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О. Генри
Sixes and Sevens

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XVII
NEW YORK BY CAMP FIRE LIGHT

Away out in the Creek Nation we learned things about New York.

We were on a hunting trip, and were camped one night on the bank of a little stream. Bud Kingsbury was our skilled hunter and guide, and it was from his lips that we had explanations of Manhattan and the queer folks that inhabit it. Bud had once spent a month in the metropolis, and a week or two at other times, and he was pleased to discourse to us of what he had seen.

Fifty yards away from our camp was pitched the teepee of a wandering family of Indians that had come up and settled there for the night. An old, old Indian woman was trying to build a fire under an iron pot hung upon three sticks.

Bud went over to her assistance, and soon had her fire going. When he came back we complimented him playfully upon his gallantry.

"Oh," said Bud, "don't mention it. It's a way I have. Whenever I see a lady trying to cook things in a pot and having trouble I always go to the rescue. I done the same thing once in a high-toned house in. New York City. Heap big society teepee on Fifth Avenue. That Injun lady kind of recalled it to my mind. Yes, I endeavours to be polite and help the ladies out."

The camp demanded the particulars.

"I was manager of the Triangle B Ranch in the Panhandle," said Bud. "It was owned at that time by old man Sterling, of New York. He wanted to sell out, and he wrote for me to come on to New York and explain the ranch to the syndicate that wanted to buy. So I sends to Fort Worth and has a forty dollar suit of clothes made, and hits the trail for the big village.

"Well, when I got there, old man Sterling and his outfit certainly laid themselves out to be agreeable. We had business and pleasure so mixed up that you couldn't tell whether it was a treat or a trade half the time. We had trolley rides, and cigars, and theatre round-ups, and rubber parties."

"Rubber parties?" said a listener, inquiringly.

"Sure," said Bud. "Didn't you never attend 'em? You walk around and try to look at the tops of the skyscrapers. Well, we sold the ranch, and old man Sterling asks me 'round to his house to take grub on the night before I started back. It wasn't any high-collared affair – just me and the old man and his wife and daughter. But they was a fine-haired outfit all right, and the lilies of the field wasn't in it. They made my Fort Worth clothes carpenter look like a dealer in horse blankets and gee strings. And then the table was all pompous with flowers, and there was a whole kit of tools laid out beside everybody's plate. You'd have thought you was fixed out to burglarize a restaurant before you could get your grub. But I'd been in New York over a week then, and I was getting on to stylish ways. I kind of trailed behind and watched the others use the hardware supplies, and then I tackled the chuck with the same weapons. It ain't much trouble to travel with the high-flyers after you find out their gait. I got along fine. I was feeling cool and agreeable, and pretty soon I was talking away fluent as you please, all about the ranch and the West, and telling 'em how the Indians eat grasshopper stew and snakes, and you never saw people so interested.

"But the real joy of that feast was that Miss Sterling. Just a little trick she was, not bigger than two bits' worth of chewing plug; but she had a way about her that seemed to say she was the people, and you believed it. And yet, she never put on any airs, and she smiled at me the same as if I was a millionaire while I was telling about a Creek dog feast and listened like it was news from home.

"By and by, after we had eat oysters and some watery soup and truck that never was in my repertory, a Methodist preacher brings in a kind of camp stove arrangement, all silver, on long legs, with a lamp under it.

"Miss Sterling lights up and begins to do some cooking right on the supper table. I wondered why old man Sterling didn't hire a cook, with all the money he had. Pretty soon she dished out some cheesy tasting truck that she said was rabbit, but I swear there had never been a Molly cotton tail in a mile of it.

"The last thing on the programme was lemonade. It was brought around in little flat glass bowls and set by your plate. I was pretty thirsty, and I picked up mine and took a big swig of it. Right there was where the little lady had made a mistake. She had put in the lemon all right, but she'd forgot the sugar. The best housekeepers slip up sometimes. I thought maybe Miss Sterling was just learning to keep house and cook – that rabbit would surely make you think so – and I says to myself, 'Little lady, sugar or no sugar I'll stand by you,' and I raises up my bowl again and drinks the last drop of the lemonade. And then all the balance of 'em picks up their bowls and does the same. And then I gives Miss Sterling the laugh proper, just to carry it off like a joke, so she wouldn't feel bad about the mistake.

"After we all went into the sitting room she sat down and talked to me quite awhile.

"'It was so kind of you, Mr. Kingsbury,' says she, 'to bring my blunder off so nicely. It was so stupid of me to forget the sugar.'

"'Never you mind,' says I, 'some lucky man will throw his rope over a mighty elegant little housekeeper some day, not far from here.'

"'If you mean me, Mr. Kingsbury,' says she, laughing out loud, 'I hope he will be as lenient with my poor housekeeping as you have been.'

"'Don't mention it,' says I. 'Anything to oblige the ladies.'"

Bud ceased his reminiscences. And then some one asked him what he considered the most striking and prominent trait of New Yorkers.

"The most visible and peculiar trait of New York folks," answered Bud, "is New York. Most of 'em has New York on the brain. They have heard of other places, such as Waco, and Paris, and Hot Springs, and London; but they don't believe in 'em. They think that town is all Merino. Now to show you how much they care for their village I'll tell you about one of 'em that strayed out as far as the Triangle B while I was working there.

"This New Yorker come out there looking for a job on the ranch. He said he was a good horseback rider, and there was pieces of tanbark hanging on his clothes yet from his riding school.

"Well, for a while they put him to keeping books in the ranch store, for he was a devil at figures. But he got tired of that, and asked for something more in the line of activity. The boys on the ranch liked him all right, but he made us tired shouting New York all the time. Every night he'd tell us about East River and J. P. Morgan and the Eden Musee and Hetty Green and Central Park till we used to throw tin plates and branding irons at him.

"One day this chap gets on a pitching pony, and the pony kind of sidled up his back and went to eating grass while the New Yorker was coming down.

"He come down on his head on a chunk of mesquit wood, and he didn't show any designs toward getting up again. We laid him out in a tent, and he begun to look pretty dead. So Gideon Pease saddles up and burns the wind for old Doc Sleeper's residence in Dogtown, thirty miles away.

"The doctor comes over and he investigates the patient.

"'Boys,' says he, 'you might as well go to playing seven-up for his saddle and clothes, for his head's fractured and if he lives ten minutes it will be a remarkable case of longevity.'

"Of course we didn't gamble for the poor rooster's saddle – that was one of Doc's jokes. But we stood around feeling solemn, and all of us forgive him for having talked us to death about New York.

"I never saw anybody about to hand in his checks act more peaceful than this fellow. His eyes were fixed 'way up in the air, and he was using rambling words to himself all about sweet music and beautiful streets and white-robed forms, and he was smiling like dying was a pleasure.

"'He's about gone now,' said Doc. 'Whenever they begin to think they see heaven it's all off.'

"Blamed if that New York man didn't sit right up when he heard the Doc say that.

"'Say,' says he, kind of disappointed, 'was that heaven? Confound it all, I thought it was Broadway. Some of you fellows get my clothes. I'm going to get up.'

"And I'll be blamed," concluded Bud, "if he wasn't on the train with a ticket for New York in his pocket four days afterward!"

XVIII
THE ADVENTURES OF SHAMROCK JOLNES

I am so fortunate as to count Shamrock Jolnes, the great New York detective, among my muster of friends. Jolnes is what is called the "inside man" of the city detective force. He is an expert in the use of the typewriter, and it is his duty, whenever there is a "murder mystery" to be solved, to sit at a desk telephone at headquarters and take down the messages of "cranks" who 'phone in their confessions to having committed the crime.

But on certain "off" days when confessions are coming in slowly and three or four newspapers have run to earth as many different guilty persons, Jolnes will knock about the town with me, exhibiting, to my great delight and instruction, his marvellous powers of observation and deduction.

The other day I dropped in at Headquarters and found the great detective gazing thoughtfully at a string that was tied tightly around his little finger.

"Good morning, Whatsup," he said, without turning his head. "I'm glad to notice that you've had your house fitted up with electric lights at last."

"Will you please tell me," I said, in surprise, "how you knew that? I am sure that I never mentioned the fact to any one, and the wiring was a rush order not completed until this morning."

"Nothing easier," said Jolnes, genially. "As you came in I caught the odour of the cigar you are smoking. I know an expensive cigar; and I know that not more than three men in New York can afford to smoke cigars and pay gas bills too at the present time. That was an easy one. But I am working just now on a little problem of my own."

"Why have you that string on your finger?" I asked.

"That's the problem," said Jolnes. "My wife tied that on this morning to remind me of something I was to send up to the house. Sit down, Whatsup, and excuse me for a few moments."

The distinguished detective went to a wall telephone, and stood with the receiver to his ear for probably ten minutes.

"Were you listening to a confession?" I asked, when he had returned to his chair.

"Perhaps," said Jolnes, with a smile, "it might be called something of the sort. To be frank with you, Whatsup, I've cut out the dope. I've been increasing the quantity for so long that morphine doesn't have much effect on me any more. I've got to have something more powerful. That telephone I just went to is connected with a room in the Waldorf where there's an author's reading in progress. Now, to get at the solution of this string."

After five minutes of silent pondering, Jolnes looked at me, with a smile, and nodded his head.

"Wonderful man!" I exclaimed; "already?"

"It is quite simple," he said, holding up his finger. "You see that knot? That is to prevent my forgetting. It is, therefore, a forget-me-knot. A forget-me-not is a flower. It was a sack of flour that I was to send home!"

"Beautiful!" I could not help crying out in admiration.

"Suppose we go out for a ramble," suggested Jolnes.

"There is only one case of importance on hand just now. Old man McCarty, one hundred and four years old, died from eating too many bananas. The evidence points so strongly to the Mafia that the police have surrounded the Second Avenue Katzenjammer Gambrinus Club No. 2, and the capture of the assassin is only the matter of a few hours. The detective force has not yet been called on for assistance."

Jolnes and I went out and up the street toward the corner, where we were to catch a surface car.

Half-way up the block we met Rheingelder, an acquaintance of ours, who held a City Hall position.

"Good morning, Rheingelder," said Jolnes, halting.

"Nice breakfast that was you had this morning."

Always on the lookout for the detective's remarkable feats of deduction, I saw Jolnes's eye flash for an instant upon a long yellow splash on the shirt bosom and a smaller one upon the chin of Rheingelder – both undoubtedly made by the yolk of an egg.

"Oh, dot is some of your detectiveness," said Rheingelder, shaking all over with a smile. "Vell, I pet you trinks und cigars all round dot you cannot tell vot I haf eaten for breakfast."

"Done," said Jolnes. "Sausage, pumpernickel and coffee."

Rheingelder admitted the correctness of the surmise and paid the bet. When we had proceeded on our way I said to Jolnes:

"I thought you looked at the egg spilled on his chin and shirt front."

"I did," said Jolnes. "That is where I began my deduction. Rheingelder is a very economical, saving man. Yesterday eggs dropped in the market to twenty-eight cents per dozen. To-day they are quoted at forty-two. Rheingelder ate eggs yesterday, and to-day he went back to his usual fare. A little thing like this isn't anything, Whatsup; it belongs to the primary arithmetic class."

When we boarded the street car we found the seats all occupied – principally by ladies. Jolnes and I stood on the rear platform.

About the middle of the car there sat an elderly man with a short, gray beard, who looked to be the typical, well-dressed New Yorker. At successive corners other ladies climbed aboard, and soon three or four of them were standing over the man, clinging to straps and glaring meaningly at the man who occupied the coveted seat. But he resolutely retained his place.

"We New Yorkers," I remarked to Jolnes, "have about lost our manners, as far as the exercise of them in public goes."

"Perhaps so," said Jolnes, lightly; "but the man you evidently refer to happens to be a very chivalrous and courteous gentleman from Old Virginia. He is spending a few days in New York with his wife and two daughters, and he leaves for the South to-night."

"You know him, then?" I said, in amazement.

"I never saw him before we stepped on the car," declared the detective, smilingly.

"By the gold tooth of the Witch of Endor!" I cried, "if you can construe all that from his appearance you are dealing in nothing else than black art."

"The habit of observation – nothing more," said Jolnes. "If the old gentleman gets off the car before we do, I think I can demonstrate to you the accuracy of my deduction."

Three blocks farther along the gentleman rose to leave the car. Jolnes addressed him at the door:

"Pardon me, sir, but are you not Colonel Hunter, of Norfolk, Virginia?"

"No, suh," was the extremely courteous answer. "My name, suh, is Ellison – Major Winfield R. Ellison, from Fairfax County, in the same state. I know a good many people, suh, in Norfolk – the Goodriches, the Tollivers, and the Crabtrees, suh, but I never had the pleasure of meeting yo' friend, Colonel Hunter. I am happy to say, suh, that I am going back to Virginia to-night, after having spent a week in yo' city with my wife and three daughters. I shall be in Norfolk in about ten days, and if you will give me yo' name, suh, I will take pleasure in looking up Colonel Hunter and telling him that you inquired after him, suh."

"Thank you," said Jolnes; "tell him that Reynolds sent his regards, if you will be so kind."

I glanced at the great New York detective and saw that a look of intense chagrin had come upon his clear-cut features. Failure in the slightest point always galled Shamrock Jolnes.

"Did you say your three daughters?" he asked of the Virginia gentleman.

"Yes, suh, my three daughters, all as fine girls as there are in Fairfax County," was the answer.

With that Major Ellison stopped the car and began to descend the step.

Shamrock Jolnes clutched his arm.

"One moment, sir," he begged, in an urbane voice in which I alone detected the anxiety – "am I not right in believing that one of the young ladies is an adopted daughter?"

"You are, suh," admitted the major, from the ground, "but how the devil you knew it, suh, is mo' than I can tell."

"And mo' than I can tell, too," I said, as the car went on.

Jolnes was restored to his calm, observant serenity by having wrested victory from his apparent failure; so after we got off the car he invited me into a café, promising to reveal the process of his latest wonderful feat.

"In the first place," he began after we were comfortably seated, "I knew the gentleman was no New Yorker because he was flushed and uneasy and restless on account of the ladies that were standing, although he did not rise and give them his seat. I decided from his appearance that he was a Southerner rather than a Westerner.

"Next I began to figure out his reason for not relinquishing his seat to a lady when he evidently felt strongly, but not overpoweringly, impelled to do so. I very quickly decided upon that. I noticed that one of his eyes had received a severe jab in one corner, which was red and inflamed, and that all over his face were tiny round marks about the size of the end of an uncut lead pencil. Also upon both of his patent leather shoes were a number of deep imprints shaped like ovals cut off square at one end.

"Now, there is only one district in New York City where a man is bound to receive scars and wounds and indentations of that sort – and that is along the sidewalks of Twenty-third Street and a portion of Sixth Avenue south of there. I knew from the imprints of trampling French heels on his feet and the marks of countless jabs in the face from umbrellas and parasols carried by women in the shopping district that he had been in conflict with the amazonian troops. And as he was a man of intelligent appearance, I knew he would not have braved such dangers unless he had been dragged thither by his own women folk. Therefore, when he got on the car his anger at the treatment he had received was sufficient to make him keep his seat in spite of his traditions of Southern chivalry."

"That is all very well," I said, "but why did you insist upon daughters – and especially two daughters? Why couldn't a wife alone have taken him shopping?"

"There had to be daughters," said Jolnes, calmly. "If he had only a wife, and she near his own age, he could have bluffed her into going alone. If he had a young wife she would prefer to go alone. So there you are."

"I'll admit that," I said; "but, now, why two daughters? And how, in the name of all the prophets, did you guess that one was adopted when he told you he had three?"

"Don't say guess," said Jolnes, with a touch of pride in his air; "there is no such word in the lexicon of ratiocination. In Major Ellison's buttonhole there was a carnation and a rosebud backed by a geranium leaf. No woman ever combined a carnation and a rosebud into a boutonniere. Close your eyes, Whatsup, and give the logic of your imagination a chance. Cannot you see the lovely Adele fastening the carnation to the lapel so that papa may be gay upon the street? And then the romping Edith May dancing up with sisterly jealousy to add her rosebud to the adornment?"

"And then," I cried, beginning to feel enthusiasm, "when he declared that he had three daughters – "

"I could see," said Jolnes, "one in the background who added no flower; and I knew that she must be – "

"Adopted!" I broke in. "I give you every credit; but how did you know he was leaving for the South to-night?"

"In his breast pocket," said the great detective, "something large and oval made a protuberance. Good liquor is scarce on trains, and it is a long journey from New York to Fairfax County."

"Again, I must bow to you," I said. "And tell me this, so that my last shred of doubt will be cleared away; why did you decide that he was from Virginia?"

"It was very faint, I admit," answered Shamrock Jolnes, "but no trained observer could have failed to detect the odour of mint in the car."

XIX
THE LADY HIGHER UP

New York City, they said, was deserted; and that accounted, doubtless, for the sounds carrying so far in the tranquil summer air. The breeze was south-by-southwest; the hour was midnight; the theme was a bit of feminine gossip by wireless mythology. Three hundred and sixty-five feet above the heated asphalt the tiptoeing symbolic deity on Manhattan pointed her vacillating arrow straight, for the time, in the direction of her exalted sister on Liberty Island. The lights of the great Garden were out; the benches in the Square were filled with sleepers in postures so strange that beside them the writhing figures in Dore's illustrations of the Inferno would have straightened into tailor's dummies. The statue of Diana on the tower of the Garden – its constancy shown by its weathercock ways, its innocence by the coating of gold that it has acquired, its devotion to style by its single, graceful flying scarf, its candour and artlessness by its habit of ever drawing the long bow, its metropolitanism by its posture of swift flight to catch a Harlem train – remained poised with its arrow pointed across the upper bay. Had that arrow sped truly and horizontally it would have passed fifty feet above the head of the heroic matron whose duty it is to offer a cast-ironical welcome to the oppressed of other lands.

Seaward this lady gazed, and the furrows between steamship lines began to cut steerage rates. The translators, too, have put an extra burden upon her. "Liberty Lighting the World" (as her creator christened her) would have had a no more responsible duty, except for the size of it, than that of an electrician or a Standard Oil magnate. But to "enlighten" the world (as our learned civic guardians "Englished" it) requires abler qualities. And so poor Liberty, instead of having a sinecure as a mere illuminator, must be converted into a Chautauqua schoolma'am, with the oceans for her field instead of the placid, classic lake. With a fireless torch and an empty head must she dispel the shadows of the world and teach it its A, B, C's.

"Ah, there, Mrs. Liberty!" called a clear, rollicking soprano voice through the still, midnight air.

"Is that you, Miss Diana? Excuse my not turning my head. I'm not as flighty and whirly-whirly as some. And 'tis so hoarse I am I can hardly talk on account of the peanut-hulls left on the stairs in me throat by that last boatload of tourists from Marietta, Ohio. 'Tis after being a fine evening, miss."

"If you don't mind my asking," came the bell-like tones of the golden statue, "I'd like to know where you got that City Hall brogue. I didn't know that Liberty was necessarily Irish."

"If ye'd studied the history of art in its foreign complications ye'd not need to ask," replied the offshore statue. "If ye wasn't so light-headed and giddy ye'd know that I was made by a Dago and presented to the American people on behalf of the French Government for the purpose of welcomin' Irish immigrants into the Dutch city of New York. 'Tis that I've been doing night and day since I was erected. Ye must know, Miss Diana, that 'tis with statues the same as with people – 'tis not their makers nor the purposes for which they were created that influence the operations of their tongues at all – it's the associations with which they become associated, I'm telling ye."

"You're dead right," agreed Diana. "I notice it on myself. If any of the old guys from Olympus were to come along and hand me any hot air in the ancient Greek I couldn't tell it from a conversation between a Coney Island car conductor and a five-cent fare."

"I'm right glad ye've made up your mind to be sociable, Miss Diana," said Mrs. Liberty. "'Tis a lonesome life I have down here. Is there anything doin' up in the city, Miss Diana, dear?"

"Oh, la, la, la! – no," said Diana. "Notice that 'la, la, la,' Aunt Liberty? Got that from 'Paris by Night' on the roof garden under me. You'll hear that 'la, la, la' at the Café McCann now, along with 'garsong.' The bohemian crowd there have become tired of 'garsong' since O'Rafferty, the head waiter, punched three of them for calling him it. Oh, no; the town's strickly on the bum these nights. Everybody's away. Saw a downtown merchant on a roof garden this evening with his stenographer. Show was so dull he went to sleep. A waiter biting on a dime tip to see if it was good half woke him up. He looks around and sees his little pothooks perpetrator. 'H'm!' says he, 'will you take a letter, Miss De St. Montmorency?' 'Sure, in a minute,' says she, 'if you'll make it an X.'

"That was the best thing happened on the roof. So you see how dull it is. La, la, la!"

"'Tis fine ye have it up there in society, Miss Diana. Ye have the cat show and the horse show and the military tournaments where the privates look grand as generals and the generals try to look grand as floor-walkers. And ye have the Sportsmen's Show, where the girl that measures 36, 19, 45 cooks breakfast food in a birch-bark wigwam on the banks of the Grand Canal of Venice conducted by one of the Vanderbilts, Bernard McFadden, and the Reverends Dowie and Duss. And ye have the French ball, where the original Cohens and the Robert Emmet-Sangerbund Society dance the Highland fling one with another. And ye have the grand O'Ryan ball, which is the most beautiful pageant in the world, where the French students vie with the Tyrolean warblers in doin' the cake walk. Ye have the best job for a statue in the whole town, Miss Diana.

"'Tis weary work," sighed the island statue, "disseminatin' the science of liberty in New York Bay. Sometimes when I take a peep down at Ellis Island and see the gang of immigrants I'm supposed to light up, 'tis tempted I am to blow out the gas and let the coroner write out their naturalization papers."

"Say, it's a shame, ain't it, to give you the worst end of it?" came the sympathetic antiphony of the steeplechase goddess. "It must be awfully lonesome down there with so much water around you. I don't see how you ever keep your hair in curl. And that Mother Hubbard you are wearing went out ten years ago. I think those sculptor guys ought to be held for damages for putting iron or marble clothes on a lady. That's where Mr. St. Gaudens was wise. I'm always a little ahead of the styles; but they're coming my way pretty fast. Excuse my back a moment – I caught a puff of wind from the north – shouldn't wonder if things had loosened up in Esopus. There, now! it's in the West – I should think that gold plank would have calmed the air out in that direction. What were you saying, Mrs. Liberty?"

"A fine chat I've had with ye, Miss Diana, ma'am, but I see one of them European steamers a-sailin' up the Narrows, and I must be attendin' to me duties. 'Tis me job to extend aloft the torch of Liberty to welcome all them that survive the kicks that the steerage stewards give 'em while landin.' Sure 'tis a great country ye can come to for $8.50, and the doctor waitin' to send ye back home free if he sees yer eyes red from cryin' for it."

The golden statue veered in the changing breeze, menacing many points on the horizon with its aureate arrow.

"So long, Aunt Liberty," sweetly called Diana of the Tower. "Some night, when the wind's right. I'll call you up again. But – say! you haven't got such a fierce kick coming about your job. I've kept a pretty good watch on the island of Manhattan since I've been up here. That's a pretty sick-looking bunch of liberty chasers they dump down at your end of it; but they don't all stay that way. Every little while up here I see guys signing checks and voting the right ticket, and encouraging the arts and taking a bath every morning, that was shoved ashore by a dock labourer born in the United States who never earned over forty dollars a month. Don't run down your job, Aunt Liberty; you're all right, all right."