Роберт Льюис Стивенсон
Familiar Studies of Men and Books
I think we can conceive him, in these early years, in that rough moorland country, poor among the poor with his seven pounds a year, looked upon with doubt by respectable elders, but for all that the best talker, the best letter-writer, the most famous lover and confidant, the laureate poet, and the only man who wore his hair tied in the parish. He says he had then as high a notion of himself as ever after; and I can well believe it. Among the youth he walked facile princeps, an apparent god; and even if, from time to time, the Reverend Mr. Auld should swoop upon him with the thunders of the Church, and, in company with seven others, Rab the Ranter must figure some fine Sunday on the stool of repentance, would there not be a sort of glory, an infernal apotheosis, in so conspicuous a shame? Was not Richelieu in disgrace more idolised than ever by the dames of Paris? and when was the highwayman most acclaimed but on his way to Tyburn? Or, to take a simile from nearer home, and still more exactly to the point, what could even corporal punishment avail, administered by a cold, abstract, unearthly school-master, against the influence and fame of the school’s hero?
And now we come to the culminating point of Burns’s early period. He began to be received into the unknown upper world. His fame soon spread from among his fellow-rebels on the benches, and began to reach the ushers and monitors of this great Ayrshire academy. This arose in part from his lax views about religion; for at this time that old war of the creeds and confessors, which is always grumbling from end to end of our poor Scotland, brisked up in these parts into a hot and virulent skirmish; and Burns found himself identified with the opposition party, – a clique of roaring lawyers and half-heretical divines, with wit enough to appreciate the value of the poet’s help, and not sufficient taste to moderate his grossness and personality. We may judge of their surprise when Holy Willie was put into their hand; like the amorous lads of Tarbolton, they recognised in him the best of seconds. His satires began to go the round in manuscript; Mr. Aiken, one of the lawyers, “read him into fame;” he himself was soon welcome in many houses of a better sort, where his admirable talk, and his manners, which he had direct from his Maker, except for a brush he gave them at a country dancing school, completed what his poems had begun. We have a sight of him at his first visit to Adamhill, in his ploughman’s shoes, coasting around the carpet as though that were sacred ground. But he soon grew used to carpets and their owners; and he was still the superior of all whom he encountered, and ruled the roost in conversation. Such was the impression made, that a young clergyman, himself a man of ability, trembled and became confused when he saw Robert enter the church in which he was to preach. It is not surprising that the poet determined to publish: he had now stood the test of some publicity, and under this hopeful impulse he composed in six winter months the bulk of his more important poems. Here was a young man who, from a very humble place, was mounting rapidly; from the cynosure of a parish, he had become the talk of a county; once the bard of rural courtships, he was now about to appear as a bound and printed poet in the world’s bookshops.
A few more intimate strokes are necessary to complete the sketch. This strong young plough-man, who feared no competitor with the flail, suffered like a fine lady from sleeplessness and vapours; he would fall into the blackest melancholies, and be filled with remorse for the past and terror for the future. He was still not perhaps devoted to religion, but haunted by it; and at a touch of sickness prostrated himself before God in what I can only call unmanly penitence. As he had aspirations beyond his place in the world, so he had tastes, thoughts, and weaknesses to match. He loved to walk under a wood to the sound of a winter tempest; he had a singular tenderness for animals; he carried a book with him in his pocket when he went abroad, and wore out in this service two copies of the Man of Feeling. With young people in the field at work he was very long-suffering; and when his brother Gilbert spoke sharply to them – “O man, ye are no for young folk,” he would say, and give the defaulter a helping hand and a smile. In the hearts of the men whom he met, he read as in a book; and, what is yet more rare, his knowledge of himself equalled his knowledge of others. There are no truer things said of Burns than what is to be found in his own letters. Country Don Juan as he was, he had none of that blind vanity which values itself on what it is not; he knew his own strength and weakness to a hair: he took himself boldly for what he was, and, except in moments of hypochondria, declared himself content.
The Love Stories
On the night of Mauchline races, 1785, the young men and women of the place joined in a penny ball, according to their custom. In the same set danced Jean Armour, the master-mason’s daughter, and our dark-eyed Don Juan. His dog (not the immortal Luath, but a successor unknown to fame, caret quia vate sacro), apparently sensible of some neglect, followed his master to and fro, to the confusion of the dancers. Some mirthful comments followed; and Jean heard the poet say to his partner – or, as I should imagine, laughingly launch the remark to the company at large – that “he wished he could get any of the lasses to like him as well as his dog.” Some time after, as the girl was bleaching clothes on Mauchline green, Robert chanced to go by, still accompanied by his dog; and the dog, “scouring in long excursion,” scampered with four black paws across the linen. This brought the two into conversation; when Jean, with a somewhat hoydenish advance, inquired if “he had yet got any of the lasses to like him as well as his dog?”
It is one of the misfortunes of the professional Don Juan that his honour forbids him to refuse battle; he is in life like the Roman soldier upon duty, or like the sworn physician who must attend on all diseases. Burns accepted the provocation; hungry hope reawakened in his heart; here was a girl – pretty, simple at least, if not honestly stupid, and plainly not averse to his attentions: it seemed to him once more as if love might here be waiting him. Had he but known the truth! for this facile and empty-headed girl had nothing more in view than a flirtation; and her heart, from the first and on to the end of her story, was engaged by another man. Burns once more commenced the celebrated process of “battering himself into a warm affection;” and the proofs of his success are to be found in many verses of the period. Nor did he succeed with himself only; Jean, with her heart still elsewhere, succumbed to his fascination, and early in the next year the natural consequence became manifest. It was a heavy stroke for this unfortunate couple. They had trifled with life, and were now rudely reminded of life’s serious issues. Jean awoke to the ruin of her hopes; the best she had now to expect was marriage with a man who was a stranger to her dearest thoughts; she might now be glad if she could get what she would never have chosen. As for Burns, at the stroke of the calamity he recognised that his voyage of discovery had led him into a wrong hemisphere – that he was not, and never had been, really in love with Jean. Hear him in the pressure of the hour. “Against two things,” he writes, “I am as fixed as fate – staying at home, and owning her conjugally. The first, by heaven, I will not do! – the last, by hell, I will never do!” And then he adds, perhaps already in a more relenting temper: “If you see Jean, tell her I will meet her, so God help me in my hour of need.” They met accordingly; and Burns, touched with her misery, came down from these heights of independence, and gave her a written acknowledgment of marriage. It is the punishment of Don Juanism to create continually false positions – relations in life which are wrong in themselves, and which it is equally wrong to break or to perpetuate. This was such a case. Worldly Wiseman would have laughed and gone his way; let us be glad that Burns was better counselled by his heart. When we discover that we can be no longer true, the next best is to be kind. I daresay he came away from that interview not very content, but with a glorious conscience; and as he went homeward, he would sing his favourite, “How are Thy servants blest, O Lord!” Jean, on the other hand, armed with her “lines,” confided her position to the master-mason, her father, and his wife. Burns and his brother were then in a fair way to ruin themselves in their farm; the poet was an execrable match for any well-to-do country lass; and perhaps old Armour had an inkling of a previous attachment on his daughter’s part. At least, he was not so much incensed by her slip from virtue as by the marriage which had been designed to cover it. Of this he would not hear a word. Jean, who had besought the acknowledgment only to appease her parents, and not at all from any violent inclination to the poet, readily gave up the paper for destruction; and all parties imagined, although wrongly, that the marriage was thus dissolved. To a proud man like Burns here was a crushing blow. The concession which had been wrung from his pity was now publicly thrown back in his teeth. The Armour family preferred disgrace to his connection. Since the promise, besides, he had doubtless been busy “battering himself” back again into his affection for the girl; and the blow would not only take him in his vanity, but wound him at the heart.
He relieved himself in verse; but for such a smarting affront manuscript poetry was insufficient to console him. He must find a more powerful remedy in good flesh and blood, and after this discomfiture, set forth again at once upon his voyage of discovery in quest of love. It is perhaps one of the most touching things in human nature, as it is a commonplace of psychology, that when a man has just lost hope or confidence in one love, he is then most eager to find and lean upon another. The universe could not be yet exhausted; there must be hope and love waiting for him somewhere; and so, with his head down, this poor, insulted poet ran once more upon his fate. There was an innocent and gentle Highland nursery-maid at service in a neighbouring family; and he had soon battered himself and her into a warm affection and a secret engagement. Jean’s marriage lines had not been destroyed till March 13, 1786; yet all was settled between Burns and Mary Campbell by Sunday, May 14, when they met for the last time, and said farewell with rustic solemnities upon the banks of Ayr. They each wet their hands in a stream, and, standing one on either bank, held a Bible between them as they vowed eternal faith. Then they exchanged Bibles, on one of which Burns, for greater security, had inscribed texts as to the binding nature of an oath; and surely, if ceremony can do aught to fix the wandering affections, here were two people united for life. Mary came of a superstitious family, so that she perhaps insisted on these rites; but they must have been eminently to the taste of Burns at this period; for nothing would seem superfluous, and no oath great enough, to stay his tottering constancy.
Events of consequence now happened thickly in the poet’s life. His book was announced; the Armours sought to summon him at law for the aliment of the child; he lay here and there in hiding to correct the sheets; he was under an engagement for Jamaica, where Mary was to join him as his wife; now, he had “orders within three weeks at latest to repair aboard the Nancy, Captain Smith;” now his chest was already on the road to Greenock; and now, in the wild autumn weather on the moorland, he measures verses of farewell: —
“The bursting tears my heart declare;
Farewell the bonny banks of Ayr!”
But the great master dramatist had secretly another intention for the piece; by the most violent and complicated solution, in which death and birth and sudden fame all play a part as interposing deities, the act-drop fell upon a scene of transformation. Jean was brought to bed of twins, and, by an amicable arrangement, the Burnses took the boy to bring up by hand, while the girl remained with her mother. The success of the book was immediate and emphatic; it put £20 at once into the author’s purse; and he was encouraged upon all hands to go to Edinburgh and push his success in a second and larger edition. Third and last in these series of interpositions, a letter came one day to Mossgiel Farm for Robert. He went to the window to read it; a sudden change came over his face, and he left the room without a word. Years afterwards, when the story began to leak out, his family understood that he had then learned the death of Highland Mary. Except in a few poems and a few dry indications purposely misleading as to date, Burns himself made no reference to this passage of his life; it was an adventure of which, for I think sufficient reasons, he desired to bury the details. Of one thing we may be glad: in after years he visited the poor girl’s mother, and left her with the impression that he was “a real warm-hearted chield.”
Perhaps a month after he received this intelligence, he set out for Edinburgh on a pony he had borrowed from a friend. The town that winter was “agog with the ploughman poet.” Robertson, Dugald Stewart, Blair, “Duchess Gordon and all the gay world,” were of his acquaintance. Such a revolution is not to be found in literary history. He was now, it must be remembered, twenty-seven years of age; he had fought since his early boyhood an obstinate battle against poor soil, bad seed, and inclement seasons, wading deep in Ayrshire mosses, guiding the plough in the furrow wielding “the thresher’s weary flingin’-tree;” and his education, his diet, and his pleasures, had been those of a Scotch countryman. Now he stepped forth suddenly among the polite and learned. We can see him as he then was, in his boots and buckskins, his blue coat and waistcoat striped with buff and blue, like a farmer in his Sunday best; the heavy ploughman’s figure firmly planted on its burly legs; his face full of sense and shrewdness, and with a somewhat melancholy air of thought, and his large dark eye “literally glowing” as he spoke. “I never saw such another eye in a human head,” says Walter Scott, “though I have seen the most distinguished men of my time.” With men, whether they were lords or omnipotent critics, his manner was plain, dignified, and free from bashfulness or affectation. If he made a slip, he had the social courage to pass on and refrain from explanation. He was not embarrassed in this society, because he read and judged the men; he could spy snobbery in a titled lord; and, as for the critics, he dismissed their system in an epigram. “These gentlemen,” said he, “remind me of some spinsters in my country who spin their thread so fine that it is neither fit for weft nor woof.” Ladies, on the other hand, surprised him; he was scarce commander of himself in their society; he was disqualified by his acquired nature as a Don Juan; and he, who had been so much at his ease with country lasses, treated the town dames to an extreme of deference. One lady, who met him at a ball, gave Chambers a speaking sketch of his demeanour. “His manner was not prepossessing – scarcely, she thinks, manly or natural. It seemed as if he affected a rusticity or landertness, so that when he said the music was ‘bonnie, bonnie,’ it was like the expression of a child.” These would be company manners; and doubtless on a slight degree of intimacy the affectation would grow less. And his talk to women had always “a turn either to the pathetic or humorous, which engaged the attention particularly.”
The Edinburgh magnates (to conclude this episode at once) behaved well to Burns from first to last. Were heaven-born genius to revisit us in similar guise, I am not venturing too far when I say that he need expect neither so warm a welcome nor such solid help. Although Burns was only a peasant, and one of no very elegant reputation as to morals, he was made welcome to their homes. They gave him a great deal of good advice, helped him to some five hundred pounds of ready money, and got him, as soon as he asked it, a place in the Excise. Burns, on his part, bore the elevation with perfect dignity; and with perfect dignity returned, when the time had come, into a country privacy of life. His powerful sense never deserted him, and from the first he recognised that his Edinburgh popularity was but an ovation and the affair of a day. He wrote a few letters in a high-flown, bombastic vein of gratitude; but in practice he suffered no man to intrude upon his self-respect. On the other hand, he never turned his back, even for a moment, on his old associates; and he was always ready to sacrifice an acquaintance to a friend, although the acquaintance were a duke. He would be a bold man who should promise similar conduct in equally exacting circumstances. It was, in short, an admirable appearance on the stage of life – socially successful, intimately self-respecting, and like a gentleman from first to last.
In the present study, this must only be taken by the way, while we return to Burns’s love affairs. Even on the road to Edinburgh he had seized upon the opportunity of a flirtation, and had carried the “battering” so far that when next he moved from town, it was to steal two days with this anonymous fair one. The exact importance to Burns of this affair may be gathered from the song in which he commemorated its occurrence. “I love the dear lassie,” he sings, “because she loves me;” or, in the tongue of prose: “Finding an opportunity, I did not hesitate to profit by it, and even now, if it returned, I should not hesitate to profit by it again.” A love thus founded has no interest for mortal man. Meantime, early in the winter, and only once, we find him regretting Jean in his correspondence. “Because” – such is his reason – “because he does not think he will ever meet so delicious an armful again;” and then, after a brief excursion into verse, he goes straight on to describe a new episode in the voyage of discovery with the daughter of a Lothian farmer for a heroine. I must ask the reader to follow all these references to his future wife; they are essential to the comprehension of Burns’s character and fate. In June, we find him back at Mauchline, a famous man. There, the Armour family greeted him with a “mean, servile compliance,” which increased his former disgust. Jean was not less compliant; a second time the poor girl submitted to the fascination of the man whom she did not love, and whom she had so cruelly insulted little more than a year ago; and, though Burns took advantage of her weakness, it was in the ugliest and most cynical spirit, and with a heart absolutely indifferent. Judge of this by a letter written some twenty days after his return – a letter to my mind among the most degrading in the whole collection – a letter which seems to have been inspired by a boastful, libertine bagman. “I am afraid,” it goes, “I have almost ruined one source, the principal one, indeed, of my former happiness – the eternal propensity I always had to fall in love. My heart no more glows with feverish rapture; I have no paradisiacal evening interviews.” Even the process of “battering” has failed him, you perceive. Still he had some one in his eye – a lady, if you please, with a fine figure and elegant manners, and who had “seen the politest quarters in Europe.” “I frequently visited her,” he writes, “and after passing regularly the intermediate degrees between the distant formal bow and the familiar grasp round the waist, I ventured, in my careless way, to talk of friendship in rather ambiguous terms; and after her return to – , I wrote her in the same terms. Miss, construing my remarks further than even I intended, flew off in a tangent of female dignity and reserve, like a mounting lark in an April morning; and wrote me an answer which measured out very completely what an immense way I had to travel before I could reach the climate of her favours. But I am an old hawk at the sport, and wrote her such a cool, deliberate, prudent reply, as brought my bird from her aerial towerings, pop, down to my foot, like Corporal Trim’s hat.” I avow a carnal longing, after this transcription, to buffet the Old Hawk about the ears. There is little question that to this lady he must have repeated his addresses, and that he was by her (Miss Chalmers) eventually, though not at all unkindly, rejected. One more detail to characterise the period. Six months after the date of this letter, Burns, back in Edinburgh, is served with a writ in meditatione fugæ, on behalf of some Edinburgh fair one, probably of humble rank, who declared an intention of adding to his family.
About the beginning of December (1787), a new period opens in the story of the poet’s random affections. He met at a tea party one Mrs. Agnes M’Lehose, a married woman of about his own age, who, with her two children, had been deserted by an unworthy husband. She had wit, could use her pen, and had read Werther with attention. Sociable, and even somewhat frisky, there was a good, sound, human kernel in the woman; a warmth of love, strong dogmatic religious feeling, and a considerable, but not authoritative, sense of the proprieties. Of what biographers refer to daintily as “her somewhat voluptuous style of beauty,” judging from the silhouette in Mr. Scott Douglas’s invaluable edition, the reader will be fastidious if he does not approve. Take her for all in all, I believe she was the best woman Burns encountered. The pair took a fancy for each other on the spot; Mrs. M’Lehose, in her turn, invited him to tea; but the poet, in his character of the Old Hawk, preferred a tête-à-tête, excused himself at the last moment, and offered a visit instead. An accident confined him to his room for nearly a month, and this led to the famous Clarinda and Sylvander correspondence. It was begun in simple sport; they are already at their fifth or sixth exchange, when Clarinda writes: “It is really curious so much fun passing between two persons who saw each other only once;” but it is hardly safe for a man and woman in the flower of their years to write almost daily, and sometimes in terms too ambiguous, sometimes in terms too plain, and generally in terms too warm, for mere acquaintance. The exercise partakes a little of the nature of battering, and danger may be apprehended when next they meet. It is difficult to give any account of this remarkable correspondence; it is too far away from us, and perhaps, not yet far enough, in point of time and manner; the imagination is baffled by these stilted literary utterances, warming, in bravura passages, into downright truculent nonsense. Clarinda has one famous sentence in which she bids Sylvander connect the thought of his mistress with the changing phases of the year; it was enthusiastically admired by the swain, but on the modern mind produces mild amazement and alarm. “Oh, Clarinda,” writes Burns, “shall we not meet in a state – some yet unknown state – of being, where the lavish hand of Plenty shall minister to the highest wish of Benevolence, and where the chill north wind of Prudence shall never blow over the flowery field of Enjoyment?” The design may be that of an Old Hawk, but the style is more suggestive of a Bird of Paradise. It is sometimes hard to fancy they are not gravely making fun of each other as they write. Religion, poetry, love, and charming sensibility, are the current topics. “I am delighted, charming Clarinda, with your honest enthusiasm for religion,” writes Burns; and the pair entertained a fiction that this was their “favourite subject.” “This is Sunday,” writes the lady, “and not a word on our favourite subject. O fy ‘divine Clarinda!’” I suspect, although quite unconsciously on the part of the lady, who was bent on his redemption, they but used the favourite subject as a stalking-horse. In the meantime, the sportive acquaintance was ripening steadily into a genuine passion. Visits took place, and then became frequent. Clarinda’s friends were hurt and suspicious; her clergyman interfered; she herself had smart attacks of conscience, but her heart had gone from her control; it was altogether his, and she “counted all things but loss – heaven excepted – that she might win and keep him.” Burns himself was transported while in her neighbourhood, but his transports somewhat rapidly declined during an absence. I am tempted to imagine that, womanlike, he took on the colour of his mistress’s feeling; that he could not but heat himself at the fire of her unaffected passion; but that, like one who should leave the hearth upon a winter’s night, his temperature soon fell when he was out of sight, and in a word, though he could share the symptoms, that he had never shared the disease. At the same time, amid the fustian of the letters there are forcible and true expressions, and the love verses that he wrote upon Clarinda are among the most moving in the language.
We are approaching the solution. In mid-winter, Jean, once more in the family way, was turned out of doors by her family; and Burns had her received and cared for in the house of a friend. For he remained to the last imperfect in his character of Don Juan, and lacked the sinister courage to desert his victim. About the middle of February (1788), he had to tear himself from his Clarinda and make a journey into the south-west on business. Clarinda gave him two shirts for his little son. They were daily to meet in prayer at an appointed hour. Burns, too late for the post at Glasgow, sent her a letter by parcel that she might not have to wait. Clarinda on her part writes, this time with a beautiful simplicity: “I think the streets look deserted-like since Monday; and there’s a certain insipidity in good kind folks I once enjoyed not a little. Miss Wardrobe supped here on Monday. She once named you, which kept me from falling asleep. I drank your health in a glass of ale – as the lasses do at Hallowe’en – ‘in to mysel’.’” Arrived at Mauchline, Burns installed Jean Armour in a lodging, and prevailed on Mrs. Armour to promise her help and countenance in the approaching confinement. This was kind at least; but hear his expressions: “I have taken her a room; I have taken her to my arms; I have given her a mahogany bed; I have given her a guinea… I swore her privately and solemnly never to attempt any claim on me as a husband, even though anybody should persuade her she had such a claim – which she has not, neither during my life nor after my death. She did all this like a good girl.” And then he took advantage of the situation. To Clarinda he wrote: “I this morning called for a certain woman. I am disgusted with her; I cannot endure her;” and he accused her of “tasteless insipidity, vulgarity of soul, and mercenary fawning.” This was already in March; by the thirteenth of that month he was back in Edinburgh. On the 17th, he wrote to Clarinda: “Your hopes, your fears, your cares, my love, are mine; so don’t mind them. I will take you in my hand through the dreary wilds of this world, and scare away the ravening bird or beast that would annoy you.” Again, on the 21st: “Will you open, with satisfaction and delight, a letter from a man who loves you, who has loved you, and who will love you, to death, through death, and for ever… How rich am I to have such a treasure as you!.. ‘The Lord God knoweth,’ and, perhaps, ‘Israel he shall know,’ my love and your merit. Adieu, Clarinda! I am going to remember you in my prayers.” By the 7th of April, seventeen days later he had already decided to make Jean Armour publicly his wife.
A more astonishing stage-trick is not to be found. And yet his conduct is seen, upon a nearer examination, to be grounded both in reason and in kindness. He was now about to embark on a solid worldly career; he had taken a farm; the affair with Clarinda, however gratifying to his heart, was too contingent to offer any great consolation to a man like Burns, to whom marriage must have seemed the very dawn of hope and self-respect. This is to regard the question from its lowest aspect; but there is no doubt that he entered on this new period of his life with a sincere determination to do right. He had just helped his brother with a loan of a hundred and eighty pounds; should he do nothing for the poor girl whom he had ruined? It was true he could not do as he did without brutally wounding Clarinda; that was the punishment of his bygone fault; he was, as he truly says, “damned with a choice only of different species of error and misconduct.” To be professional Don Juan, to accept the provocation of any lively lass upon the village green, may thus lead a man through a series of detestable words and actions, and land him at last in an undesired and most unsuitable union for life. If he had been strong enough to refrain or bad enough to persevere in evil; if he had only not been Don Juan at all, or been Don Juan altogether, there had been some possible road for him throughout this troublesome world; but a man, alas! who is equally at the call of his worse and better instincts, stands among changing events without foundation or resource. 3
Downward Course
It may be questionable whether any marriage could have tamed Burns; but it is at least certain that there was no hope for him in the marriage he contracted. He did right, but then he had done wrong before; it was, as I said, one of those relations in life which it seems equally wrong to break or to perpetuate. He neither loved nor respected his wife. “God knows,” he writes, “my choice was as random as blind man’s buff.” He consoles himself by the thought that he has acted kindly to her; that she “has the most sacred enthusiasm of attachment to him;” that she has a good figure; that she has a “wood-note wild,” “her voice rising with ease to B natural,” no less. The effect on the reader is one of unmingled pity for both parties concerned. This was not the wife who (in his own words) could “enter into his favourite studies or relish his favourite authors;” this was not even a wife, after the affair of the marriage lines, in whom a husband could joy to place his trust. Let her manage a farm with sense, let her voice rise to B natural all day long, she would still be a peasant to her lettered lord, and an object of pity rather than of equal affection. She could now be faithful, she could now be forgiving, she could now be generous even to a pathetic and touching degree; but coming from one who was unloved, and who had scarce shown herself worthy of the sentiment, these were all virtues thrown away, which could neither change her husband’s heart nor affect the inherent destiny of their relation. From the outset, it was a marriage that had no root in nature; and we find him, ere long, lyrically regretting Highland Mary, renewing correspondence with Clarinda in the warmest language, on doubtful terms with Mrs. Riddel, and on terms unfortunately beyond any question with Anne Park.
