Джон Голсуорси
To Let
A sound from Fleur distracted his attention. "Look! The people who were in the Gallery with us."
"What people?" muttered Soames, who knew perfectly well.
"I think that woman's beautiful."
"Come into this pastry-cook's," said Soames abruptly, and tightening his grip on her arm, he turned into a confectioner's. It was – for him – a surprising thing to do, and he said rather anxiously: "What will you have?"
"Oh! I don't want anything. I had a cocktail and a tremendous lunch."
"We MUST have something now we're here," muttered Soames, keeping hold of her arm.
"Two teas," he said; "and two of those nougat things."
But no sooner was his body seated than his soul sprang up. Those three – those three were coming in! He heard Irene say something to her boy, and his answer:
"Oh! no, Mum; this place is all right. My stunt." And the three sat down.
At that moment, most awkward of his existence, crowded with ghosts and shadows from his past, in presence of the only two women he had ever loved – his divorced wife and his daughter by her successor – Soames was not so much afraid of THEM as of his cousin June. She might make a scene – she might introduce those two children – she was capable of anything. He bit too hastily at the nougat, and it stuck to his plate. Working at it with his finger, he glanced at Fleur. She was masticating dreamily, but her eyes were on the boy. The Forsyte in him said: "Think, feel, and you're done for!" And he wiggled his finger desperately. Plate! Did Jolyon wear a plate? Did that woman wear a plate? Time had been when he had seen her wearing nothing! That was something, anyway, which had never been stolen from him. And she knew it, though she might sit there calm and self-possessed, as if she had never been his wife. An acid humor stirred in his Forsyte blood; a subtle pain divided by hair's-breadth from pleasure. If only June did not suddenly bring her hornets about his ears! The boy was talking.
"Of course, Auntie June," – so he called his half-sister "Auntie," did he? – well, she must be fifty, if she was a day! – "it's jolly good of you to encourage them. Only – hang it all!" Soames stole a glance. Irene's startled eyes were bent watchfully on her boy. She – she had these devotions – for Bosinney – for that boy's father – for this boy! He touched Fleur's arm, and said:
"Well, have you had enough?"
"One more, Father, please."
She would be sick! He went to the counter to pay. When he turned round again he saw Fleur standing near the door, holding a handkerchief which the boy had evidently just handed to her.
"F.F.," he heard her say. "Fleur Forsyte – it's mine all right. Thank you ever so."
Good God! She had caught the trick from what he'd told her in the Gallery – monkey!
"Forsyte? Why – that's my name too. Perhaps we're cousins."
"Really! We must be. There aren't any others. I live at Mapledurham; where do you?"
"Robin Hill."
Question and answer had been so rapid that all was over before he could lift a finger. He saw Irene's face alive with startled feeling, gave the slightest shake of his head, and slipped his arm through Fleur's.
"Come along!" he said.
She did not move.
"Didn't you hear, Father? Isn't it queer – our name's the same. Are we cousins?"
"What's that?" he said. "Forsyte? Distant, perhaps."
"My name's Jolyon, sir. Jon, for short."
"Oh! Ah!" said Soames. "Yes. Distant. How are you? Very good of you. Good-bye!"
He moved on.
"Thanks awfully," Fleur was saying. "Au revoir!"
"Au revoir!" he heard the boy reply.
II
FINE FLEUR FORSYTE
Emerging from the "pastry-cook's," Soames' first impulse was to vent his nerves by saying to his daughter: "Dropping your handkerchief!" to which her reply might well be: "I picked that up from you!" His second impulse therefore was to let sleeping dogs lie. But she would surely question him. He gave her a sidelong look, and found she was giving him the same. She said softly:
"Why don't you like those cousins, Father?"
Soames lifted the corner of his lip.
"What made you think that?"
"Cela se voit."
'That sees itself!' What a way of putting it!
After twenty years of a French wife Soames had still little sympathy with her language; a theatrical affair and connected in his mind with all the refinements of domestic irony.
"How?" he asked.
"You MUST know them; and you didn't make a sign. I saw them looking at you."
"I've never seen the boy in my life," replied Soames with perfect truth.
"No; but you've seen the others, dear."
Soames gave her another look. What had she picked up? Had her Aunt Winifred, or Imogen, or Val Dartie and his wife, been talking? Every breath of the old scandal had been carefully kept from her at home, and Winifred warned many times that he wouldn't have a whisper of it reach her for the world. So far as she ought to know, he had never been married before. But her dark eyes, whose southern glint and clearness often almost frightened him, met his with perfect innocence.
"Well," he said, "your grandfather and his brother had a quarrel. The two families don't know each other."
"How romantic!"
'Now, what does she mean by that?' he thought. The word was to him extravagant and dangerous – it was as if she had said: "How jolly!"
"And they'll continue not to know each other," he added, but instantly regretted the challenge in those words. Fleur was smiling. In this age, when young people prided themselves on going their own ways and paying no attention to any sort of decent prejudice, he had said the very thing to excite her wilfulness. Then, recollecting the expression on Irene's face, he breathed again.
"What sort of a quarrel?" he heard Fleur say.
"About a house. It's ancient history for you. Your grandfather died the day you were born. He was ninety."
"Ninety? Are there many Forsytes besides those in the Red Book?"
"I don't know," said Soames. "They're all dispersed now. The old ones are dead, except Timothy."
Fleur clasped her hands.
"Timothy? Isn't that delicious?"
"Not at all," said Soames. It offended him that she should think "Timothy" delicious – a kind of insult to his breed. This new generation mocked at anything solid and tenacious. "You go and see the old boy. He might want to prophesy." Ah! If Timothy could see the disquiet England of his greatnephews and greatnieces, he would certainly give tongue. And involuntarily he glanced up at the Iseeum; yes – George was still in the window, with the same pink paper in his hand.
"Where is Robin Hill, Father?"
Robin Hill! Robin Hill, round which all that tragedy had centred! What did she want to know for?
"In Surrey," he muttered; "not far from Richmond, Why?"
"Is the house there?"
"What house?"
"That they quarrelled about."
"Yes. But what's all that to do with you? We're going home to-morrow – you'd better be thinking about your frocks."
"Bless you! They're all thought about. A family feud? It's like the Bible, or Mark Twain – awfully exciting. What did YOU do in the feud, Father?"
"Never you mind."
"Oh! But if I'm to keep it up?"
"Who said you were to keep it up?"
"You, darling."
"I? I said it had nothing to do with you."
"Just what I think, you know; so that's all right."
She was too sharp for him; FINE, as Annette sometimes called her. Nothing for it but to distract her attention.
"There's a bit of rosaline point in here," he said, stopping before a shop, "that I thought you might like."
When he had paid for it and they had resumed their progress, Fleur said:
"Don't you think that boy's mother is the most beautiful woman of her age you've ever seen?"
Soames shivered. Uncanny, the way she stuck to it!
"I don't know that I noticed her."
"Dear, I saw the corner of your eye."
"You see everything – and a great deal more, it seems to me!"
"What's her husband like? He must be your first cousin, if your fathers were brothers."
"Dead, for all I know," said Soames, with sudden vehemence. "I haven't seen him for twenty years."
"What was he?"
"A painter."
"That's quite jolly."
The words: "If you want to please me you'll put those people out of your head," sprang to Soames's lips, but he choked them back – he must NOT let her see his feelings.
"He once insulted me," he said.
Her quick eyes rested on his face.
"I see! You didn't avenge it, and it rankles. Poor Father! You let me have a go!"
It was really like lying in the dark with a mosquito hovering above his face. Such pertinacity in Fleur was new to him, and, as they reached the hotel, he said grimly:
"I did my best. And that's enough about these people. I'm going up till dinner."
"I shall sit here."
With a parting look at her extended in a chair – a look half-resentful, half-adoring – Soames moved into the lift and was transported to their suite on the fourth floor. He stood by the window of the sitting-room which gave view over Hyde Park, and drummed a finger on its pane. His feelings were confused, tetchy, troubled. The throb of that old wound, scarred over by Time and new interests, was mingled with displeasure and anxiety, and a slight pain in his chest where that nougat stuff had disagreed. Had Annette come in? Not that she was any good to him in such a difficulty. Whenever she had questioned him about his first marriage, he had always shut her up; she knew nothing of it, save that it had been the great passion of his life, and his marriage with herself but domestic makeshift. She had always kept the grudge of that up her sleeve, as it were, and used it commercially. He listened. A sound – the vague murmur of a woman's movements – was coming through the door. She was in. He tapped.
"Who?"
"I," said Soames.
She had been changing her frock, and was still imperfectly clothed; a striking figure before her glass. There was a certain magnificence about her arms, shoulders, hair, which had darkened since he first knew her, about the turn of her neck, the silkiness of her garments, her dark-lashed, grey-blue eyes – she was certainly as handsome at forty as she had ever been. A fine possession, an excellent housekeeper, a sensible and affectionate enough mother. If only she weren't always so frankly cynical about the relations between them! Soames, who had no more real affection for her than she had for him, suffered from a kind of English grievance, in that she had never dropped even the thinnest veil of sentiment over their partnership. Like most of his countrymen and women, he held the view that marriage should be based on mutual love, but that when from a marriage love had disappeared, or been found never to have really existed – so that it was manifestly not based on love – you must not admit it. There it was, and the love was not – but there you were, and must continue to be! Thus you had it both ways, and were not tarred with cynicism, realism, and immorality, like the French. Moreover, it was necessary in the interests of propriety. He knew that she knew that they both knew there was no love between them, but he still expected her not to admit in words or conduct such a thing, and he could never understand what she meant when she talked of the hypocrisy of the English. He said:
"Whom have you got at 'The Shelter' next week?"
Annette went on touching her lips delicately with salve – he always wished she wouldn't do that.
"Your sister Winifred, and the Car-r-digans" – she took up a tiny stick of black – "and Prosper Profond."
"That Belgian chap? Why him?"
Annette turned her neck lazily, touched one eyelash, and said:
"He amuses Winifred."
"I want some one to amuse Fleur; she's restive."
"R-restive?" repeated Annette. "Is it the first time you see that, my friend? She was born r-restive, as you call it."
Would she never get that affected roll out of her r's?
He touched the dress she had taken off, and asked:
"What have you been doing?"
Annette looked at him, reflected in her glass. Her just-brightened lips smiled, rather full, rather ironical.
"Enjoying myself," she said.
"Oh!" answered Soames glumly. "Ribbandry, I suppose."
It was his word for all that incomprehensible running in and out of shops that women went in for. "Has Fleur got her summer dresses?"
"You don't ask if I have mine."
"You don't care whether I do or not."
"Quite right. Well, she has; and I have mine – terribly expensive."
"H'm!" said Soames. "What does that chap Profond do in England?"
Annette raised the eyebrows she had just finished.
"He yachts."
"Ah!" said Soames; "he's a sleepy chap."
"Sometimes," answered Annette, and her face had a sort of quiet enjoyment. "But sometimes very amusing."
"He's got a touch of the tar-brush about him."
Annette stretched herself.
"Tar-brush?" she said; "what is that? His mother was Armenienne."
"That's it, then," muttered Soames. "Does he know anything about pictures?"
"He knows about everything – a man of the world."
"Well, get some one for Fleur. I want to distract her. She's going off on Saturday to Val Dartie and his wife; I don't like it."
"Why not?"
Since the reason could not be explained without going into family history, Soames merely answered:
"Racketing about. There's too much of it."
"I like that little Mrs. Val; she is very quiet and clever."
"I know nothing of her except – This thing's new." And Soames took up a creation from the bed.
Annette received it from him.
"Would you hook me?" she said.
Soames hooked. Glancing once over her shoulder into the glass, he saw the expression on her face, faintly amused, faintly contemptuous, as much as to say: 'Thanks! You will never learn!' No, thank God, he wasn't a Frenchman! He finished with a jerk, and the words:
"It's too low here." And he went to the door, with the wish to get away from her and go down to Fleur again.
Annette stayed a powder-puff, and said with startling suddenness:
"Que tu es grossier!"
He knew the expression – he had reason to. The first time she had used it he had thought it meant "What a grocer you are!" and had not known whether to be relieved or not when better informed. He resented the word – he was NOT coarse! If he was coarse, what was that chap in the room beyond his, who made those horrible noises in the morning when he cleared his throat, or those people in the Lounge who thought it well-bred to say nothing but what the whole world could hear at the top of their voices – quacking inanity! Coarse, because he had said her dress was low! Well, so it was! He went out without reply.
Coming into the Lounge from the far end, he at once saw Fleur where he had left her. She sat with crossed knees, slowly balancing a foot in silk stocking and grey shoe, sure sign that she was dreaming. Her eyes showed it too – they went off like that sometimes. And then, in a moment, she would come to life, and be as quick and restless as a monkey. And she knew so much, so self-assured, and not yet nineteen. What was that odious word? Flapper! Dreadful young creatures – squealing and squawking and showing their legs! The worst of them bad dreams, the best of them powdered angels! Fleur was NOT a flapper, NOT one of those slangy, ill-bred young females. And yet she was frighteningly self-willed, and full of life, and determined to enjoy it. Enjoy! The word brought no puritan terror to Soames; but it brought the terror suited to his temperament. He had always been afraid to enjoy to-day for fear he might not enjoy to-morrow so much. And it was terrifying to feel that his daughter was divested of that safeguard. The very way she sat in that chair showed it – lost in her dream. He had never been lost in a dream himself – there was nothing to be had out of it; and where she got it from he did not know! Certainly not from Annette! And yet Annette, as a young girl, when he was hanging about her, had once had a flowery look. Well, she had lost it now!
Fleur rose from her chair – swiftly, restlessly, and flung herself down at a writing-table. Seizing ink and writing-paper, she began to write as if she had not time to breathe before she got her letter written. And suddenly she saw him. The air of desperate absorption vanished, she smiled, waved a kiss, made a pretty face as if she were a little puzzled and a little bored.
Ah! She was "fine" – "fine!"
III
AT ROBIN HILL
Jolyon Forsyte had spent his boy's nineteenth birthday at Robin Hill, quietly going into his affairs. He did everything quietly now, because his heart was in a poor way, and, like all his family, he disliked the idea of dying. He had never realised how much till one day, two years ago, he had gone to his doctor about certain symptoms, and been told:
"At any moment, on any overstrain."
He had taken it with a smile – the natural Forsyte reaction against an unpleasant truth. But with an increase of symptoms in the train on the way home, he had realised to the full the sentence hanging over him. To leave Irene, his boy, his home, his work – though he did little enough work now! To leave them for unknown darkness, for the unimaginable state, for such nothingness that he would not even be conscious of wind stirring leaves above his grave, nor of the scent of earth and grass. Of such nothingness that, however hard he might try to conceive it, he never could, and must still hover on the hope that he might see again those he loved! To realise this was to endure very poignant spiritual anguish. Before he reached home that day, he had determined to keep it from Irene. He would have to be more careful than man had ever been, for the least thing would give it away and make her as wretched as himself, almost. His doctor had passed him sound in other respects, and seventy was nothing of an age – he would last a long time yet, IF HE COULD!
Such a conclusion, followed out for nearly two years, develops to the full the subtler side of character. Naturally not abrupt, except when nervously excited, Jolyon had become control incarnate. The sad patience of old people who cannot exert themselves was masked by a smile which his lips preserved even in private. He devised continually all manner of cover to conceal his enforced lack of exertion. Mocking himself for so doing, he counterfeited conversion to the Simple Life; gave up wine and cigars, drank a special kind of coffee with no coffee in it. In short, he made himself as safe as a Forsyte in his condition could, under the rose of his mild irony. Secure from discovery, since his wife and son had gone up to Town, he had spent the fine May day quietly arranging his papers, that he might die to-morrow without inconveniencing any one, giving in fact a final polish to his terrestrial state. Having docketed and enclosed it in his father's old Chinese cabinet, he put the key into an envelope, wrote the words outside: "Key of the Chinese cabinet, wherein will be found the exact state of me. J.F.," and put it in his breast-pocket, where it would be, always about him, in case of accident. Then, ringing for tea, he went out to have it under the old oak-tree.
All are under sentence of death; Jolyon, whose sentence was but a little more precise and pressing, had become so used to it, that he thought habitually, like other people, of other things. He thought of his son now.
Jon was nineteen that day, and Jon had come of late to a decision. Educated neither at Eton like his father, nor at Harrow, like his dead half-brother, but at one of those establishments which, designed to avoid the evil and contain the good of the Public School system, may or may not contain the evil and avoid the good, Jon had left in April perfectly ignorant of what he wanted to become. The War, which had promised to go on for ever, had ended just as he was about to join the army, six months before his time. It had taken him ever since to get used to the idea that he could now choose for himself. He had held with his father several discussions, from which, under a cheery show of being ready for anything – except, of course, the Church, Army, Law, Stage, Stock Exchange, Medicine, Business, and Engineering – Jolyon had gathered rather clearly that Jon wanted to go in for nothing. He himself had felt exactly like that at the same age. With him that pleasant vacuity had soon been ended by an early marriage, and its unhappy consequences. Forced to become an underwriter at Lloyd's he had regained prosperity before his artistic talent had outcropped. But having – as the simple say – "learned" his boy to draw pigs and other animals, he knew that Jon would never be a painter, and inclined to the conclusion that his aversion from everything else meant that he was going to be a writer. Holding, however, the view that experience was necessary even for that profession, there seemed to Jolyon nothing in the meantime, for Jon, but University, travel, and perhaps the eating of dinners for the Bar. After that one would see, or more probably one would not. In face of these proffered allurements, however, Jon had remained undecided.
Such discussions with his son had confirmed in Jolyon a doubt whether the world had really changed. People said that it was a new age. With the profundity of one not too long for any age, Jolyon perceived that under slightly different surfaces, the era was precisely what it had been. Mankind was still divided into two species: The few who had "speculation" in their souls, and the many who had none, with a belt of hybrids like himself in the middle. Jon appeared to have speculation; it seemed to his father a bad lookout.
With something deeper, therefore, than his usual smile, he had heard the boy say, a fortnight ago: "I should like to try farming, Dad; if it won't cost you too much. It seems to be about the only sort of life that doesn't hurt anybody; except art, and of course that's out of the question for me."
Jolyon subdued his smile, and answered:
"All right; you shall skip back to where we were under the first Jolyon in 1760. It'll prove the cycle theory, and incidentally, no doubt, you may grow a better turnip than he did."
A little dashed, Jon had answered:
"But don't you think it's a good scheme, Dad?"
"Twill serve, my dear; and if you should really take to it, you'll do more good than most men, which is little enough."
To himself, however, he had said: "But he won't take to it. I give him four years. Still, it's healthy, and harmless."
After turning the matter over and consulting with Irene, he wrote to his daughter Mrs. Val Dortie, asking if they knew of a farmer near them on the Downs who would take Jon as an apprentice. Holly's answer had been enthusiastic. There was an excellent man quite close; she and Val would love Jon to live with them.
The boy was due to go to-morrow.
Sipping weak tea with lemon in it, Jolyon gazed through the leaves of the old oak-tree at that view which had appeared to him desirable for thirty-two years. The tree beneath which he sat seemed not a day older! So young, the little leaves of brownish gold; so old, the whitey-grey-green of its thick rough trunk, A tree of memories, which would live on hundreds of years yet, unless some barbarian cut it down – would see old England out at the pace things were going! He remembered a night three years before, when, looking from his window, with his arm close round Irene, he had watched a German aeroplane hovering, it seemed, right over the old tree. Next day they had found a bomb hole in a field on Gage's farm. That was before he knew that he was under sentence of death. He could almost have wished the bomb had finished him. It would have saved a lot of hanging about, many hours of cold fear in the pit of his stomach. He had counted on living to the normal Forsyte age of eighty-five or more, when Irene would be seventy. As it was, she would miss him. Still there was Jon, more important in her life than himself; Jon, who adored his mother.
Under that tree, where old Jolyon – waiting for Irene to come to him across the lawn – had breathed his last, Jolyon wondered, whimsically, whether, having put everything in such perfect order, he had not better close his own eyes and drift away. There was something undignified in parasitically clinging on to the effortless close of a life wherein he regretted two things only – the long division between his father and himself when he was young, and the lateness of his union with Irene.
From where he sat he could see a cluster of apple-trees in blossom. Nothing in Nature moved him so much as fruit-trees in blossom; and his heart ached suddenly because he might never see them flower again. Spring! Decidedly no man ought to have to die while his heart was still young enough to love beauty! Blackbirds sang recklessly in the shrubbery, swallows were flying high, the leaves above him glistened; and over the fields was every imaginable tint of early foliage, burnished by the level sunlight, away to where the distant 'smoke-bush' blue was trailed along the horizon. Irene's flowers in their narrow beds had startling individuality that evening, little deep assertions of gay life. Only Chinese and Japanese painters, and perhaps Leonardo, had known how to get that startling little ego into each painted flower, and bird, and beast – the ego, yet the sense of species, the universality of life as well. They were the fellows! 'I've made nothing that will live!' thought Jolyon; 'I've been an amateur – a mere lover, not a creator. Still, I shall leave Jon behind me when I go.' What luck that the boy had not been caught by that ghastly war! He might so easily have been killed, like poor Jolly twenty years ago out in the Transvaal. Jon would do something some day – if the Age didn't spoil him – an imaginative chap! His whim to take up farming was but a bit of sentiment, and about as likely to last. And just then he saw them coming up the field: Irene and the boy, walking from the station, with their arms linked. And, getting up, he strolled down through the new rose garden to meet them…
Irene came into his room that night and sat down by the window. She sat there without speaking till he said:
"What is it, my love?"
"We had an encounter to-day."
"With whom?"
"Soames."
Soames! He had kept that name out of his thoughts these last two years; conscious that it was bad for him. And, now, his heart moved in a disconcerting manner, as if it had side-slipped within his chest.
Irene went on quietly:
"He and his daughter were in the Gallery, and afterwards at the confectioner's where we had tea."
Jolyon went over and put his hand on her shoulder.
"How did he look?"
"Grey; but otherwise much the same."
"And the daughter?"
"Pretty. At least, Jon thought so."
Jolyon's heart side-slipped again. His wife's face had a strained and puzzled look.
"You didn't – ?" he began.
"No; but Jon knows their name. The girl dropped her handkerchief and he picked it up."
Jolyon sat down on his bed. An evil chance!
"June was with you. Did she put her foot into it?"
"No; but it was all very queer and strained, and Jon could see it was."
Jolyon drew a long breath, and said:
"I've often wondered whether we've been right to keep it from him. He'll find out some day."
"The later the better, Jolyon; the young have such cheap, hard judgment. When you were nineteen what would you have thought of YOUR mother if she had done what I have?" Yes! There it was! Jon worshipped his mother; and knew nothing of the tragedies, the inexorable necessities of life, nothing of the prisoned grief in an unhappy marriage, nothing of jealousy, or passion – knew nothing at all, as yet!
"What have you told him?" he said at last.
"That they were relations, but we didn't know them; that you had never cared much for your family, or they for you. I expect he will be asking YOU."
Jolyon smiled. "This promises to take the place of air-raids," he said. "After all, one misses them."
Irene looked up at him.
"We've known it would come some day."
He answered her with sudden energy:
"I could never stand seeing Jon blame you. He shan't do that, even in thought. He has imagination; and he'll understand if it's put to him properly. I think I had better tell him before he gets to know otherwise."
"Not yet, Jolyon."
That was like her – she had no foresight, and never went to meet trouble. Still – who knew? – she might be right. It was ill going against a mother's instinct. It might be well to let the boy go on, if possible, till experience had given him some touchstone by which he could judge the values of that old tragedy; till love, jealousy, longing, had deepened his charity. All the same, one must take precautions – every precaution possible! And, long after Irene had left him, he lay awake turning over those precautions. He must write to Holly, telling her that Jon knew nothing as yet of family history. Holly was discreet, she would make sure of her husband, she would see to it! Jon could take the letter with him when he went to-morrow.
And so the day on which he had put the polish on his material estate died out with the chiming of the stable clock; and another began for Jolyon in the shadow of a spiritual disorder which could not be so rounded off and polished…
But Jon, whose room had once been his day nursery, lay awake too, the prey of a sensation disputed by those who have never known it, "love at first sight!" He had felt it beginning in him with the glint of those dark eyes gazing into his athwart the Juno – a conviction that this was his 'dream'; so that what followed had seemed to him at once natural and miraculous. Fleur! Her name alone was almost enough for one who was terribly susceptible to the charm of words. In a homoeopathic age, when boys and girls were coeducated, and mixed up in early life till sex was almost abolished, Jon was singularly old-fashioned. His modern school took boys only, and his holidays had been spent at Robin Hill with boy friends, or his parents alone. He had never, therefore, been inoculated against the germs of love by small doses of the poison. And now in the dark his temperature was mounting fast. He lay awake, featuring Fleur – as they called it – recalling her words, especially that "Au revoir!" so soft and sprightly.
He was still so wide-awake at dawn that he got up, slipped on tennis shoes, trousers, and a sweater, and in silence crept down-stairs and out through the study window. It was just light; there was a smell of grass. 'Fleur!' he thought; 'Fleur!' It was mysteriously white out-of-doors, with nothing awake except the birds just beginning to chirp. 'I'll go down into the coppice,' he thought. He ran down through the fields, reached the pond just as the sun rose, and passed into the coppice. Bluebells carpeted the ground there; among the larch-trees there was mystery – the air, as it were, composed of that romantic quality. Jon sniffed its freshness, and stared at the bluebells in the sharpening light. Fleur! It rhymed with her! And she lived at Mapledurham – a jolly name, too, on the river somewhere. He could find it in the atlas presently. He would write to her. But would she answer? Oh! She must. She had said "Au revoir!" Not good-bye! What luck that she had dropped her handkerchief. He would never have known her but for that. And the more he thought of that handkerchief, the more amazing his luck seemed. Fleur! It certainly rhymed with her! Rhythm thronged his head; words jostled to be joined together; he was on the verge of a poem.