
"Sure. Fifty thousand. But it's the best kinda advertising there is – "
They drifted out of earshot and almost immediately Bloeckman appeared – Bloeckman, a dark suave gentleman, gracefully engaged in the middle forties, who greeted her with courteous warmth and told her she had not changed a bit in three years. He led the way into a great hall, as large as an armory and broken intermittently with busy sets and blinding rows of unfamiliar light. Each piece of scenery was marked in large white letters "Gaston Mears Company," "Mack Dodge Company," or simply "Films Par Excellence."
"Ever been in a studio before?"
"Never have."
She liked it. There was no heavy closeness of greasepaint, no scent of soiled and tawdry costumes which years before had revolted her behind the scenes of a musical comedy. This work was done in the clean mornings; the appurtenances seemed rich and gorgeous and new. On a set that was joyous with Manchu hangings a perfect Chinaman was going through a scene according to megaphone directions as the great glittering machine ground out its ancient moral tale for the edification of the national mind.
A red-headed man approached them and spoke with familiar deference to Bloeckman, who answered:
"Hello, Debris. Want you to meet Mrs. Patch… Mrs. Patch wants to go into pictures, as I explained to you… All right, now, where do we go?"
Mr. Debris – the great Percy B. Debris, thought Gloria – showed them to a set which represented the interior of an office. Some chairs were drawn up around the camera, which stood in front of it, and the three of them sat down.
"Ever been in a studio before?" asked Mr. Debris, giving her a glance that was surely the quintessence of keenness. "No? Well, I'll explain exactly what's going to happen. We're going to take what we call a test in order to see how your features photograph and whether you've got natural stage presence and how you respond to coaching. There's no need to be nervous over it. I'll just have the camera-man take a few hundred feet in an episode I've got marked here in the scenario. We can tell pretty much what we want to from that."
He produced a typewritten continuity and explained to her the episode she was to enact. It developed that one Barbara Wainwright had been secretly married to the junior partner of the firm whose office was there represented. Entering the deserted office one day by accident she was naturally interested in seeing where her husband worked. The telephone rang and after some hesitation she answered it. She learned that her husband had been struck by an automobile and instantly killed. She was overcome. At first she was unable to realize the truth, but finally she succeeded in comprehending it, and went into a dead faint on the floor.
"Now that's all we want," concluded Mr. Debris. "I'm going to stand here and tell you approximately what to do, and you're to act as though I wasn't here, and just go on do it your own way. You needn't be afraid we're going to judge this too severely. We simply want to get a general idea of your screen personality."
"I see."
"You'll find make-up in the room in back of the set. Go light on it. Very little red."
"I see," repeated Gloria, nodding. She touched her lips nervously with the tip of her tongue.
THE TEST
As she came into the set through the real wooden door and closed it carefully behind her, she found herself inconveniently dissatisfied with her clothes. She should have bought a "misses'" dress for the occasion – she could still wear them, and it might have been a good investment if it had accentuated her airy youth.
Her mind snapped sharply into the momentous present as Mr. Debris's voice came from the glare of the white lights in front.
"You look around for your husband… Now – you don't see him … you're curious about the office…"
She became conscious of the regular sound of the camera. It worried her. She glanced toward it involuntarily and wondered if she had made up her face correctly. Then, with a definite effort she forced herself to act – and she had never felt that the gestures of her body were so banal, so awkward, so bereft of grace or distinction. She strolled around the office, picking up articles here and there and looking at them inanely. Then she scrutinized the ceiling, the floor, and thoroughly inspected an inconsequential lead pencil on the desk. Finally, because she could think of nothing else to do, and less than nothing to express, she forced a smile.
"All right. Now the phone rings. Ting-a-ling-a-ling! Hesitate, and then answer it."
She hesitated – and then, too quickly, she thought, picked up the receiver.
"Hello."
Her voice was hollow and unreal. The words rang in the empty set like the ineffectualities of a ghost. The absurdities of their requirements appalled her – Did they expect that on an instant's notice she could put herself in the place of this preposterous and unexplained character?
"… No … no… Not yet! Now listen: 'John Sumner has just been knocked over by an automobile and instantly killed!'"
Gloria let her baby mouth drop slowly open. Then:
"Now hang up! With a bang!"
She obeyed, clung to the table with her eyes wide and staring. At length she was feeling slightly encouraged and her confidence increased.
"My God!" she cried. Her voice was good, she thought. "Oh, my God!"
"Now faint."
She collapsed forward to her knees and throwing her body outward on the ground lay without breathing.
"All right!" called Mr. Debris. "That's enough, thank you. That's plenty. Get up – that's enough."
Gloria arose, mustering her dignity and brushing off her skirt.
"Awful!" she remarked with a cool laugh, though her heart was bumping tumultuously. "Terrible, wasn't it?"
"Did you mind it?" said Mr. Debris, smiling blandly. "Did it seem hard? I can't tell anything about it until I have it run off."
"Of course not," she agreed, trying to attach some sort of meaning to his remark – and failing. It was just the sort of thing he would have said had he been trying not to encourage her.
A few moments later she left the studio. Bloeckman had promised that she should hear the result of the test within the next few days. Too proud to force any definite comment she felt a baffling uncertainty and only now when the step had at last been taken did she realize how the possibility of a successful screen career had played in the back of her mind for the past three years. That night she tried to tell over to herself the elements that might decide for or against her. Whether or not she had used enough make-up worried her, and as the part was that of a girl of twenty, she wondered if she had not been just a little too grave. About her acting she was least of all satisfied. Her entrance had been abominable – in fact not until she reached the phone had she displayed a shred of poise – and then the test had been over. If they had only realized! She wished that she could try it again. A mad plan to call up in the morning and ask for a new trial took possession of her, and as suddenly faded. It seemed neither politic nor polite to ask another favor of Bloeckman.
The third day of waiting found her in a highly nervous condition. She had bitten the insides of her mouth until they were raw and smarting, and burnt unbearably when she washed them with listerine. She had quarrelled so persistently with Anthony that he had left the apartment in a cold fury. But because he was intimidated by her exceptional frigidity, he called up an hour afterward, apologized and said he was having dinner at the Amsterdam Club, the only one in which he still retained membership.
It was after one o'clock and she had breakfasted at eleven, so, deciding to forego luncheon, she started for a walk in the Park. At three there would be a mail. She would be back by three.
It was an afternoon of premature spring. Water was drying on the walks and in the Park little girls were gravely wheeling white doll-buggies up and down under the thin trees while behind them followed bored nursery-maids in two's, discussing with each other those tremendous secrets that are peculiar to nursery-maids.
Two o'clock by her little gold watch. She should have a new watch, one made in a platinum oblong and incrusted with diamonds – but those cost even more than squirrel coats and of course they were out of her reach now, like everything else – unless perhaps the right letter was awaiting her … in about an hour … fifty-eight minutes exactly. Ten to get there left forty-eight … forty-seven now …
Little girls soberly wheeling their buggies along the damp sunny walks. The nursery-maids chattering in pairs about their inscrutable secrets. Here and there a raggedy man seated upon newspapers spread on a drying bench, related not to the radiant and delightful afternoon but to the dirty snow that slept exhausted in obscure corners, waiting for extermination…
Ages later, coming into the dim hall she saw the Martinique elevator boy standing incongruously in the light of the stained-glass window.
"Is there any mail for us?" she asked.
"Up-stays, madame."
The switchboard squawked abominably and Gloria waited while he ministered to the telephone. She sickened as the elevator groaned its way up – the floors passed like the slow lapse of centuries, each one ominous, accusing, significant. The letter, a white leprous spot, lay upon the dirty tiles of the hall…
My dear Gloria:
We had the test run off yesterday afternoon, and Mr. Debris seemed to think that for the part he had in mind he needed a younger woman. He said that the acting was not bad, and that there was a small character part supposed to be a very haughty rich widow that he thought you might —
Desolately Gloria raised her glance until it fell out across the areaway. But she found she could not see the opposite wall, for her gray eyes were full of tears. She walked into the bedroom, the letter crinkled tightly in her hand, and sank down upon her knees before the long mirror on the wardrobe floor. This was her twenty-ninth birthday, and the world was melting away before her eyes. She tried to think that it had been the make-up, but her emotions were too profound, too overwhelming for any consolation that the thought conveyed.
She strained to see until she could feel the flesh on her temples pull forward. Yes – the cheeks were ever so faintly thin, the corners of the eyes were lined with tiny wrinkles. The eyes were different. Why, they were different! … And then suddenly she knew how tired her eyes were.
"Oh, my pretty face," she whispered, passionately grieving. "Oh, my pretty face! Oh, I don't want to live without my pretty face! Oh, what's happened?"
Then she slid toward the mirror and, as in the test, sprawled face downward upon the floor – and lay there sobbing. It was the first awkward movement she had ever made.
CHAPTER III
NO MATTER!
Within another year Anthony and Gloria had become like players who had lost their costumes, lacking the pride to continue on the note of tragedy – so that when Mrs. and Miss Hulme of Kansas City cut them dead in the Plaza one evening, it was only that Mrs. and Miss Hulme, like most people, abominated mirrors of their atavistic selves.
Their new apartment, for which they paid eighty-five dollars a month, was situated on Claremont Avenue, which is two blocks from the Hudson in the dim hundreds. They had lived there a month when Muriel Kane came to see them late one afternoon.
It was a reproachless twilight on the summer side of spring. Anthony lay upon the lounge looking up One Hundred and Twenty-seventh Street toward the river, near which he could just see a single patch of vivid green trees that guaranteed the brummagem umbrageousness of Riverside Drive. Across the water were the Palisades, crowned by the ugly framework of the amusement park – yet soon it would be dusk and those same iron cobwebs would be a glory against the heavens, an enchanted palace set over the smooth radiance of a tropical canal.
The streets near the apartment, Anthony had found, were streets where children played – streets a little nicer than those he had been used to pass on his way to Marietta, but of the same general sort, with an occasional hand organ or hurdy-gurdy, and in the cool of the evening many pairs of young girls walking down to the corner drug-store for ice cream soda and dreaming unlimited dreams under the low heavens.
Dusk in the streets now, and children playing, shouting up incoherent ecstatic words that faded out close to the open window – and Muriel, who had come to find Gloria, chattering to him from an opaque gloom over across the room.
"Light the lamp, why don't we?" she suggested. "It's getting ghostly in here."
With a tired movement he arose and obeyed; the gray window-panes vanished. He stretched himself. He was heavier now, his stomach was a limp weight against his belt; his flesh had softened and expanded. He was thirty-two and his mind was a bleak and disordered wreck.
"Have a little drink, Muriel?"
"Not me, thanks. I don't use it anymore. What're you doing these days, Anthony?" she asked curiously.
"Well, I've been pretty busy with this lawsuit," he answered indifferently. "It's gone to the Court of Appeals – ought to be settled up one way or another by autumn. There's been some objection as to whether the Court of Appeals has jurisdiction over the matter."
Muriel made a clicking sound with her tongue and cocked her head on one side.
"Well, you tell'em! I never heard of anything taking so long."
"Oh, they all do," he replied listlessly; "all will cases. They say it's exceptional to have one settled under four or five years."
"Oh …" Muriel daringly changed her tack, "why don't you go to work, you la-azy!"
"At what?" he demanded abruptly.
"Why, at anything, I suppose. You're still a young man."
"If that's encouragement, I'm much obliged," he answered dryly – and then with sudden weariness: "Does it bother you particularly that I don't want to work?"
"It doesn't bother me – but, it does bother a lot of people who claim – "
"Oh, God!" he said brokenly, "it seems to me that for three years I've heard nothing about myself but wild stories and virtuous admonitions. I'm tired of it. If you don't want to see us, let us alone. I don't bother my former friends. But I need no charity calls, and no criticism disguised as good advice – " Then he added apologetically: "I'm sorry – but really, Muriel, you mustn't talk like a lady slum-worker even if you are visiting the lower middle classes." He turned his bloodshot eyes on her reproachfully – eyes that had once been a deep, clear blue, that were weak now, strained, and half-ruined from reading when he was drunk.
"Why do you say such awful things?" she protested. You talk as if you and Gloria were in the middle classes."
"Why pretend we're not? I hate people who claim to be great aristocrats when they can't even keep up the appearances of it."
"Do you think a person has to have money to be aristocratic?"
Muriel … the horrified democrat …!
"Why, of course. Aristocracy's only an admission that certain traits which we call fine – courage and honor and beauty and all that sort of thing – can best be developed in a favorable environment, where you don't have the warpings of ignorance and necessity."
Muriel bit her lower lip and waved her head from side to side.
"Well, all I say is that if a person comes from a good family they're always nice people. That's the trouble with you and Gloria. You think that just because things aren't going your way right now all your old friends are trying to avoid you. You're too sensitive – "
"As a matter of fact," said Anthony, "you know nothing at all about it. With me it's simply a matter of pride, and for once Gloria's reasonable enough to agree that we oughtn't go where we're not wanted. And people don't want us. We're too much the ideal bad examples."
"Nonsense! You can't park your pessimism in my little sun parlor. I think you ought to forget all those morbid speculations and go to work."
"Here I am, thirty-two. Suppose I did start in at some idiotic business. Perhaps in two years I might rise to fifty dollars a week – with luck. That's if I could get a job at all; there's an awful lot of unemployment. Well, suppose I made fifty a week. Do you think I'd be any happier? Do you think that if I don't get this money of my grandfather's life will be endurable?"
Muriel smiled complacently.
"Well," she said, "that may be clever but it isn't common sense."
A few minutes later Gloria came in seeming to bring with her into the room some dark color, indeterminate and rare. In a taciturn way she was happy to see Muriel. She greeted Anthony with a casual "Hi!"
"I've been talking philosophy with your husband," cried the irrepressible Miss Kane.
"We took up some fundamental concepts," said Anthony, a faint smile disturbing his pale cheeks, paler still under two days' growth of beard.
Oblivious to his irony Muriel rehashed her contention. When she had done, Gloria said quietly:
"Anthony's right. It's no fun to go around when you have the sense that people are looking at you in a certain way."
He broke in plaintively:
"Don't you think that when even Maury Noble, who was my best friend, won't come to see us it's high time to stop calling people up?" Tears were standing in his eyes.
"That was your fault about Maury Noble," said Gloria coolly.
"It wasn't."
"It most certainly was."
Muriel intervened quickly:
"I met a girl who knew Maury, the other day, and she says he doesn't drink any more. He's getting pretty cagey."
"Doesn't?"
"Practically not at all. He's making piles of money. He's sort of changed since the war. He's going to marry a girl in Philadelphia who has millions, Ceci Larrabee – anyhow, that's what Town Tattle said."
"He's thirty-three," said Anthony, thinking aloud. But it's odd to imagine his getting married. I used to think he was so brilliant."
"He was," murmured Gloria, "in a way."
"But brilliant people don't settle down in business – or do they? Or what do they do? Or what becomes of everybody you used to know and have so much in common with?"
"You drift apart," suggested Muriel with the appropriate dreamy look.
"They change," said Gloria. "All the qualities that they don't use in their daily lives get cobwebbed up."
"The last thing he said to me," recollected Anthony, "was that he was going to work so as to forget that there was nothing worth working for."
Muriel caught at this quickly.
"That's what you ought to do," she exclaimed triumphantly. "Of course I shouldn't think anybody would want to work for nothing. But it'd give you something to do. What do you do with yourselves, anyway? Nobody ever sees you at Montmartre or – or anywhere. Are you economizing?"
Gloria laughed scornfully, glancing at Anthony from the corners of her eyes.
"Well," he demanded, "what are you laughing at?"
"You know what I'm laughing at," she answered coldly.
"At that case of whiskey?"
"Yes" – she turned to Muriel – "he paid seventy-five dollars for a case of whiskey yesterday."
"What if I did? It's cheaper that way than if you get it by the bottle. You needn't pretend that you won't drink any of it."
"At least I don't drink in the daytime."
"That's a fine distinction!" he cried, springing to his feet in a weak rage. "What's more, I'll be damned if you can hurl that at me every few minutes!"
"It's true."
"It is not! And I'm getting sick of this eternal business of criticising me before visitors!" He had worked himself up to such a state that his arms and shoulders were visibly trembling. "You'd think everything was my fault. You'd think you hadn't encouraged me to spend money – and spent a lot more on yourself than I ever did by a long shot."
Now Gloria rose to her feet.
"I won't let you talk to me that way!"
"All right, then; by Heaven, you don't have to!"
In a sort of rush he left the room. The two women heard his steps in the hall and then the front door banged. Gloria sank back into her chair. Her face was lovely in the lamplight, composed, inscrutable.
"Oh – !" cried Muriel in distress. "Oh, what is the matter?"
"Nothing particularly. He's just drunk."
"Drunk? Why, he's perfectly sober. He talked – "
Gloria shook her head.
"Oh, no, he doesn't show it any more unless he can hardly stand up, and he talks all right until he gets excited. He talks much better than he does when he's sober. But he's been sitting here all day drinking – except for the time it took him to walk to the corner for a newspaper."
"Oh, how terrible!" Muriel was sincerely moved. Her eyes filled with tears. "Has this happened much?"
"Drinking, you mean?"
"No, this – leaving you?"
"Oh, yes. Frequently. He'll come in about midnight – and weep and ask me to forgive him."
"And do you?"
"I don't know. We just go on."
The two women sat there in the lamplight and looked at each other, each in a different way helpless before this thing. Gloria was still pretty, as pretty as she would ever be again – her cheeks were flushed and she was wearing a new dress that she had bought – imprudently – for fifty dollars. She had hoped she could persuade Anthony to take her out to-night, to a restaurant or even to one of the great, gorgeous moving picture palaces where there would be a few people to look at her, at whom she could bear to look in turn. She wanted this because she knew her cheeks were flushed and because her dress was new and becomingly fragile. Only very occasionally, now, did they receive any invitations. But she did not tell these things to Muriel.
"Gloria, dear, I wish we could have dinner together, but I promised a man and it's seven-thirty already. I've got to tear."
"Oh, I couldn't, anyway. In the first place I've been ill all day. I couldn't eat a thing."
After she had walked with Muriel to the door, Gloria came back into the room, turned out the lamp, and leaning her elbows on the window sill looked out at Palisades Park, where the brilliant revolving circle of the Ferris wheel was like a trembling mirror catching the yellow reflection of the moon. The street was quiet now; the children had gone in – over the way she could see a family at dinner. Pointlessly, ridiculously, they rose and walked about the table; seen thus, all that they did appeared incongruous – it was as though they were being jiggled carelessly and to no purpose by invisible overhead wires.
